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Sökning: WFRF:(Berg Daniel 1971)

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1.
  • Ntalla, Ioanna, et al. (författare)
  • Multi-ancestry GWAS of the electrocardiographic PR interval identifies 202 loci underlying cardiac conduction
  • 2020
  • Ingår i: Nature Communications. - : Springer Science and Business Media LLC. - 2041-1723. ; 11:1
  • Tidskriftsartikel (refereegranskat)abstract
    • The electrocardiographic PR interval reflects atrioventricular conduction, and is associated with conduction abnormalities, pacemaker implantation, atrial fibrillation (AF), and cardiovascular mortality. Here we report a multi-ancestry (N=293,051) genome-wide association meta-analysis for the PR interval, discovering 202 loci of which 141 have not previously been reported. Variants at identified loci increase the percentage of heritability explained, from 33.5% to 62.6%. We observe enrichment for cardiac muscle developmental/contractile and cytoskeletal genes, highlighting key regulation processes for atrioventricular conduction. Additionally, 8 loci not previously reported harbor genes underlying inherited arrhythmic syndromes and/or cardiomyopathies suggesting a role for these genes in cardiovascular pathology in the general population. We show that polygenic predisposition to PR interval duration is an endophenotype for cardiovascular disease, including distal conduction disease, AF, and atrioventricular pre-excitation. These findings advance our understanding of the polygenic basis of cardiac conduction, and the genetic relationship between PR interval duration and cardiovascular disease. On the electrocardiogram, the PR interval reflects conduction from the atria to ventricles and also serves as risk indicator of cardiovascular morbidity and mortality. Here, the authors perform genome-wide meta-analyses for PR interval in multiple ancestries and identify 141 previously unreported genetic loci.
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2.
  • van de Vegte, Yordi, et al. (författare)
  • Genetic insights into resting heart rate and its role in cardiovascular disease
  • 2023
  • Ingår i: Nature Communications. - : Springer Nature. - 2041-1723. ; 14:1
  • Tidskriftsartikel (refereegranskat)abstract
    • The genetics and clinical consequences of resting heart rate (RHR) remain incompletely understood. Here, the authors discover new genetic variants associated with RHR and find that higher genetically predicted RHR decreases risk of atrial fibrillation and ischemic stroke. Resting heart rate is associated with cardiovascular diseases and mortality in observational and Mendelian randomization studies. The aims of this study are to extend the number of resting heart rate associated genetic variants and to obtain further insights in resting heart rate biology and its clinical consequences. A genome-wide meta-analysis of 100 studies in up to 835,465 individuals reveals 493 independent genetic variants in 352 loci, including 68 genetic variants outside previously identified resting heart rate associated loci. We prioritize 670 genes and in silico annotations point to their enrichment in cardiomyocytes and provide insights in their ECG signature. Two-sample Mendelian randomization analyses indicate that higher genetically predicted resting heart rate increases risk of dilated cardiomyopathy, but decreases risk of developing atrial fibrillation, ischemic stroke, and cardio-embolic stroke. We do not find evidence for a linear or non-linear genetic association between resting heart rate and all-cause mortality in contrast to our previous Mendelian randomization study. Systematic alteration of key differences between the current and previous Mendelian randomization study indicates that the most likely cause of the discrepancy between these studies arises from false positive findings in previous one-sample MR analyses caused by weak-instrument bias at lower P-value thresholds. The results extend our understanding of resting heart rate biology and give additional insights in its role in cardiovascular disease development.
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3.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • 3' 44¨
  • 2019
  • Konstnärligt arbete (refereegranskat)abstract
    • ” Music is everywhere, you just have to have the ears to hear it”                                       John CageIn 1952, composer John Cage shook the classical music scene when he composed4 ' 33' '. The work, in three movements contained only pauses…Daniel Berg has, with inspiration from Cage, composed the piece 3 '44' for speech choir that contains the word silence in all European languages and all got their unique rhythm.The low-key work ends with the choir blinding and without conductor creates a long diminuendo with exhale and exhale.Duration: 3’ 44’’
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4.
  • Berg, Daniel, 1971 (författare)
  • 3' 44¨
  • 2018
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • ” Music is everywhere, you just have to have the ears to hear it” John Cage In 1952, composer John Cage shook the classical music scene when he composed 4 ' 33' '. The work, in three movements contained only pauses… Daniel Berg has, with inspiration from Cage, composed the piece 3 '44' for speech choir that contains the word silence in all European languages and all got their unique rhythm. The low-key work ends with the choir blinding and without conductor creates a long diminuendo with exhale and exhale. Duration: 3’ 44’’
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5.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • 5 Funny Pieces : for the young choir
  • 2017
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    •  The famous percussion group, Rhythm Art Duo (Daniel Berg and Fredrik Duvling) encourage young people to start playing classical percussion and they have written a lot of education material.   In 5 funny pieces Rhythm Art Duo uses a lot of humor for the young choir. Bosh and Tosh for speech choir, Song for christmas carol with tuned bottles, Body Rhythm for body percussion, A piece of Paper for a choir who makes sounds with papers and Let it Bee! for a speech choir with kazoos… 
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6.
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7.
  • Berg, Daniel, 1971 (författare)
  • Across Heaven - beyond the Clouds
  • 2023
  • Ingår i: Köpenhamn, Edition Svitzer, oktober 2023.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • In 1962, the Swedish poet and Nobel laureate Tomas Tranströmer published his collection of poems the Half-Finished Heaven. Here there is both uncertainty and a quiet melancholy about opportunities we never see and take, but at the same time a simple joy and an obvious sense of freedom expressed in heartbreaking images and an incredible linguistic tension. When the artist Peter Christensson heard Daniel's new work for vibraphone and organ, he saw a green sky envisioned, but what’s behind the clouds? This is precisely what is central to art, poetry and music – to describe and portray the unpredictable and enigmatic – a quiet sadness over opportunities we never see and take, but at the same time a joy and obvious sense of freedom expressed in creation.
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8.
  • Berg, Daniel, 1971 (författare)
  • Arctic Nights
  • 2023
  • Ingår i: Copenhagen, Edition Svitzer, spring 23.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • My good friend, the artist Peter Christensson, one day showed me some of his new artwork. The pictures were abstract but got the form of early expeditions to the Arctic. Peter told me, everything started with a dream about a polar swimmer and the world this person met on his journey to the North Pole. With my music, I want to enhance mood, pulse, nuances in the art and poetry of Peter Christensson. The irregular rhythm reinforces the feeling of unease, and the music ultimately aims upwards in the harmonics – a symbol for survival. At horizon or below, a poem begins.
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9.
  • Berg, Daniel, 1971- (creator_code:cre_t, kompositör)
  • Bird of Prey : for Piccola and Marimba
  • 2022
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • During the years, I had the opportunity to work together with many excellent flute players and I really think the combination of Flute and Percussion is a perfect match. A lot of great composers have written for the instruments and through them, I got the inspiration to compose for flute and percussion. After composing Dark Shadows, Kinkaku-ji and Second Concerto for Flute & Percussion, all published by Edition Svitzer, I’ve got a question and wish from many flute players to also write something for piccolo and percussion. They are right, there are not so many pieces composed for that combination of instruments. Working close to the young virtuous performers, Laura Michelin & Filip Korošec, I had the opportunity to write them Bird of Prey. In the pulsing rhythms, we hear the bird hunting its prey and the harmonies enhance the wildlife, to always be on its guard. In the middle of the piece, the listener is getting a high-flying journey to the lamenting song of a Bird of Prey.
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10.
  • Berg, Daniel, 1971 (författare)
  • Bird of Prey
  • 2022
  • Ingår i: Köpenhamn, Edition Svitzer, 2022.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • During the years, I had the opportunity to work together with many excellent flute players and I really think the combination of Flute and Percussion is a perfect match. A lot of great composers have written for the instruments and through them, I got the inspiration to compose for flute and percussion. After composing Dark Shadows, Kinkaku-ji and Second Concerto for Flute & Percussion, all published by Edition Svitzer, I’ve got a question and wish from many flute players to also write something for piccolo and percussion. They are right, there are not so many pieces composed for that combination of instruments. Working close to the young virtuous performers, Laura Michelin & Filip Korošec, I had the opportunity to write them Bird of Prey. In the pulsing rhythms, we hear the bird hunting its prey and the harmonies enhance the wildlife, to always be on its guard. In the middle of the piece, the listener is getting a high-flying journey to the lamenting song of a Bird of Prey.
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11.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Blue Memories : for solo marimba
  • 2010
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Some memories are easy to tell - others are more like a feeling, difficult to put into words. This piece is an attempt to describe this feeling in music.The harmonic tension between G major and F sharp minor, creates a melancholy mood - a kind of nostalgia - Blue Memories.
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12.
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13.
  • Berg, Daniel, 1971 (författare)
  • Carousel
  • 2018
  • Ingår i: Marten Recordings.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • How can the joy of playing and the pleasure of making music be present through a recording? The new record Carousel with Rhythm Art Duo (Daniel Berg and Fredrik Duvlin) contains classical and new pieces together with arrangements for percussion duo.
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14.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Cattelin : for solo marimba
  • 2005
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Stieg Trenter (1914-1967) var en journalist och författare som skrev några av Sveriges bästa deckare. Hans skildrade också Stockholm ur ett fantastiskt perspektiv. Huvudpersonen i Trenters böcker var fotografen Harry Friberg till vilken detta stycke är tillägnat.
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15.
  • Berg, Daniel, 1971 (författare)
  • Cattelin [musiktryck]
  • 2005
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • Verk för solomarimba
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16.
  • Berg, Daniel, 1971 (författare)
  • Chamber Music for Marimba
  • 2023
  • Ingår i: Percussive Notes December 2023. - 0553-6502. ; 61:6
  • Tidskriftsartikel (refereegranskat)abstract
    • In his passion to promote the marimba as a solo- and chamber music instrument, Daniel Berg has worked intimately with a number of composers who have written original music for the instrument. This includes more than 300 world premier for solo and chamber works. For American magazine Percussive Notes, Daniel has written his life story around chamber music for marimba. The article also contains a long list of recommended works for marimba and other instruments.
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17.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Chicken Race
  • 2019
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • In the movie Rebel Without a Cause from 1955, James Dean competing against Corey Allen in a life-threatening car race: They drive against a dive, and the last one to jump out is a coward, chicken.The chicken race, or chickie run as it is called in the movie, quickly became a trope and was used by several moviemakers. Chicken race is also a term used to handle a conflict. The term is used for duels between two opposing poles, for example in politics, where the one who loses loses, but both lose more if no one folds.In the composition Chicken Race by Daniel Berg, two violins are competing about who is the fastest. Let us hope that the Last Duel, in the end of the piece, does not get a deadly end…
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18.
  • Berg, Daniel, 1971 (författare)
  • Chicken Race
  • 2020
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • In the movie Rebel Without a Cause from 1955, James Dean competing against Corey Allen in a life-threatening car race: They drive against a dive, and the last one to jump out is a coward, chicken. The chicken race, or chickie run as it is called in the movie, quickly became a trope and was used by several moviemakers. Chicken race is also a term used to handle a conflict. The term is used for duels between two opposing poles, for example in politics, where the one who loses loses, but both lose more if no one folds. In the composition Chicken Race by Daniel Berg, two violins are competing about who is the fastest. Let us hope that the Last Duel, in the end of the piece, does not get a deadly end…
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19.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Componi : for mixed choir and organ or marimba
  • 2020
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • With Componi för mixed choir (placed in the chancel) and organ or marimba (placed on the gunner), Daniel Berg wants to embrace the listener. He got the inspiration from the artwork Via sacra, recessed into the floor of Linköping Cathedral, which like Componi embraces the soul.
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20.
  • Berg, Daniel, 1971 (författare)
  • Componi
  • 2020
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • With Componi för mixed choir (placed in the chancel) and organ or marimba (placed on the gunner), Daniel Berg wants to embrace the listener. He got the inspiration from the artwork Via sacra, recessed into the floor of Linköping Cathedral, which like Componi embraces the soul.
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21.
  • Berg, Daniel, 1971 (författare)
  • Concertino for Marimba and Strings
  • 2017
  • Ingår i: Gehrmans Musikförlag, Stockholm. - Stockholm : Gehrmans.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • The Swedish composer Lars-Erik Larsson wrote in the late 40’s 12 Concertini – twelve smaller solo concerts for various instruments accompanied by string orchestra, all composed to be performed by amateur orchestras while the solo parts made higher demands on the instrumentalists’ skill. With inspiration from Lars-Erik Larsson, Daniel Berg has written a piece in two movements for a virtuoso solo marimba in combination with a soft string timbre – in classical style, but with clear elements of jazz harmonics. Daniel has, along with experienced string teachers, written parts that can be played by amateur orchestras along with a skilled marimba soloist. In his Concertino for Marimba and Strings, Daniel wants to highlight the marimba as a melodic percussion instrument, and at the same time inspire young musicians to discover classical percussion.
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22.
  • Berg, Daniel, 1971 (författare)
  • Concerto for Trombone and Percussion
  • 2023
  • Ingår i: Göteborg, Högskolan för scen och musik, november 2022.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • Some years ago, I wanted to discover the flute and wrote SECOND CONCERTO for flute and percussion in five movements. Since then, the piece has been quite popular worldwide and when I was asked to write a new piece for the very talent Louise Pollock, principal trombonist with the Gothenburg Opera in Sweden, I took my chance. The structure of the concerto has the same as the concerto for flute. Five movements in different styles with different techniques for the solo instrument. 1st movement has a challenging solo part with an ostinato in percussion (this time I found inspiration from American composer Gene Koshinski). 2nd mvt is built on the favorite chord I often use in my music (for example in KINKAKU-JI for alto flute and vibraphone). 3rd mvt has the humor in focus – it’s a game of cat and mouse in rhythms. In the 4th mvt I wanted to write beautiful and sad for trombone with percussion effects. For me the sound of a trombone also reminds me about great brass musicians like Nils Landgren and the soul group Earth Wind and Fire and in the 5th mvt you will get some of this funky groove.
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23.
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24.
  • Berg, Daniel, 1971 (författare)
  • Dark Shadows
  • 2020
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • For many years, the successful Duo Nimm (flautist Åsa Karlberg and percussionist Olle Pettersson) have performed my work Kinkaku-ji, a meditation for Flauto Alto and Vibraphone. One day, Åsa told me about her new Robert Dick Glissando Headjoint and at the same time asked if I could possibly write a new piece for flute and percussion with her new mouthpiece in mind. In contrast to the calm Kinkaku-ji, I began to compose a work with a lot of speed. At this time, I was in a state of darkness where people in my presence showed a shadow of hatred and evil I didn't think existed. The power of the music is incredibly strong and through the composition I was able to somehow react and express my feelings. The harmonies are therefore dark, the rhythms give a feeling of worry and the flute's glissando amplifies the inner pain - an attempt to musically describe the Dark Shadows.
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25.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • December : for marimba
  • 2001
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • “The perfect opener for any recital! The writing is wonderfully idiomatic and a joy to play”Keyboard Percussion Publications  Vintern är den bästa årstiden på året - snö, tomtar och julefrid. Harmoniken i stycket är ett försök att beskriva den stämning som finns strax innan och under julen. Rytmen i ”December” är en lek med talet fem. Detta stycke är kanske det mest uppskattade av Daniels soloverk och har blivit en klassiker i repertoaren för marimba.
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26.
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27.
  • Berg, Daniel, 1971 (författare)
  • December (recording)
  • 2022
  • Ingår i: EAR, 17th of November 2022.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • Recorded in Studio 21, Gothenburg
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28.
  • Berg, Daniel, 1971 (författare)
  • Det goda livet : Kåserier kring mat, dryck och musik
  • 2020
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Daniel Berg har under många år roat omgivningen med kåserier, både i bokform och vid sina konserter som ofta kryddas med dråpliga anekdoter och roliga livsöden.Mat och dryck är vid sidan om musicerandet en stor passion och när han en gång fick frågan om vad som är det goda livet kom det självklara svaret. - Förutom kärlek måste det nog vara en kombination av mat, dryck och musik! Följ med denna livsnjutare tillbaka till 1970-, 80- och 90-talet där varje kåseri mynnar ut i ett recept tillsammans med tips om dryck och musik.
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29.
  • Berg, Daniel, 1971, et al. (författare)
  • Duo Granmo-Berg
  • 2017
  • Ingår i: Marten Recordings, Mölndal, Sweden.
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • This Swedish violinist and marimba a duo is confidently carving a genre of their own. Granmo-Berg’s years of experience and passion shines through every moment of this High-End live recording. With only two microphones, the sound is natural, dynamic and lively. The music is an eclectic mixture of Classical, Percussion and Latin composed by Bach, Vivaldi and Béla Bartók. It also includes works by well known Swedish composers, and songs written by themselves. Recorded by renowned musician and producer Peter Axelsson at Marten Recordings state-of-the-art studio.
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30.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Duets vol. 1
  • 2013
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Easy Duets Volume 1 contains five easy duets for any combination of 2 mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3-octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba. The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Crusin', Blues brotherS and Happy Shoes is very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).
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31.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Duets vol. 2
  • 2013
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Easy Duets Volume 2 contains five easy duets for any combination of 2 mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3-octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba. The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Flyin’, Saturday Morning and Hope to see you again is very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).
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32.
  • Berg, Daniel, 1971 (författare)
  • Easy Duets vol. 2 [musiktryck]
  • 2013
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Easy Duets Volume 2 contains five easy duets for any combination of 2 mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3-octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba. The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Flyin’, Saturday Morning and Hope to see you again is very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).
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33.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Duets vol. 3
  • 2016
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Easy Duets Volume 3 contains five easy duets for any combination of mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3- octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba.  The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Groovin’, Soul Mallets and I Think it’s love are very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).  Easy Duets vol. 1 and 2 are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world.
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34.
  • Berg, Daniel, 1971 (författare)
  • Easy Duets vol. 3 [musiktryck]
  • 2015
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Easy Duets Volume 3 contains five easy duets for any combination of mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3- octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba. The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Groovin’, Soul Mallets and I Think it’s love are very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).
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35.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Duets vol. 4
  • 2016
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Easy Duets Volume 4 contains five easy duets for any combination of mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3-octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba.  The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Rockin’, Cosmos and Song in my heart are very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).  Easy Duets Vol. 1, 2 and 3 are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world.  With Vol. 4, I now choose to finish the series Easy Duets.  Many thanks for all the inspiration from students and teachers.  Hope to see you again at the mallet stage round the world!
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36.
  • Berg, Daniel, 1971 (författare)
  • Easy Duets vol. 4 [musiktryck]
  • 2016
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Five duets for the young percussion players, one part very easy for two mallets and one part with a little bit more challenge for four mallets.
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37.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Marching Percussion Ensemble Vol. 1
  • 2015
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • What’s the best thing about marching drumming? Leader of the Gothenburg Drum Corps in Sweden, Per Björkqvist, asked me this question some years ago. I gave it some thought and answered, “everybody can join!”. And yes, if you have fun pieces to play, you can arrange them for all levels so everybody can join.   In this booklet, Per Björkqvist has written drum parts for three of my pieces from Easy Duets (previously published by Edition Svitzer). These parts have their roots in “warm up exercises” often used in the world of drum corps. Per and I hope that these pieces can get everyone to play together and further strengthen their interest in playing percussion ensemble music. Daniel Berg As a percussion teacher, you need to inspire your students to play different instruments, musical styles and concepts. We need to work on lots of layers to get the students to groove and learn new things, often inspired by their friends in a social community. There are three important roles for having a successful climate to grooving: 1. you need to play together with others; 2. you need to understand what it’s about and; 3. you have to learn new things every time.   Often, there is too little time to rehearse everything that you want to work on in a rehearsal; warm ups, time keeping, period playing, rudimental drumming, new tunes and so on. In these three tunes, we tried to combine a lot of these ideas. Our first goal is to let the students play a lot and have fun, (it’s much more fun to play then to count rests). You can add one or more of the percussion parts to the great pieces that Daniel has written, depending on the setting of your ensemble and level of your students. Good luck and have fun!  Per Björkqvist
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38.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Solos vol. 1
  • 2014
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • "In the early 1970s the legendary percussionist  Mitchell Peters composed unforgettable works for the young marimba player such as Sea Reflections and Yellow after the Rain. Now Daniel Berg continues Peters pedagogical idea of ​​a repertoire that is idiomatic while musically challenging for the young percussionist.  This booklet contains five solo pieces with four mallets for vibraphone, xylophone or marimba. All works have the range F-F and can therefore be played on any mallet instrument." Easy Duets with duets for mallet instruments by Daniel Berg are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world.
  •  
39.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Solos vol. 2
  • 2014
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • "In the early 1970s the legendary percussionist  Mitchell Peters composed unforgettable works for the young marimba player such as Sea Reflections and Yellow after the Rain. Now Daniel Berg continues Peters pedagogical idea of ​​a repertoire that is idiomatic while musically challenging for the young percussionist.  This booklet contains five solo pieces with four mallets for vibraphone, xylophone or marimba. All works have the range F-F and can therefore be played on any mallet instrument." Easy Duets with duets for mallet instruments by Daniel Berg are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world.
  •  
40.
  • Berg, Daniel, 1971 (författare)
  • Easy Solos vol. 2 [musiktryck]
  • 2014
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • "In the early 1970s the legendary percussionist Mitchell Peters composed unforgettable works for the young marimba player such as Sea Reflections and Yellow after the Rain. Now Daniel Berg continues Peters pedagogical idea of a repertoire that is idiomatic while musically challenging for the young percussionist. This booklet contains five solo pieces with four mallets for vibraphone, xylophone or marimba. All works have the range F-F and can therefore be played on any mallet instrument."
  •  
41.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Solos vol. 3
  • 2016
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • "In the early 1970s the legendary percussionist  Mitchell Peters composed unforgettable works for the young marimba player such as Sea Reflections and Yellow after the Rain. Now Daniel Berg continues Peters pedagogical idea of ​​a repertoire that is idiomatic while musically challenging for the young percussionist.  This booklet contains five solo pieces with four mallets for vibraphone, xylophone or marimba. All works have the range F-F and can therefore be played on any mallet instrument." Easy Duets with duets for mallet instruments by Daniel Berg are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world.
  •  
42.
  • Berg, Daniel, 1971 (författare)
  • Easy Solos vol. 3 [musiktryck]
  • 2015
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • "In the early 1970s the legendary percussionist Mitchell Peters composed unforgettable works for the young marimba player such as Sea Reflections and Yellow after the Rain. Now Daniel Berg continues Peters pedagogical idea of a repertoire that is idiomatic while musically challenging for the young percussionist. This booklet contains five solo pieces with four mallets for vibraphone, xylophone or marimba. All works have the range F-F and can therefore be played on any mallet instrument."
  •  
43.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Easy Solos vol. 4
  • 2016
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • In the early 1970s the legendary percussionist Mitchell Peters composed unforgettable works for the young marimba player such as Sea Reflections and Yellow after the Rain. Now Daniel Berg continues Peters pedagogical idea of a repertoire that is idiomatic while musically challenging for the young percussionist.   With this final booklet in the series Easy Solos, I want to salute five people who all contributed greatly to increase the interest in the marimba.  Vol. 4 contains:• Opus and Numero (dedicated to Clair Omar Musser)• Zen Refractions after the Rain (to Mitchell Peters)• Une Petite Prière (to Evelyn Glennie) • Etude #4 (to Paul Smadbeck)• Variations on Swedish Folk Songs (to Keiko Abe)  Easy Solos Vol. 1, 2 and 3 are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world.  With these five works my hope is to approach the classical standard repertoire for marimba, in the degree of difficulty, and therefore the technical level is a little higher than in the previous parts. As before, all the works in this booklet have the range F-F and can therefore be played on any mallet instruments.
  •  
44.
  • Berg, Daniel, 1971 (författare)
  • Easy Solos vol. 4 [musiktryck]
  • 2016
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Contains five solos for marimba, vibraphone or xylophone. Adressed to the young percussion player
  •  
45.
  •  
46.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Fantasia and Toccata : for solo marimba
  • 2012
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • As a young percussionist I played timpani with S:t. Matteus Symfoniorkester (SMSO) in Stockholm. During a production we played among others Gloria by Francis Poulenc, for choir and orchestra. The music, and above all the harmony, had a big impact on me. I was immediately inspired to study more music from Poulenc together with other French composers like Oliver Messiaen. Fantasia and Toccata is strongly inspired by the harmonies of both Poulenc and Messiaen which I have tried to adapt through the marimba.
  •  
47.
  • Berg, Daniel, 1971- (arrangör, creator_code:cre_t)
  • Five Swedish Marimba Pieces
  • 2010
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • Five piece by: Heimer Sjöblom - Imagination (1977)Miklós Maros - Marimbacapriccio (1996)Sergei Dmitriev - Min barndoms snö... (2001)Ole Lützow-Holm - Rhyme and Pairs (2003)Staffan Storm - En viskning av intet (2007)
  •  
48.
  •  
49.
  • Berg, Daniel, 1971- (kompositör, creator_code:cre_t)
  • Four Mallet Duos
  • 2015
  • Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
    • My passion for chamber music started when I played my first pieces for percussion duo. To create something of its own together and find a personal means of expression has since led me to new ways and new combinations of instruments. I hope these four duets may inspire you to play more chamber music focusing on percussion. Presently, I give about 100 concerts a year with any of my chamber music formations. Organ and percussion with Johannes Landgren, guitar and marimba with Christer Brodén, violin and marimba with Tobias Granmo, and percussion duo with Fredrik Duvling (www.rhythmartduo.com).
  •  
50.
  • Berg, Daniel, 1971 (författare)
  • Four Mallet Duos [musiktryck]
  • 2015
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • 1. Tango, 2. Chanson, 3. The Nightmare, 4. Moonlight
  •  
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