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- Bowman, Jason E., 1967
(författare)
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PARSE Journal Issue #2 The Value of Contemporary Art
- 2015
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Ingår i: http://www.parsejournal.com/issue/2. - Göteborg : University of Gothenburg. - 2002-0953. ; 1:2
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- With Professor Andrea Phillips (University of Gothenburg) and Dr. Suhail Malik (Goldsmiths, University of London) , I co-edited the second edition of the peer-reviewed PARSE (Platform for Artistic Research Sweden) Journal. This edition dealt specifically with questions of value in contemporary art and included a total of 11 peer reviewed contributions.
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- Wilson, Mick, 1964
(författare)
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White Mythologies and Epistemic Refusals: Teaching Artistic Research Through Institutional Conflict
- 2020
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Ingår i: Teaching Artistic Research: Conversations Across Cultures. - Berlin : De Gruyter. - 3110662396
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Bokkapitel (refereegranskat)abstract
- This essay outlines a heuristic model of a teaching practice that attempts to operate within the fundamentally contested field of artistic research by exploring the terms and processes of conflicted institutional practices and rhetorics. Taking account of the different ways in which artistic research has become a highly visible moment of institutional conflict, this paper outlines an approach to teaching early-stage researchers through active processes of knowledge conflict. The model outlined here proposes a group process by which fault-lines of conflict and disagreement may be thematized and operationalized within a teaching praxis. The provisional model being proposed is based upon concrete experiment and application over the last decade in a range of formal and informal educational settings.
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- Orru, Anna Maria, 1976, et al.
(författare)
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AHA! festival 2016
- 2016
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- For the third year, the AHA festival investigates the meeting between art and science in a three-day event at the Chalmers University of Technology hosted by the Department of Architecture and the Department of Physics. An international festival intended to provide enlightening experiences, staging surprises, new thoughts and displaced perspectives that lead to alternative modes of thinking about exploring the world through art and science. We invite scientists (physicists, historians, astronomers, engineers), artists (dancers, musicians, painters, poets, acrobats) who reside in these borderlands and wish to share their vision and work. The key intention is to celebrate both art and science as key knowledge building devices.The first year’s theme ’Embodiment’ (2014) explored the body as our anchor in the world, followed by the 2015 theme on ’Numbers’, a delightful net we cast over the world. This year's theme is ’Uni-verse,’ again a natural consequence of our interest in the relation between art and science. The elemental force that drives science as well as art is curiosity. Come be curious with us! During the festival we have chosen to divide the word universe into three: uni and "-" and verse. Uni means that something is combined into a whole. Verse means that we are turned in a direction, the origin of the word tells us that it is the plow that turns at the end of the field. And the dash "-" is all the spaces and cracks where new discoveries can grow. Art and science unfolds in the gap between what we know and what we want to know.
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- Herlitz, Alexandra, 1978, et al.
(författare)
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John Singer Sargent, Carnation, Lily, Lily, Rose
- 2024
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Ingår i: Konsthistoriepodden. - : Acast. ; :33
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Vi har länge velat prata om den amerikanske målaren John Singer Sargent (1856-1925) och när vi var i Boston och såg hans fantastiska målningar där, bestämde vi oss att göra ett avsnitt om denna spännande och redan på sin tid mycket populära konstnär! Sargent är mest känd för sina porträtt, men vi valde ”Carnation, Lily, Lily, Rose”, som målades 1885-86 och som finns på Tate Britain i London. Vad betyder den mystiska titeln som låter som en trollformel egentligen? Och är det en spegling av ett och samma barn vi ser? Vilken skandal ledde till att Sargent var tvungen att lämna Paris och hur hamnade han i Cotswolds, där målningen färdigställdes under två sensomrar? Varför arbetade Sargent under långa perioder bara 10 minuter per dag med verket? Och hur kom det sig att läsarskaran bakom The Pall Mall Gazette röstade fram målningen som den man minst av alla ville ha i sitt hem?
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| 11. |
- Tetzlaff, Andrew, et al.
(författare)
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Tintin Wulia: Secrets
- 2023
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Ingår i: Melbourne, RMIT Gallery, 5 Dec 2023 - 27 Jan 2024.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Tintin Wulia is an Indonesian Australian artist whose work reflects on globalisation and geopolitics and uses personal stories to unpick and lay them bare. For over 20 years she has researched the histories that have been told by the world’s dominant narrators, scrutinising their blindspots and systemic inequities and retelling them from nonconforming perspectives. Wulia’s recounting brings the past powerfully into the present and centres it on the voices of the periphery. Her works decode, reinterpret and represent history, orienting us to the current global situation in an effort to help collectively navigate towards a more socially just future.
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- Wulia, Tintin, 1972, et al.
(författare)
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Tintin Wulia: Disclosures
- 2024
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Ingår i: Jakarta, Baik Art, 10 Jan - 24 Feb 2024.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- “Tintin’s recent projects offers essential context, illuminating the interconnectedness between national happenings and the influence and complicity of external forces. They reveal how these forces have molded Indonesia’s modern history’s socio-political contours. In this way, her work establishes a dialogue between the personal and political, between hidden histories and communal memory, and between the banality of everyday life and the extraordinary events that shape it. This preoccupation can be seen across all of the works within this exhibition.” (Aaron Seeto, December 2023) BAIK ART Jakarta is pleased to present Tintin Wulia: Disclosures. Tintin Wulia is an Indonesian Australian artist whose work reflects on globalisation and geopolitics and uses personal stories to unpick and lay them bare. For over 20 years she has researched the histories that have been told by the world’s dominant narrators, scrutinising their blind spots and systemic inequities and retelling them from nonconforming perspectives. Tintin’s recounting brings the past powerfully into the present and centres it on the voices of the periphery. Her works decode, reinterpret and represent history, orienting us to the current global situation in an effort to help collectively navigate towards a more socially just future. Tintin Wulia: Disclosures is presented in parallel with Tintin Wulia: Secrets at RMIT Gallery, Melbourne. It is prepared in conjunction with Tintin’s artistic research project at the University of Gothenburg entitled Protocols of Killings: 1965, distance, and the ethics of future warfare, funded by the Swedish Research Council (2020-02828), and is co-supported by various institutions and collaborators.
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Konstens kunskap : Knowledge of art
- 2021
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Boken är en studie I den konstnärliga forskningens metoder, teorier och resultat betraktat genom tolv avhandlingar framlagda vid Konstnärliga fakulteten vid Göteborgs universitet. The book is a study in the methods, theories and results of Artistic Research viewed through twelve PhD-Theses defended at the Faculty of Fine, Applied and Performing Arts at the University of Gothenburg.
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The Right to design
- 2024
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Ingår i: Urgent Pedagogies Issue #9.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- In this issue of Urgent Pedagogies, The Right to design, a practice-based research platform run by Onkar Kular and Henric Benesch, is presented. The platform has the dual aim of understanding the entangled historic and present relationship between design and rights and to claim ‘design’ itself as a special kind of right that is accessible beyond class background, gender, ethnicity, age, and disability. The platform currently serves as the base for activities such as assemblies, (mis)readings, broadcasting and educational initiatives with partners inside and outside academia. Contributors include Onkar Kular, Henric Benesch, Arjun Appadurai, Arturo Escobar and Caleb Femi.
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- Alexander, Skantze
(författare)
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Trädgårdsmästare & arkitekter : att skriva från början eller skriva från slutet: prospektiva kontra retrospektiva filmmanuspraktiker
- 2020
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Bok (refereegranskat)abstract
- Det finns olika sätt att skapa ett filmmanus – skriva fritt från en spontan idé, eller mer planerat med ett bestämt slut i åtanke. Jag och tre andra manusförfattare skriver varsitt kortfilmsmanus med respektive metod. Jag intervjuar dem efteråt och för egen processdagbok, och jämför de olika manusen: vad har de olika metoderna för olika förlopp, och hur kan dessa skillnader förklaras?Utifrån en kritisk diskussion av olika manusmanualer, undersöker jag dessa prospektiva kontra retrospektiva skrivpraktiker med fokus dels på process och dels på resultat. Resultaten som kan användas både i manusförfattande samt i skrivundervisning.
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- Haglund, Magnus, 1960
(författare)
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The Listening Room : Essay on the essay-work at HDK, Academy of Design and Crafts in Gothenburg, including some deviations and other ways to keep it open
- 2018
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Ingår i: The Listening Room.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- This essay describes the essay work at Academy of Design and Crafts, Gothenburg, and is a commission by Claes Caldenby/Andrej Slavik at Chalmers, Architectural Theory and Methods, for a coming anthology of texts about place and exploration, an outcome of the international seminar Common Ground, taking place at Chalmers, Gothenburg in December 2016. Magnus Haglund has been in charge of the independent course Skrivandet som konstnärligt verktyg, Writing as an Artistic Tool, at HDK since 2014. The text is a contextualization of the ideas behind the course.
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- Olsson, Nils
(författare)
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Redaktören
- 2020
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Ingår i: OEI. - 1404-5095. ; :86-87
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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Chinese whispers
- 2011
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Samlingsverk (redaktörskap) (populärvet., debatt m.m.)abstract
- Chinese Whispers is an edition based on the children’s game with which it shares its name. A voice recording of a whispered word chosen by the editors of the volume was passed on to an initial contributor who was asked to work with the recording, the sound itself as well as its transcription, and produce a sound- and text-based contribution to the volume. Additionally, our initial contributor was asked to pick a subsequent contributor to the series and make another sound recording of the whispered word for this person to work with. We set out to allow this process to continue until we reached a point where we had six confirmed contributors to the volume, each of which had agreed to produce an individual edition containing a CD and various forms of printed matter.The resulting volume is a box-set containing six separate contributions that share the same format and are interlinked by the gradual mutation and disintegration of the original word recorded which remains the undisclosed basis of volume in its entirety.Contributors: Neil Chapman, Jill Magi, Sissu Tarka, Uriel Orlow, Brendan Fernandes and Jaanika Peerna.
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Counting Each Step of the Sun
- 2010
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Samlingsverk (redaktörskap) (populärvet., debatt m.m.)abstract
- Counting Each Step of the Sun explores the diverse set of intersections between the voice of or in a text, the voice during actual reading, vocalization and subvocalization processes, and the recorded voice. It features contributions that in some way problematize, displace and deconstruct any easy set of identifications and distinctions between these different vocal realms as well as those which seek to render possible mutations, hybridizations, points of indiscernability and crossovers between them.The title of the proposed volume derives from an autobiographical story recounted by Allen Ginsberg in a BBC interview with Jeremy Andrews. Spending time in a friend’s New York apartment, Ginsberg tells Andrews how he experienced an aural hallucination in which William Blake recited his poem ‘Ah! Sunflower’ to him in a voice much like Ginsberg’s own yet distinctly different, emanating from his sternum. Ginsberg proceeds to recite the poem himself – ‘Ah! Sunflower, weary of time, who countest the steps of the sun, seeking after that sweet golden clime, where the travelers journey is done, where the youth pined away with desire, and the pale virgin shrouded in snow, arise from their graves and aspire, where my sunflower wishes to go.’ – bringing to mind his 1969 recording of the poem, performed accompanied by a small harmonium on top of the sound of which Ginsberg and others half recites, half sings Blake’s poem.Although this present volume does not engage specifically with the work of Allen Ginsberg, nor that of William Blake, it does draw upon the interplay between voices in this story – that is, the interplay between the voice of or in Blake’s text, the peculiar voices in Ginsberg’s subvocalization-cum-aural hallucination, the voice of Ginsberg reading, the voice we find on the recording of Ginsberg singing, and the voice of Ginsberg recounting his story. On the basis of such interplay, we have been gathering contributions from poets, sound poets, musicians and artists whose current and/or past work we feel have in some way engaged with or intervened in this general field. Contributors have been encouraged to think and work with similar intersections and interstitial spaces in their own poetics, and/or in the work of others, producing text and sound pieces/collages using editing and remixing processes that in some way destabilize, displace and render uncertain any easy and comfortable distinction between these different vocal realms.This volume collects the contributions we received and includes the work of Charles Bernstein, Caroline Bergvall, Christian Bök, Johannes Heldén, Kenneth Goldsmith, Lars-Gunnar Bodin and Danny Snelson.
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- Esperi, Benedikte, 1969
(författare)
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Finnekumla Dans & Konstscen Grupputställning 2023 : Finnekumla Dans & Konstscen grupputställning våren 2023. Sju konstnärer har skapat unika verk under sin vistelse i Finnekumla. Projektledare, kurator och konstnär Benedikte Esperi. Med stöd från Kulturrådet.
- 2023
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Ingår i: Finnekumla Dans & Konstscen, Benedikte Esperi AB, 2023-04-29 till 2023-05-27.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Sju konstnärer har under sitt vistelseresidens skapat unika verk för platsen och har på olika sätt iscensatt den med sina respektive uttrycksformer. Besökaren bjuds in att förflytta sig mellan rummen och omgivningen där de möter stenmåleri, ljudguide, foto, ljud, bild, video, performance och objekt. Dialogen med tid, plats och rum är central. Medverkande: Cha Blasco, Chuyia Chia, Benedikte Esperi(Jesper Cederholm ljud), Linnea Jardemark, Mikael Olofsson, Sagit Paulsson, Joakim Stampe. Projektledare och curator Benedikte Esperi. Genomförs med stöd från Kulturrådet. Vernissage med performance 29/4 Finnissage med performance 27/5 Öppet 12.00-16.00 lörd-sönd maj 2023 För privat/enskild visning under veckodagar kontakta arrangören på info(at)dansverk.se OM: Finnekumla Dans & Konstscen är en plats för residens, produktion och publika möten med fokus på samtida konstuttryck, tvärkonstnärliga möten och nutida dans. Huset rymmer en mindre dansstudio samt utställningsmiljöer och förutsättningar för performance inomhus och utomhus. Samverkar med lokala och globala aktörer. Konstnärlig ledare och initiativtagare Benedikte Esperi. Finnekumla Dance & Art space is a site for residency, production and public venues with main focus on contemporary art and dance. There´s a small dance studio and various spaces for exhibition and performance indoor and outdoor. Collaborates with local and global actors. Artistic director and initiator Benedikte Esperi. Den 100-åriga byggnaden hyrs ut av Ulricehamns Pastorat sedan 2022 för konst och kulturändamål och var ursprungligen folkskola och senare församlingshem. Om Finnekumla socken. Verksamheten är till viss del under uppbyggnad och härsidan uppdateras löpande. Lokalerna är tillgänglighetsanpassade (för frågor kontakta via mail). Tillämpar riktlinjer enligt lag om mångfald, jämställdhet och likabehandling. Lokalen rymmer 80 personer. Konstnärlig ledare Benedikte Esperi Projektassistent och layout Olivia Alf Koordinator och kommunikatör Cheyenne Esperi
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