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1.
  • Andersson, Linus, 1979- (författare)
  • Alternativ television : former av kritik i konstnärlig TV-produktion
  • 2012
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This dissertation analyses social critique, communication critique and aestheticalcritique in television produced by artists. Theoretically it draws on researchon alternative media, TV studies, especially genre analysis and narratology,and media aesthetics. It conducts a text-production study of three examplesof alternative television from the period 2004-2008: ContemporaryArt Center TV (CAC TV): A show produced by the CAC in Vilnius, Lithuaniaand aired on a commercial TV-channel; Good TV who aired video art ona local public access channel in Stockholm, Sweden; and Candyland TV, apirate transmission from an art gallery in central Stockholm.Empirically it builds on TV-texts, web sites and documents, as well asinterviews with participants. Through a study of form and stylistics, relationto conventional genres and modes of narration, it engages in a discussionabout the features of a critical, alternative media text.The study shows how these televisions work in a tradition of alternativetelevision and connects them to tactics and aesthetical forms as found inhistorical examples, but also how this type of formalist media critiquemight inform an understanding of alternative media. From the analysis ofrelations between social and formalist aspects of alternative television, adistinction between alternative as ”alternative worldview” and as ”alternativeexpressions” is suggested, a distinction that contributes to the developmentof theory in the study of alternative media.
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2.
  • Andersson, Magnus, et al. (författare)
  • Mediatization from below
  • 2017
  • Ingår i: Dynamics of mediatization : Institutional change and everyday transformations in a digital age - Institutional change and everyday transformations in a digital age. - 9783319629834 - 9783319629827 ; , s. 35-56
  • Bokkapitel (refereegranskat)
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  • Bakardjieva, Maria, et al. (författare)
  • Digital Media and the Dynamics of Civil Society : Retooling Citizenship in New EU Democracies
  • 2021
  • Bok (refereegranskat)abstract
    • Nowadays, it is already a truism to state that digital media are effective tools used by citizens, civil society organizations (CSOs) and social movementsto protest, to demand, to push and (sometimes) achieve social and political change. No question, they are. This has been observed and registered time and again in a luminous series of academic contributions (some notable examples include Castells 2012; Cottle 2011; De Luca. Lawson and Sun 2012; Howard and Muzammil 2011; Tremayne 2014; Tufekci 2017). Exactly how these media have been taken up by civic actors in specific contexts has been studied and discussed in fascinating detail (Cammaerts, 2018; Gerbaudo 2012; Treré 2019). This book goes one step further to ask a broader question: Has the use of digital media by civic actors improved (or depleted) the quality of democratic life understood as broad and effective citizen participation in public affairs and decision-making? 
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  • Bolin, Göran (författare)
  • Afterword: The construction of markets for place branding and public diplomacy : A view from the north
  • 2016
  • Ingår i: Place Branding and Public Diplomacy. - : Springer Science and Business Media LLC. - 1751-8040 .- 1751-8059. ; 12:2, s. 236-241
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
    • This afterword is an attempt to draw some general conclusions from the case studies presented in the individual articles and try to situate the analyses from these in a broader context of globalisation and modernity. It is specifically argued that symbolic assets and actions are becoming increasingly important for the modern project, and hence that new types of value forms, e.g. sign value, are coming to be important as the basis for the transformation of nations and regions into commodities. The article ends with discussing some epistemological and ontological implications for future research in this area.
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13.
  • Bolin, Göran, 1959-, et al. (författare)
  • Age, Generation and the Media
  • 2013
  • Ingår i: Northern Lights. - : Intellect. - 1601-829X .- 2040-0586. ; 11:1, s. 3-14
  • Tidskriftsartikel (refereegranskat)
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15.
  • Bolin, Göran, 1959-, et al. (författare)
  • Audience-metric continuity? Approaching the meaning of measurement in the digital everyday
  • 2020
  • Ingår i: Media Culture and Society. - : Sage Publications. - 0163-4437 .- 1460-3675. ; 42:7-8, s. 1193-1209
  • Tidskriftsartikel (refereegranskat)abstract
    • This article argues for an expansion of existing studies on the meaning of metrics in digital environments by evaluating a methodology tested in a pilot study to analyse audience responses to metrics of social media profiles. The pilot study used the software tool Facebook Demetricator by artist Ben Grosser in combination with follow-up interviews. In line with Grosser’s intentions, the software indeed provoked reflection among the users. In this article, we reflect on three kinds of disorientations that users expressed, linked to temporality, sociality and value. Relating these to the history of audience measurement in mass media, we argue that there is merit in using this methodology for further analysis of continuities in audience responses to metrics, in order to better understand the ways in which metrics work to create the ‘audience commodity’.
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22.
  • Bolin, Göran, et al. (författare)
  • Character of Sample and Responses
  • 2005. - 1
  • Ingår i: The media landscape of Södertörn 2002. - Huddinge : Medie- och kommunikationsvetenskap, Södertörns högskola. ; , s. 57-76
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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23.
  • Bolin, Göran, 1959- (författare)
  • Communicative AI and Techno-Semiotic Mediatization : Understanding the Communicative Role of the Machine
  • 2024
  • Ingår i: Human-Machine Communication. - : Communication and Social Robotics Labs. - 2638-602X. ; 7, s. 65-81
  • Tidskriftsartikel (refereegranskat)abstract
    • Mediatization discourse has so far mainly been centered on media from institutional or social-constructionist approaches. The technological developments within communications industries coupled with the wider societal process of datafication might, however, beg for dusting off the smaller, although the long-time existing, technological approach to mediatization as a complement to the two other approaches, in order to understand aspects of automation and human-machine communication. This theoretical article explores how existing mediatization approaches can refocus to include lessons learned from human-machine communication. The first section accounts for the main mediatization approaches. The second section discusses debates on communication, artificiality, and meaning-making. The last section takes the example of the recruitment interview for discussing how mediatization theory can benefit from including a technological approach with influx from human-machine communication, as well as how human-machine communication can learn from wider discussions within mediatization theory.
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24.
  • Bolin, Göran, 1959-, et al. (författare)
  • Conducting Cross-Cultural Online Audience Research with two Generations : Methodological Experiences and Reflections from the Pandemic Context
  • 2023
  • Ingår i: AoIR Selected Papers of Internet Research 2022. - : The Association of Internet Researchers.
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • This paper discusses methodological, ethical, and empirical problematics related to forced changes in the research design of a comparative project during the Covid-19 pandemic, and its wider implications for future online audience research. The larger project aims to understand media users’ attitudes towards corporate and state surveillance in countries with different historical surveillance regimes: Estonia, Portugal, and Sweden. In a mixed-methods design, comprising an online survey and focus groups (FGs), we sampled participants from two generational cohorts: born in 1946-1953 and in 1988-1995. In each country, we planned six face-to-face FGs with people from these generational cohorts, divided into three gender-balanced groups with different profiles: higher education; mixed education, living in small cities/countryside; secondary education. The paper discusses the challenges of conducing FGs online, namely the effects of the technological interface on the group size and interaction, the importance of digital skills, and ethics-related considerations. Although we encountered cultural differences between the three countries, our main methodological lessons and suggestions for further audience studies center on the need to consider the subtle facets of inter-generational differences when planning online research. As we witnessed, not all barriers were rooted in access to technology and connectivity. The level of digital skills and self-confidence in use also played a role in participants' possibilities and willingness for taking part in online research. Further research is needed to explore how age and online methods intersect, and the role online settings play, in the experience of focus group and interview participants with various social backgrounds.
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25.
  • Bolin, Göran, 1959-, et al. (författare)
  • Conducting Online Focus Group Interviews With Two Generations : Methodological Experiences and Reflections From the Pandemic Context
  • 2023
  • Ingår i: International Journal of Qualitative Methods. - : Sage Publications. - 1609-4069. ; 22
  • Tidskriftsartikel (refereegranskat)abstract
    • In the wake of the Covid-19 pandemic, many research projects were forced to adapt their design and conduct interviews online. This paper discusses the benefits and challenges of using online focus groups with participants representing different generations and cultural and social backgrounds. Based on the researchers’ experiences and field notes from a three-country comparative project, aiming at analysing the extent to which previous experience of state surveillance impacted attitudes to commercial monitoring and tracking of online behaviour among two generational cohorts, the paper identifies seven aspects where the move from offline to online interviewing interfered with the original research design. The paper suggests that most of these interferences resulted in a need to adjust the methodology to better fit the online setting. We reflect critically upon the issues of technological preconditions and digital skills, recruitment, group size, degrees of previous acquaintance, the role of the interviewer, participants’ household status and media environment, and ethical considerations concerning privacy and data management. Based on these methodological insights, we conclude that future online focus group research would benefit from using smaller groups and adjusted moderation, flexibility in interviewing tools and channels, and new, online-specific ethical considerations when planning, executing, and analysing interviews. The paper advocates the complementarity between in-person and online focus groups as two modalities of data collection and argues for the normalization of hybrid methods. © The Author(s) 2023.
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26.
  • Bolin, Göran, 1959- (författare)
  • Cultural Technologies : The Shaping of Culture in Media and Society
  • 2012
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • The essays in this volume discuss both the culture of technology that we live in today, and culture as technology. Within the chapters of the book cultures of technology and cultural technologies are discussed, focusing on a variety of examples, from varied national contexts.Cultural Technologies brings together internationally recognized scholars from the social sciences and humanities, covering diverse themes such as intellectual property, server farms and search engines, surveillance, peer-to-peer file-sharing, the construction of techno-history, technology and epistemology and much more. It contains both historical and contemporary analyses of technological phenomena as well as epistemological discussions on the uses of technology.
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27.
  • Bolin, Göran, 1959- (författare)
  • Cultural Technologies in Cultures of Technology
  • 2012
  • Ingår i: Cultural Technologies. - New York : Routledge. - 9780415893114 - 9780203117354 ; , s. 1-15
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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29.
  • Bolin, Göran (författare)
  • Digitization, Multiplatform Texts, and Audience Reception
  • 2010
  • Ingår i: Popular Communication. - : Informa UK Limited. - 1540-5702 .- 1540-5710. ; 8:1, s. 72-83
  • Tidskriftsartikel (refereegranskat)abstract
    • This article reflects on the consequences of digitization for multiplatform television/media production, the ways in which it affects textual expressions, and how this might have a bearing on changing audience roles. It takes its departure empirically from two Swedish examples of multiplatform production: The Truth About Marika and Labyrint, produced by SVT and TV4, respectively. It is argued that multiplatform media texts challenge our conceptions of categories such as work, text, program, etc., and, following from that, also challenge our notions of audience activity and engagement.
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30.
  • Bolin, Göran, 1959-, et al. (författare)
  • Disruption and transformation in media events theory : The case of the Euromaidan Revolution in Ukraine
  • 2022
  • Ingår i: Nordic Journal of Media Studies. - : Nordicom. - 2003-184X. ; 4:1, s. 99-117
  • Tidskriftsartikel (refereegranskat)abstract
    • Media events, Dayan and Katz argue, compose a narrative genre that follows specific structural principles and narrative tropes and that works toward societal integration. However, a specific subset of media events is labelled transformative, and these work towards societal change. In this article, we point to an unresolved tension between transformative events and what has subsequently been introduced as disruptive events. Our discussion builds on research on the developments in post-Soviet Ukraine, and we analyse, firstly, the transformative and disruptive relations related to the so-called Euromaidan Revolution, and secondly, how these events can be placed in a wider narrative of three Ukrainian revolutions. Our analysis concludes that narrative analysis can help explain the ways in which these events are understood by broader international audiences.
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31.
  • Bolin, Göran (författare)
  • Domesticating the Mobile in Estonia
  • 2010
  • Ingår i: New Media and Society. - : SAGE Publications. - 1461-4448 .- 1461-7315. ; 12:1, s. 55-73
  • Tidskriftsartikel (refereegranskat)abstract
    • This article compares the dissemination and usage of mobile phones in post-Soviet, transitional Estonia with patterns in Sweden (a long-time Western democracy). Using a domestication perspective, the study examines the use of voice calls compared with texting by youths (aged 18—24) to probe the role of Estonia’s transition from a state-controlled to a market economy in shaping mobile usage. Results show that while the dissemination of mobiles among young Swedes and Estonians is similar, the patterns of texting and calling are not. In Sweden (as in Japan and even the USA), young people text more than they call, while the reverse is true in Estonia. These findings reflect the fact that unlike Swedes, many Estonians obtained mobile phones before getting landlines, and again unlike Swedes, Estonians are likely to give up landlines in favour of mobiles.
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34.
  • Bolin, Göran (författare)
  • En form av television : Globaliseringen av nationell TV-kultur
  • 2005
  • Ingår i: MedieKultur. - 0900-9671 .- 1901-9726. ; :39, s. 38-49
  • Tidskriftsartikel (refereegranskat)abstract
    • Det populære svenske spil- og underholdningsprogram, Bingolotto, har været vist på national svensk tv lige så længe der har været kommer- ciel tv i Sverige. Programmet har haft skiftende succe siden starten i 1991 og havde på sit højdepunkt over 2 milllioner seere. Artiklen be- skriver Bingolotto som et særligt format inden for spil- og legeprogram- mer. Det sker gennem en diskussion af formatbegrebet i forhold til be- grebet genre, og gennem en identifikation af 4 karakteristiske dimen- sioner i formatbegrebet. Forfatteren fremhæver tv-formatet som en konceptuel beholder, der dels kan kapitaliseres, men som også kun kan anvendes på visse genrer. Desuden betragtes tv-formaternes fremvækst som et slags kulturelt oversættelsesarbejde i en globalise- ret tid, hvor internationale formater versioneres til et bestemt publikum ved at give formatet nationalt kulturelt særpræg.
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35.
  • Bolin, Göran (författare)
  • Film swapping in the public sphere : Youth audiences and alternative cultural publicities
  • 2000
  • Ingår i: Javnost - The Public. - 1318-3222. ; 7:2, s. 57-73
  • Tidskriftsartikel (refereegranskat)abstract
    • The article discusses questions concerning the cultural public sphere in relation to empirical material from a media ethnography of young menąs use of extremely violent action and horror films on video, and how the young men's cultural practices, including media reception and film swapping, relates to their cultural production in the form of fanzines and amateur video films. The aim is to analyse this practice of film swapping, fanzine writing and amateur video making, in terms of cultural publicness, in order to shed light on those micro processes of communication that result in the formation of public spheres of various kinds. In the first part of the article some theoretical implications of the concepts cultural and political public spheres are discussed. Then follows a discussion on the internal communicative patterns within this alternative cultural public sphere, organised informally around fanzines and amateur video festivals. The dynamic relation between this alternative public sphere and other public formations, alternative as well as dominating or bourgeois, is then dealt with, and the different approaches among the various individuals is discussed. This is then followed by a discussion on the alternative cultural public's relation to the market and state systems. Lastly, some general conclusions are drawn, covering the need to analytically separate cultural and political public spheres in order not to forget the task of the cultural public in mediating between market system and lifeworld, and thus not to dismiss the political implications of the cultural.
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36.
  • Bolin, Göran, et al. (författare)
  • Film, video och DVD
  • 2007
  • Ingår i: Medie-Sverige. - Göteborg : NORDICOM-sverige. - 9789189471429 ; , s. 273-315
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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37.
  • Bolin, Göran, et al. (författare)
  • Film, video och DVD
  • 2004
  • Ingår i: Medie-Sverige. - Göteborg : NORDICOM-sverige. - 9189471229 ; , s. 325-385
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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38.
  • Bolin, Göran, 1959- (författare)
  • Filmbytare : videovåld, kulturell produktion & unga män
  • 1998
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The focus of this thesis is Swedish Film Swappers, i.e. young men who swap video films that include graphically explicit depictions of violence, and their cultural practices. Inspired by action and horror films some Film Swappers have become cultural producers, either of amateur videos, or of fanzines, i.e. amateur writing by fans for other fans.The Film Swappers have been studied through the analytical lens of public spheres, taste and identity, and by the methods of media ethnography (including participant communication, ethnographic interviews and textual analysis of the films they watch and the cultural artifacts they produce). Five groups of fanzine producers and three groups of amateur video producers have been studied from late 1992 to 1996. The material consists of interviews, fanzines, video films (commercial as well as amateur productions), newspaper and magazine articles, radio programmes and field notes.Fanzines have been central to the communicative organisation of the Film Swappers, and have contributed to the development of a public structure for the exchange of films, and of information on where to get hold of them and to read more about them. Through communicative action, an alternative public sphere with its own forms of consumption, distribution and production has been formed. The debate on the value of different films and videos has also been used strategically by the Film Swappers for distinctive taste practices, and alternative film canons have been proposed. This communicative and strategic action has been of great importance in the construction of the young men's identity.
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  • Bolin, Göran, et al. (författare)
  • From Nation Branding to Information Warfare : The Management of Information in the Ukraine–Russia Conflict
  • 2016
  • Ingår i: Media and the Ukraine Crises. - New York : Peter Lang Publishing Group. - 9781433133398 ; , s. 3-18
  • Bokkapitel (refereegranskat)abstract
    • Scholarly attention regarding the conflict between Russia and Ukraine has mainly concentrated on so-called Russian propaganda, directed both towards Russian-speaking populations and the international public, but less attention has been paid to the management of information from Ukraine. In this chapter is proposed that the conflict between Ukraine and Russia has engaged an entirely new set of actors engaged in the management of information, most notably from PR and nation branding activities, as well as journalists, oligarchs and various individuals with an interest in Ukraine’s international image. These new actors bring with them competences, ideologies and practices from their field of origin which impact on the practice and expressive character of information warfare. In this chapter we analyse three domains of communication used by Ukraine to address external audiences; the Ukraine Crisis Media Centre (UCMC), the English language news channel Ukraine Today and the fact checking website StopFake. With a focus on both individuals as well as the institutions they represent, this chapter explores the way in which actors in Ukraine have attempted to shape the content of the messages communicated.
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40.
  • Bolin, Göran (författare)
  • Från gungstolen vid fönstret
  • 2011
  • Ingår i: Hälsingeboken. - Hudiksvall : Artes Movendi. - 9789163393723 ; , s. 370-373
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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41.
  • Bolin, Göran, 1959- (författare)
  • Generational analysis as a methodological approach to study mediatised social change
  • 2017
  • Ingår i: Digital Technologies and Generational Identity. - Abingdon, Oxon : Routledge. - 9781315398617 - 9781315398624 - 9781138225978 ; , s. 23-36
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • Introduction Time and again, it is said that we are living in an era of rapid technological change, or even one of increased acceleration (Rosa, 2013 [2005]). This idea of accelerating technological change, especially that involving media technologies, also serves as a basis for contemporary theories of ‘media generations’. These theories argue that in contrast to previous generations who were socialised into print media culture, those born over the past 50−60 years have seen a much more rapid transformation of technologies, impacting more strongly on the formation of generational identity. According to Gary Gumpert and Robert Cathcart, the faster pace of technological change leads to the formation of distinct media generations.
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42.
  • Bolin, Göran, 1959- (författare)
  • Generational temporalities and rhythm-analysis
  • 2019
  • Ingår i: Comunicazioni Sociali. - : Vita e Pensiero. - 0392-8667. ; 2019:2, s. 202-214
  • Tidskriftsartikel (refereegranskat)abstract
    • In his theory of generations Ortega y Gassett suggested what others have come to call the "pulserate" hypothesis, where he argued that generational exchanges occurred in thirty-year cycles. His student Julién Marías later qualified this to fifteen years. This mechanistic theory has, of course, met with criticism - for being too mechanistic, and for being insensitive to different types of temporalities. Nonetheless, the self-perception of generations is not only guided by the relation to coevals, but also to, what Ricoeur calls "contemporaries, predecessors, and successors", that is, the generations that came before, those with whom one shares experiences as coevals, and those who will succeed oneself. In this paper will be discussed the relations between the - often nostalgic - memories that communify coevals, and the experiences of generation as kinship that impact on a person's perception of their place in the generational succession order, and how this can be developed into a generational rhythm analysis. It is argued that the rhythm of collective social life, which is arrhythmic along diversities in the combination of life-course and generational features seems to prevent the increase in "generational turnover" that could be expected through the increased speed of the "technological turnover" that follow from digitisation. 
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43.
  • Bolin, Göran, 1959- (författare)
  • Generational “we-sense”, “they-sense” and narrative : An epistemological approach to media and social change
  • 2019
  • Ingår i: Empiria. Revista de metodología de ciencias sociales. - : Universidad Nacional de Educacion a Distancia. - 2174-0682 .- 1139-5737. ; :42, s. 21-36
  • Tidskriftsartikel (refereegranskat)abstract
    • A classic epistemological problem in the social sciences is how to analyse and understand social change. In media and communication studies, for example, the concept of mediatisation has sparked off such a debate, since one of the main criticisms against the approach is that researchers rather take change for granted without being able to empirically establish if and how change has occurred. In this article is suggested a model for analysing social change through an analysis of how generational identity as “we-sense” is produced in narratives about media use. The empirical basis for the discussion is picked from a recently finished project on media generations in Sweden and Estonia, building on foremost qualitative material. The article concludes with accounting for the merits of using a generational perspective for analysing social change.
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44.
  • Bolin, Göran, 1959- (författare)
  • Generationer av mobilbruk
  • 2011
  • Ingår i: Lycksalighetens ö. - Göteborg : SOM-institutet. - 9789189673212 ; , s. 489-498
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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45.
  • Bolin, Göran, 1959- (författare)
  • Generationsskiftningar i mobillandskapet
  • 2014
  • Ingår i: Mittfåra & marginal. - Göteborg : SOM-institutet. - 9789189673304 ; , s. 229-237
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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46.
  • Bolin, Göran, 1959-, et al. (författare)
  • Heuristics of the Algorithm. Big Data, User Interpretation and Translation Strategies
  • 2015
  • Ingår i: Big Data and Society. - : SAGE Publications. - 2053-9517. ; 2:2, s. 1-12
  • Tidskriftsartikel (refereegranskat)abstract
    • Intelligence on mass media audiences was founded on representative statistical samples, analysed by statisticians at the market departments of media corporations. The techniques for aggregating user data in the age of pervasive and ubiquitous personal media (e.g. laptops, smartphones, credit cards/swipe cards and radio-frequency identification) build on large aggregates of information (Big Data) analysed by algorithms that transform data into commodities. While the former technologies were built on socio-economic variables such as age, gender, ethnicity, education, media preferences (i.e. categories recognisable to media users and industry representatives alike), Big Data technologies register consumer choice, geographical position, web movement, and behavioural information in technologically complex ways that for most lay people are too abstract to appreciate the full consequences of. The data mined for pattern recognition privileges relational rather than demographic qualities. We argue that the agency of interpretation at the bottom of market decisions within media companies nevertheless introduces a ‘heuristics of the algorithm’, where the data inevitably becomes translated into social categories. In the paper we argue that although the promise of algorithmically generated data is often implemented in automated systems where human agency gets increasingly distanced from the data collected (it is our technological gadgets that are being surveyed, rather than us as social beings), one can observe a felt need among media users and among industry actors to ‘translate back’ the algorithmically produced relational statistics into ‘traditional’ social parameters. The tenacious social structures within the advertising industries work against the techno-economically driven tendencies within the Big Data economy.
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48.
  • Bolin, Göran, 1959- (författare)
  • Institution, Technology, World : Relationships between the Media, Culture and Society
  • 2014
  • Ingår i: Mediatization of Communication. - Berlin : Mouton de Gruyter. - 9783110271935 ; , s. 175-197
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • In this chapter three approaches to mediatization are discussed: the institutional, the technological, and the media as world. Each of these has a different ontological and epistemological background, and it is argued that this has consequences on which questions are posed, and which kinds of answers are possible to give. For these backgrounds it is accounted, with a special focus on how these approaches theorize the relationship between media and society, how media are defined and which historical perspective is privileged. 
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49.
  • Bolin, Göran (författare)
  • Introduction : The Media Landscape of Södertörn
  • 2005. - 1
  • Ingår i: The media landscape of Södertörn 2002. - Huddinge : Medie- och kommunikationsvetenskap, Södertörns högskola. ; , s. 11-18
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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50.
  • Bolin, Göran, 1959-, et al. (författare)
  • Introduction
  • 2020
  • Ingår i: Nordic Journal of Media Studies. - : Nordicom. - 2003-184X. ; 2:1, s. 1-11
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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