| 1. |
- Moberg, Christina, et al.
(författare)
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De unga gör helt rätt när de stämmer staten
- 2022
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Ingår i: Aftonbladet. - 1103-9000.
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- 1 620 forskare och lärare i forskarvärlden: Vi ställer oss bakom Auroras klimatkrav
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| 2. |
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| 3. |
- Karlsson, Reine, et al.
(författare)
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Flervetenskaplig ljusforskning
- 2011
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Rapport (populärvet., debatt m.m.)abstract
- Den här skriften handlar om ljus och ljusets betydelse för oss människor. Tolv forskare med vitt skilda bakgrunder samlas och diskuterar frågor som skrider över gränserna. Vad är ljus egentligen? Hur kan vi förstå ljus? Hur påverkar det oss? På vilket sätt kan vi använda oss av det? Vilka tekniska möjligheter har vi att skapa och styra olika sorters ljus? Vilka möjligheter ger det oss inför framtiden? I centrum för dialogen står samarbete och nytänkande. Här ges en inblick i perspektiv på ljus från områden som biologi, teknik, material, fysik, estetik, filosofi, medicin och psykologi, vilka sammantaget, på ett åskådligt och lättbegripligt sätt, presenterar den flervetenskapliga ljusrelaterade kompetensen i Lund. Gruppen av experter hoppas att de frågor som ställs och de svar som ges i den här skriften ska inspirera och leda vidare inom fältet ljusforskning. Tillsammans med Pufendorfinstitutet, genom vilket expertgruppens initiativ getts möjlighet att växa och utvecklas, vill de med andra ord att sätta ljuset på...just ”ljuset”!
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| 4. |
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| 5. |
- Alveteg, Mattias, et al.
(författare)
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Vad räknas som belägg för studenters måluppfyllelse?
- 2018
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Ingår i: 10:e Pedagogiska Inspirationskonferensen 2018. - 2003-3761 .- 2003-377X. ; 10
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Konferensbidrag (refereegranskat)abstract
- Universitetskanslerämbetet (UKÄ) ställer numera krav på svenska lärosäten att vi ska utvärdera oss själva. Vi på LTH bör då gemensamt försöka hitta sätt att uppfylla UKÄs krav som även ger de verktyg vi själva behöver för att förbättra våra utbildningars kvalitét.Hur tar vi reda på våra utbildningars styrkor och svagheter och vad vi kan göra för att förbättra dem ytterligare? Ett sätt är att undersöka hur väl studenterna uppfyller examensmålen. Vad som ska räknas som belägg för studenters måluppfyllelse är dock svårt, av flera olika skäl. Vår rekommendation blir att triangulera olika typer av belägg samt att tydligt involvera institutionerna i arbetet.
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| 6. |
- Buechler, Daniela, et al.
(författare)
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A Critical Mapping of Practice-Based Research as Evidenced by Swedish Architectural Theses
- 2011
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Ingår i: International Journal of Art & Design Education. - : Wiley. - 1476-8062. ; 30:2, s. 318-327
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Tidskriftsartikel (refereegranskat)abstract
- This article presents an investigation that was funded by the Swedish Institute into the role of creative practice in architectural research as evidenced in Swedish doctoral theses. The sample was mapped and analysed in terms of clusters of interest, approaches, cultures of knowledge and uses of creative practice. This allowed the identification of the ontological, epistemological and methodological attitudes of the researchers, and hence a glimpse of their implicit worldview. The authors claim that the relationship between worldview and research actions in emerging areas of research such as architecture is often under-scrutinised, resulting in a disjunction between aims and strategies for action. Architectural research in which creative practices make an essential contribution to the aims, might represent something new in academic research. The investigators therefore focused on identifying cases in which creative practice was or was claimed to be integrated in an essential way into the research process. There were two principal conclusions. The first was that the mere presence of practice was not necessarily an indicator of so-called arts-based research. The second was that cases of arts-based research that could be regarded as a new paradigm as opposed to a variant of existing paradigms are less common than is claimed by the researchers themselves. As a result, this article makes a contribution to the debate on whether so-called practice-based research should be regarded as a distinct new paradigm.
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| 7. |
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| 8. |
- Högström, Ebba, 1961-
(författare)
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Kalejdoskopiska rum : Diskurs, materialitet och praktik i den decentraliserade psykiatriska vården
- 2012
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- During the period 1967-1995, Swedish mental healthcare underwent a complete re-organisation, starting with county councils taking over responsibility for mental healthcare from the state. Asylums were then phased out and mental health care moved closer to patients. The Mental Health Reform of 1995 completed this decentralisation and put the emphasis on an independent and integrated life as a citizen in society and the idea of a dwelling of one’s own. This thesis describes and analyses spatial aspects of decentralised mental healthcare in Sweden, focusing on the decentralisation discourse regarding organisation, localisation, patient care and working methods behind decentralisation and its spatial performance. A case study of decentralised mental healthcare in Nacka, a Stockholm suburb, between 1958-1999 examines in particular the emerging decentralisation discourse 1958-1973, The Nacka Project 1974-1980 (one of the first examples of community care in Sweden), psychiatry in Nacka 1980-1994 and the official report Welfare and Freedom of Choice from 1995. The methods used include studies of documents, interviews, visual and architectural drawing analysis. The theoretical point of departure for the analysis is a post-structural heterogeneous concept of space where spatial materiality and discursiveness are looked upon as intertwined. The result shows that the re-organisation of mental healthcare brought about a substantial spatial transformation. Normalisation of patients’ lives involved integration into society and support for independent living. The local environment was the main trope for the early stage of decentralised mental healthcare, but the notion of a dwelling of one’s own became the important trajectory to an independent life after 1995. The idea of the patient is challenged by the independence discourse, which could be said to contain an idea of the ‘non-patient’. Overall, it can be concluded that spatial organisations of the built environment are never value-free or neutral. They reflect, enable and constrain power relations in a society and material space can contribute to the power of one group at the expense of another. Furthermore, the results of the spatialities, or the meanings, cannot be predicted. It is therefore crucial to distinguish power in all its configurations and scales and to keep negotiations alive, especially within the field of mental healthcare, but also in the care sector as a whole and in other societal institutions where policies buildings and built environment interact with user practices. This kaleidoscopic perspective can be used for examining complexities in the past and present and for encouraging future potentialities in the process of making/enacting spatial relations.
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| 9. |
- Ioannidis, Konstantinos, 1976-
(författare)
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Designing the Edge : An Inquiry into the Psychospatial Nature of Meaning in the Architecture of the Urban Waterfront
- 2011
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The initial goal of this effort is to develop a discussion on urban design process and thinking that acknowledges the needs of places with meaning in the design of the urban waterfront. The thesis addresses the fact that the problematic of the coastal formulation is intricate, comprising not only aspects related to the spatial organization and design of its domain but also shared properties originated by the presence and movement of the perceiving subject in the area. In this framework, the research attempts to provide an understanding of the main relationships that the subject cultivates inside the coastal space and to offer a broader spatial reading of its narrative function. On the hypothesis that this function is susceptible of interpretation, the thesis develops an interest in examining the effects of the psychospatial nature of meaning on the design and experience of the urban edge, for to interpret a narrative spatial construct is to specify its meaning. To explore the issue of waterfront places that speak of the subject, the research conceives the coastal space as a field of mediated parameters that pertain to three crucial operational premises: the symbolic function of the urban space near the water, the meaning behind the coastal form, and the engagement of the perceiving subject in the conscious or reflexive appropriation of the waterfront setting. These premises, traced as psychophysiological spaces, determine the intermediary, the integrative, and the expressive discourses for the development of places with meaning near the water. Through them, the thesis attempts a reading of the coastal domain based upon the material interpretation of the meanings and messages associated with the immediate experience of the onset of water‐born notions, concepts, and images. Writing about the dialectics between the psychospatial inquiry and the spatial experience of the edge, this thesis suggests that, contrary to the established preconception, the psychology of human‐edge relations submits the perceiving subject to the conception of the coastal form and shape.
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| 10. |
- Leach, Maddie, 1970, et al.
(författare)
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Fountains Failures Futures: The afterlives of public art
- 2023
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Ingår i: Fountains Failures Futures: The afterlives of public art. - Lund : Skissernas Museum - Museum of Artistic Process and Public Art.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Research and discussion about public art frequently focuses on conditions of emergence and production for public works. Fountains Failures Futures starts at the other end – thinking about the afterlives of public art in relation to processes of decline, decay, acts of reparation and re-imagination, transformation, and change. We are interested in questions of sustainability,custodianship, and whether “failed” public artworks can be revitalised and thought anew. What are the implications for their authorship and ownership, and what challenges does this present for commissioners, artists, architects, and urban planners?How can producers, owners and custodians of public artworks, and the communities living with these works, anticipate and accommodate complex afterlives of public art?
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| 11. |
- Nobel, Andreas, 1966-
(författare)
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Dimmer på Upplysningen : text, form och formgivning
- 2014
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The main part of the dissertation is a text. The other is an exhibition mainly presenting a bow-lathe and some furniture designed and produced in that bow lathe. Interior- and furniture design are disciplines in which sensory qualities are important. Within these disciplines there are well established methods and languages for developing these qualities. However, such development has rarely been achieved through the medium of text. Sensory qualities tend to be ignored in highly textualized knowledge environments. Within education textualized knowledge is often valued higher than forms of knowledge developed through other medias than text. This situation has led to a dichotomized perception of knowledge where textualized knowledge attained through writing and conceptualizing, is valued higher than knowledge developed through physical work. The thesis argues that this hierarchical view on different forms of knowledge also has an influence on the practical profession of the designer, manifest in the paradoxical situation where the form aspects of design is neglected and over shadowed by various forms of textualized knowledge. The central research question posed in the text part is: Which adverse effects might an increasing emphasis on textualized theory have on the design practices? The questions are highlighted from perspectives such as; epistemology, tradition, history and power.The central research question in the exhibition part examines if any possible negative effects on design resulting from the above mentioned scenario, may be prevented through engaging in a highly physical and non-conceptual design- process? The purpose of the exhibition part is to introduce methods and design that may provide the impetus for further development in the fields of design. The bow lathe is presented as an example of a productive tool for the development of relevant contemporary design.
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| 12. |
- Nordegren, Annica, 1954-
(författare)
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Design–theoretical and empirical, A research project inn design theory including the devolpment of a prototype for a symbol system that represents tastes of wine
- 2004
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The thesis presents a research project in graphic design including the development of a symbol system that represents tastes of wine as consumer information. The thesis has three main chapters; design, theory and empirical foundation. The design chapter clarifies the design concept and its evolution from a traditional standpoint to its present state in the international area of design research as design theory. The theoretical chapter presents a map of concepts in order to explain problems and practical solutions in the design process. The concepts are based on the philosophical ideas of Ernst Cassirer and Ludwig Wittgenstein, and concern interpretation of sense information, symbols and signs, picture and image. The design of the symbol system concerns the experience of taste, as a translation from words to pictures. The empirical chapter comprehends both a description of the design process and of the empirical research. The method used is prototyping with a reference group of branch experts. The empirical research has evaluated the possibility to interpret, learn, use and understand the symbol system. The method used is a survey with questionnaires to a group of wine consumers
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| 13. |
- Sandin, Gunnar, et al.
(författare)
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Aesthetic regulation of objectionable representations. : A semiotic approach to memorials and religious architectural space.
- 2012
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Ingår i: Global Semiotics : Bridging Different Civilizations - Bridging Different Civilizations. - 9787563037438
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Konferensbidrag (refereegranskat)abstract
- Whenever a material object is selected to represent a physically absent, but emotionally present referent, such as a religious figure or a deceased relative, we have a complex representation situation that involves what we could tentatively label “transgressive cognitive acts”. A transgressive cognitive act is here meant to involve a part that is experienced as present, and as having an effect, but not evidenced from a rationalist or scientific perspective on existence. Sometimes, the complexity of this type of representation is such that argumentation beside the theological, e.g. aesthetic, comes to stand as vicarious to theological or existential opinions about the matter. The semiotics of such vicarious representation have to consider a “leaking” communication model where one part in the trinity - of the sender, the receiver or the referent - escape a coherent or evidenced definition (God can be all three, depending on type of communication). The fact that empirically non-existing referents have been recognized and theorized in semiotics (Eco; Sonesson; and others) does not explain why certain cases of absent semiotic agents, linked to religious belief, or to sense of presence in grief of a deceased person, may give rise to such extreme degree of emotion or sense of existence.Departing from a narrated episode written by J M Coetzee, about the controversy brought up by a crucifix, turning into a quarrel about aesthetic preferences, this paper discusses a series of designed or spontaneously created spatial representations of physically absent, but indirectly and emotionally present referents, as they appear in memorials, cemeteries and funeral chapels. In public acts of memorialisation, the physical objects that represent the deceased – like gravestones or memorial objects placed at sites representing the dead – are often strictly regulated, differently in different cultures. When for instance they appear at unexpected places in the urban environment, or with unfamiliar looks, memorials and their material culture can become highly controversial or be regarded as objectionable.These materialisations with a relation to religion, or existential belief, may give rise to arguments where the aesthetic aspect is the last chance to state a principle order in the cultural scheme in which they are debated. Such arguments are actualised in the current debate about post-secular societies, where it is for instance stated (Habermas) that both religious and secular mentalities must be open to a complementary learning if we are to balance shared citizenship and cultural difference in the post-secular society. It is an objective of this paper to show that the recognition of a semiotics that involves the paradoxical presence of emotionally strong, but fundamentally absent parts in communication can contribute to the aesthetics of physically present, but existentially debated objects, as well as to the discussion about the confronting as well as conjoining elements of regulation of these issues in society.
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| 14. |
- Sandin, Gunnar, et al.
(författare)
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Aesthetic replacement strategies in hospitals
- 2011
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Ingår i: Ambience11 : Where art, technology and design meet - Where art, technology and design meet. - 9789197557689 ; , s. 69-77
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Konferensbidrag (refereegranskat)
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| 15. |
- Sandin, Gunnar, et al.
(författare)
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Feedback: an Architectural Interpretation of a Painting by Meret Opppenheim
- 2009
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Ingår i: La Semiotica. Intersección entre la Naturaleza y la Cultura / Semiotics Bridging Nature and Culture / La sémotique: carrefour de la nature et de la culture. : Proceedings of the 6th Congress of the IASS-AIS, Guadalajara, Mexico, 13-19 July, 1999. - Proceedings of the 6th Congress of the IASS-AIS, Guadalajara, Mexico, 13-19 July, 1999..
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Konferensbidrag (refereegranskat)
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| 16. |
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| 17. |
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| 18. |
- Sandin, Gunnar, et al.
(författare)
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Modes of communication in artistic research: on Americanness and Architectural Influence on semiotic grounds
- 2012
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Ingår i: Culture of communication/Communication of culture : Proceedings of the 10th World Congress of the International Association for Semiotic Studies (IASS/AIS) - Proceedings of the 10th World Congress of the International Association for Semiotic Studies (IASS/AIS). - 9788497495226 ; , s. 1089-1100
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Bokkapitel (refereegranskat)abstract
- In relation to traditional modes of research within academic context, there is a recent interest in research methods where artistic practices set a larger part of the managerial guidelines, i. e. where the artist or artwork is not the subject of investigation, but rather the operative agent for the carrying through of a project and for the dissemination of results. These methods are by necessity tied to more idiosyncratic and more experimental ways of communicating research. From a «pure» conveying perspective this may seem controversial: Why introduce new interpretative layers into the academically formalized frameworks of communication? However, from an «empirical» art perspective, as well as from the semiotic perspective of the pervasive presence of «vagueness» (Peirce), it is understandable that certain qualities in artistic work, as well as in empirical research, might get lost when conventional methods of investigation are setting the norm. When artistic methods – like practice-based investigatory techniques, critical institutional intervention, unforeseen technologies of information processing, and experimental modes of dissemination – are brought into traditional academic modes of investigation, the benefit seems to be of a reciprocal sort: both academia and art world may conquer pre-conceptualization in their respective knowledge traditions. The conventional terminology by which research applications, as well as art projects, are generally described generally include notions like «background», «theory», «method», «relevance», etc, and these are used to reach an understanding from experts as well as from non-expert readers. It is in this paper suggested that such basic concepts could be discussed also in relation to another set of terms, less frequent but relevant for this field: «ground», «wit» and «margin». «Ground» relates to the abstract correspondence between two distinct phenomena, as in iconic and indexical ground (Peirce, Sonessson, a o). «Wit» stands for the conclusive logic mechanism of a humorous or non-humorous creation (Freud, a o). And «Margin» is here thought of as the reduced or neglected surroundings to a thematic context that nevertheless influence the focus of thematic attention (Gurwitsch, a o). An underlying question is to what extent the common terminology is also decisive for the communicational performance of research within creative arts.
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| 19. |
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| 21. |
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| 22. |
- Ståhl, Lars-Henrik
(författare)
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6494
- 1995
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Ingår i: Forskningen fortsätter: 30 doktorander: Arkitekturskolan i Lund 30 år: jubileumsskrift.
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 23. |
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| 24. |
- Ståhl, Lars-Henrik
(författare)
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A Kind of Friend : Seven Episodes about Friendship
- 2016
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The film "A Kind of Friend, Seven Episodes about Friendship" is a video essay that also is apart of the artistic research project "Microhistories"
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| 25. |
- Ståhl, Lars-Henrik, et al.
(författare)
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A Kind of Friend (text)
- 2016
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Ingår i: Microhistories. - 9789185549207 ; , s. 98-103
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Bokkapitel (refereegranskat)abstract
- The text "A Kind of Friend" is a written abstract about the video essay with the sam name
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