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Search: WFRF:(Graf Heike 1959 )

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  • Graf, Heike, 1959- (author)
  • Claude Shannon and Warren Weaver (1949) The Mathematical Theory of Communication
  • 2024
  • In: Classics in Media Theory. - Abingdon, Oxon : Routledge. - 9781040026519 ; , s. 70-83
  • Book chapter (other academic/artistic)abstract
    • This chapter takes as its point of departure a significant book that has inspired media and communication studies even though it treats issues of information and communication from a mathematical and technical angle. This chapter introduces Claude Shannon and Warren Weaver’s communication theory and its central concepts, which have been especially important in the field of media and communication studies, including the now-common terms information, selection, uncertainty and the (im)probability of communication. This chapter first reviews the mathematical theory of communication, as formulated by Shannon, and the additions provided by Weaver; it then briefly presents the criticism against this theory and how the theory has been used and further developed in fields such as cybernetics and systems theory.
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  • Graf, Heike, 1959- (author)
  • Examining Garden Blogs as a Communication System
  • 2012
  • In: International Journal of Communication. - 1932-8036. ; :6, s. 2758-2779
  • Journal article (peer-reviewed)abstract
    • The blogosphere supports an interpersonal meaning production process by providing the space and opportunities for communication through the circulation and discussion oftopics. Using systems theory, as developed by Niklas Luhmann, I explore how garden bloggers issue invitations to communicate by studying their selection process from all possible entries and images. I examine the selection criteria for posting an entry and especially look at Swedish and German garden blogs to study “ordinary” people’s relations in the blogosphere from the perspective of sharing opinions, impressions, and emotions about their garden environment. As a result, the selection criteria of novelty, values, identification, conflicts, visuality, and sociality are revealed. A communicative culture of approval, admiration, and respect, which promotes emotional ties and strengthens the feeling of common concerns in the blogosphere, is noticeably present.
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  • Graf, Heike, 1959- (author)
  • Journalistiken, den etniska mångfalden och migrationen
  • 2019. - 2
  • In: Handbok i journalistikforskning. - Lund : Studentlitteratur AB. - 9789144124636 ; , s. 311-323
  • Book chapter (other academic/artistic)abstract
    • Det här kapitlet behandlar journalistik och etnisk mångfald ur ett medietext- och produktionsperspektiv. Kapitlet inkluderar inte etniska minoriteters reception av olika sorters medietexter.Begreppet ”etnicitet” syftar på olika härkomst än den egna gruppen, som i detta kapitel är den nationella majoritetsgruppen. Som samlingsbegrepp används numera begreppet ”personer med utländsk bakgrund”, vilket avser personer som är utrikesfödda eller födda i Sverige med minst en utrikes född förälder (DS 2000:43). Framför allt i samband med forskningens historik inkluderas i kapitlet också nationella minoriteter, vilka fick officiellt erkännande i Sverige först 1999.Fokus ligger på etnisk mångfald samt på nyhetsjournalistik i tv, radio och press. Därmed avgränsar sig kapitlet från frågor kring exempelvis kulturell mångfald, kön, funktionsnedsättning, sexuell läggning och ålder.Efter en överblick över de mest relevanta teorierna och internationell forskning om journalistik och etnisk mångfald ges en mer detaljerad och kronologisk överblick över svensk forskning om ämnet.
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  • Graf, Heike, 1959- (author)
  • Media Practices an Forced Migration : Trust Online and Offline
  • 2018
  • In: Media and Communication. - : Cogitatio Press. - 2183-2439. ; 6:2, s. 149-157
  • Journal article (peer-reviewed)abstract
    • This article explores the relationship between online and offline practices in the special case of forced migration. By applying a central category in social relations, trust/distrust as developed by Niklas Luhmann, this article contributes to the understanding of forced migration in the digital age. It presupposes that, without a strategy of trust, it would be almost impossible to cope with situations of unfamiliarity and uncertainty. By interviewing refugees, the questionis in what contexts the refugee recognizes that they can trust (or not). The article concludes that through the combination of on- and offline communication practices, more varied mechanisms for the creation and stabilization of trust are provided. In contexts of unfamiliarity, interpersonal relations with the native inhabitants play an important role in bridging online and offline worlds.
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  • Graf, Heike, 1959- (author)
  • Medien
  • 2023
  • In: Nordeuropa. - Baden-Baden : Nomos Verlagsgesellschaft. - 9783848786992 - 9783748930914 ; , s. 365-374
  • Book chapter (other academic/artistic)
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  • Graf, Heike, 1959- (author)
  • Migrant voices. Who speaks out what and why? : The example of the German podcast “Kanackische Welle”
  • 2021
  • In: NordMedia Conference 2021.
  • Conference paper (other academic/artistic)abstract
    • This paper gives first insights into a new research project (started in January 2021) about ”migrant voices”. We study different media initiatives and media productions by migrants or people with migrant backgrounds from different generations and in different countries (Sweden, Germany, Estonia). The term “migrant media” holds the idea that migrants make their own content, that is, they have editorial control, and tell their own stories purposefully and intentionally. This is a field that has only received marginal attention in the wider field of media and communication studies. Since the technical preconditions for speech, e.g. for participating in the public sphere are enhanced due to digital communication technologies, digital voices of the migrants have the potential to counteract a dominant mainstream media discourse. In order to explore forms of “listening” and “talking back”, I focus on a podcast named “Kanackische Welle” with 42 episodes (June 2021) that gained wider attention in the German public sphere. The topic of living in a multi-cultural society in general and racism in Germany in particular are widely discussed in this podcast. This paper asks how the producers work in order to amplify their voice beyond their own migrant community. What kind of voices, narratives and frames are privileged by this media? This podcast shows how it is possible to add new voices to the wider public sphere by addressing issues from perspectives that are usually not or only marginally noticed. The question of racism is not new, but the angle of everyday stereotyping and hierarchization of cultures and shades of skin color, and privileges of white people are hardly discussed. The issues are both treated in a “we and them” manner but also in self-reflective way. Guests are usually invited in order to deepen the conversation and to give a broader view. It is not done in a pro and contra manner but rather in an informal way of common understanding of the relevance of the issue by e.g. sharing expert knowledge in order to understand the roots and causes for widespread racist thinking. Already from the beginning, the hosts and guests agree upon the importance of the issue and want to clarify the problem. Actually, this media production is an example of how to make the media landscape more diverse. Benefitting from the status of being trained journalists and having a journalistic network behind, gave the hosts good starting opportunities for gaining attention and recognition from mainstream media and, therefore, a path into the wider public sphere and outside one’s own community. The combination of status and thoughtful treatment of complex issues in a playful way, especially target at the younger generation, has opened the door for recognition from mainstream media. The perspectives addressed in the podcast are “currently very requested” by mainstream media (Krone 2020) because they attract migrant communities and especially a younger audience, something that, mainstream media often have not succeeded with.
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  • Graf, Heike, 1959- (author)
  • What to expect? : The role of media technologies in refugees’ resettlement
  • 2021
  • In: The virtual 71st Annual International Communication Association Conference.
  • Conference paper (other academic/artistic)abstract
    • This article examines the entanglement between refugees’ Internet use and their present living conditions of re-settlement in Sweden and Germany. It seeks to provide a new perspective by applying the operational concept of “expectation” as developed by Niklas Luhmann.Expectations emerge in the interplay between the user and the materiality as well as functionality of media technologies that are embedded in concrete living conditions. Based on in-depth interviews, it becomes obvious that using media technologies in order to manage one’s life situation is a learning process influenced by social and cognitive conditions, whereby the responsibility of the individual is decisive for a successful outcome.
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  • Graf, Heike, 1959- (author)
  • What to Expect? : The Role of Media Technologies in Refugees’ Resettlement
  • 2022
  • In: International Journal of Communication. - : USC Annenberg. - 1932-8036. ; 16
  • Journal article (peer-reviewed)abstract
    • This article examines the entanglement between refugees’ Internet use and their present living conditions of resettlement in Sweden and Germany. It seeks to provide a new perspective by applying the operational concept of expectation as developed by Niklas Luhmann. Expectations emerge in the interplay between the user and the materiality as well as functionality of media technologies that are embedded in concrete living conditions. In the case of disappointed expectations, a cognitive or normative expectation stabilization strategy is applied. Based on in-depth interviews, it becomes obvious that where cognitive expectations are concerned, openness to change one’s expectations, and therefore learning, is increased.
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  • Graf, Heike, 1959- (author)
  • Översikt av svensk medieforskning om invandring och etnisk mångfald
  • 2021
  • In: Vitt eller brett. - Stockholm : Institutet för Mediestudier. - 9789198709803 ; , s. 108-130
  • Book chapter (other academic/artistic)abstract
    • Inom den svenska medie- och kommunikationsvetenskapen är forskningen kring migration och etnisk mångfald ett relativt nedprioriterat ämne. Det kan te sig märkligt i en tid kännetecknad av stora migrationsrörelser som förändrat samhället till att bli allt mer etniskt och kulturellt heterogent. Dessa samhällsförändringar har konsekvenser för det offentliga samtalet. I mitt bidrag ger jag en översikt av vad som forskats om i Sverige och försöker avslutningsvist ge några svar på varför det finns ett relativt lågt intresse för ämnet.
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  • Seuferling, Philipp (author)
  • Media and the refugee camp : The historical making of space, time, and politics in the modern refugee regime
  • 2021
  • Doctoral thesis (other academic/artistic)abstract
    • This dissertation explores media practices in and of refugee camps. In the wake of forced migration becoming ever more digitized both in its experiences and its governance, this thesis historicizes media practices in refugee camps as a space of the refugee regime. In various historical contexts in Germany after 1945, this study analyses archival material in order to trace media practices in the making of refugee camps’ space, time, and politics, and thereby provides historical insights into circularities, ruptures, and continuities of media practices and their entanglement with being and being made a refugee. Refugee camps spatialize the modern “refugee regime” (Betts, 2010) as a hegemonic mode of governing forced migration. Being paradoxical tools of both shelter and humanitarian relief and at the same time segregation and exclusion, refugee camps are “heterotopian and heterochronic spaces” (Foucault, 1967/1997): othered, paradoxical spaces and times, simultaneously inside and outside of society, a temporary limbo, withholding outcasts from nation-based, bordered societies while at the same time constituting these very societies.The holistic concept of media practices (Couldry, 2004) describes how social practices of mediation and communication enable, shape, and condition socialities and materialities of the refugee camp: media as enabling environments, technologies, and techniques (Peters, 2015) construct, negotiate, and make the camp’s heterotopian and heterochronic condition. By way of media practices, camp residents, staff and authorities, NGOs and governments as well as activists, establish, maintain or alter the social relations of the camp heterotopia and heterochronia. Relating to the space, time, and politics of the camp, these media practices are conceptualized as heterotopian, heterochronic and heteropolitical media practices, which shape and negotiate the differentiation, other-ness and paradoxical inclusions and exclusions from time and space, which refugee camps thrive on.Archival records from the post-war period of ca. 1945 to 1960, and the 1980s and 1990s, provide traces of historical media practices from camp residents, authorities within the refugee regime, and activists and other communities. Three analytical chapters explore heterotopian, heterochronic and heteropolitical media practices. Firstly, heterotopian camp space is produced, governed and controlled through media practices around media infrastructure, such as architecture, media-technological equipment, and administrative practices. Secondly, refugee camps are heterochronic limbos with multiple ruptured temporalities that are managed through media practices of memory and witnessing. Thirdly, heteropolitical media practices are forms of altering and challenging the othering politics of the camp space and camp time through forms of resistance and protest.This thesis re-evaluates historical media practices in and of the refugee camp from the perspective of the digitized refugee regime and experience, and showcases trajectories of media practices that (regardless of media technological environment) have been employed in projects of negotiating and coping with being and being made a refugee. This thesis thereby challenges a rhetoric of newness around digital technologies and contributes theoretically, epistemologically, and empirically to the study of media and migration. By pointing out the complicitness and existentiality of media practices in making, differentiating, and relating space, time, and politics in bordered states, the thesis ultimately argues for an approach to media studies from the margins to help understand how seemingly peripheral spaces mirror and co-construct media practices in society more generally.
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