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- Arnerud Mejhammar, Kristina, 1966-
(författare)
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Självsyn och världsbild i tecknade serier : Visuella livsberättelser av Cecilia Torudd, Ulf Lundkvist, Gunna Grähs och Joakim Pirinen
- 2020
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis researches the ways that comics artists represent themselves in their work and use their own personal life experience to create visual life narratives. The main purpose is to investigate concepts of both self-image and world-view in comics by Cecilia Torudd, Ulf Lundkvist, Gunna Grähs and Joakim Pirinen, in order to achieve a more nuanced understan- ding of life narratives in a broader sense. The study also aims at giving an account of the development of alternative comics in Sweden during the period 1965-2015, including the rise of the autobiographical comics genre at the turn of the millennium. In individual case studies, I present the life and work of these four Swedish artists, who all emerged in the late 1970s and early 1980s, at a time when so-called adult comics (vuxenserier) became promi- nent in Sweden. I analyse and interpret a number of life narratives by their hand, applying theories on art and visual communication, comics and life narratives. These analyses reveal common and individual themes as well as visual and narrative strategies. Particular atten- tion is paid to the contribution of the image in the creation of story worlds where personal style and the skill of drawing are highlighted as means to create a sense of credibility. By putting their work in a historical, cultural and social context, and through an interdisciplinary approach, the study results in a deeper knowledge of these comics as a medium for self-ex- pression. The study shows that life narratives are indeed already prominent in the Swedish comics of the 1980s. By seeing self-image as a concept of oneself in interaction with others, and world-view as a subjective perception of the outside world that is conveyed through the comics medium, this thesis gives a broader perspective on the ways that the self and the world take shape in the comics medium. Cartoonists who portray themselves and use their own experiences to tell stories convey new world-views through their visual life narratives.
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- Borgehammar, Stephan, et al.
(författare)
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Nordens äldsta bevarade byggnad? : Dalby kyrkas värde mellan historia och framtid
- 2017
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Ingår i: Kyrkobyggnad och kyrkorum : Forskningsfrågor - Forskningsfrågor. - 0348-1433. - 9789174024401 ; 90, s. 9-36
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Artikeln redogör för Dalby kyrkas kulturhistoriska värde utifrån olika kriterier som ålder och unicitet. Därefter går den över till att diskutera hur vårt sätt att uppfatta dess värde påverkar hur vi väljer att vårda den i framtiden.
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- Hinners, Linda, 1971-
(författare)
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De fransöske handtwerkarne vid Stockholms slott 1693–1713 : Yrkesroller, organisation, arbetsprocesser
- 2012
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The thesis deals with French sculptors and painters active around 1700 at the Royal Palace in Stockholm. They were summoned from Paris by the architect Nicodemus Tessin the younger (1654–1728). This study analyses the Frenchmen’s professional roles, how Tessin organised their work and the working methods applied in the decoration of the Gallery of Charles XI and the adjoining parade rooms. It also involves questions concerning the artist’s roles and the status of artistic professions at the early modern period.The artisans were a group of some fifteen sculptors, painters, founders and a goldsmith. Several of them were accompanied by family members, some of whom were active in the workshop. In France these sculptors and painters had worked in the Bâtiments du Roi and particularly at the Gobelins. Although they were not part of the artistic elite at the Académie Royale de Peinture et de Sculpture they had vital knowledge in classical pattern/design, le bon goût and drawing. The artisans were also members of the guild system and were thus permitted to accept private commissions.My aim has been to clarify the artisans’ background in Paris and the recruitment undertaken by the diplomat Daniel Cronström (1655–1719). With regard to their activities in Sweden, it has been important to clarify their conditions in the building organisation at the Royal Palace, including social contexts such as their family situation and the possibility to practise their Catholic faith. Equally important is the professional relationship between the Frenchmen and Tessin, who was appointed Superintendent in 1697. Through detailed archival studies, the working practices and the creative process are analysed, especially the collaboration between Tessin and the painter Jacques Foucquet and the sculptors René Chauveau (1663–1722) and Jacques Foucquet (1639–1731).
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| 7. |
- Inzaina, Anna Brodow, 1965-
(författare)
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Konstnärliga projekt & experiment : Beviljade projektbidrag ur Sveriges bildkonstnärsfond 1976-2007
- 2014
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis is about a state-funded artist subsidy granted to visual artists and intended for costly artwork and projects. The project subsidy with its administrative framework is to be found in the intersection between the artistic and political fields. On the board of Sweden’s Visual Artists’ Fund, which is an independent decision-making organ within the Swedish Arts Grants Committee, there are representatives for the art scene appointed by the government for a limited period.The aim of the study is to investigate the relationship between the two fields in the processes which led to the enactment of the subsidy. But also to highlight the changes over time in such relationships on the art scene which concern the relative strengths between positions in the artistic field and the relationship between the state and the artists. Furthermore, the aim is to answer the question of which types of projects have been granted means in the years 1976-2007 and how these relate to the guidelines for the subsidy.Two major changes in the power structures of the artistic field have been identified during the period. These form the basis of the division of the thesis into two parts which mirror each other in three chapters each. The description of two phases in the granting of the subsidies is the main result of the thesis. In the first part the artistic field is influenced by forces from without which affect the relative strengths within the artistic field, while in the second part it regains its autonomy and closes itself off from outside influences.The empirical investigation through cross-sections and sample studies has shown that the project subsidy was widely issued. However, changes on the art scene after the post-modern shift towards a conceptual and process-oriented art came to be of significant importance for the understanding of what a project is. The thesis has shown how the entire basic understanding of the project subsidy has changed and influenced the distribution in spite of the ordinance not having been changed since it was formulated in 1976.
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