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| 2. |
- Bonnevier, Katarina
(författare)
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About Elli Hemberg
- 2008
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Ingår i: Rum. - 1650-1330. ; :6
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Tidskriftsartikel (refereegranskat)
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| 3. |
- Bonnevier, Katarina
(författare)
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Amulets : keeping the gift in motion Prologue
- 2023
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Ingår i: Journal of Architecture. - : Taylor & Francis Group. - 1360-2365 .- 1466-4410. ; 28:6, s. 871-878
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 6. |
- Bonnevier, Katarina, 1970-
(författare)
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Behind Straight Curtains : Towards a queer feminist theory of architecture
- 2007
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis presents theatrical queer feminist interpretations of architecture staged within a series of architectural scenes: architect Eileen Gray’s building E.1027 in the south of France (1926-29); author Natalie Barney’s literary salon at 20 rue Jacob, Paris (1909-1968); and author Selma Lagerlöf’s former home and memorial estate Mårbacka, situated in mid-west Sweden and transformed between 1919 and 1923. Interpreted as queer performative acts, or enactments of architecture, these cases bring into play the interconnectedness of material container, the setting, the deeds and the actors. A broad aim of the thesis is to explore the role played by architecture in the social and cultural constructions of bodies, in particular in relation to gender and sexuality. Architecture is investigated as one of the subjectivating norms that constitute gender performativity. The thesis is thus not only about but also operates through enactment. It masquerades as a series of lectures written in the form of scripted drama. The aim of this formal experiment is not only to explicate and critique from a detached perspective but also to represent architecture in the process of being enacted. Architecture is investigated not only as a theoretical metaphor but also as a concrete material practice always entangled with subject positions. With this exploration into the queerness and the theatricality of architecture, Behind Straight Curtains seeks to affect both the analysis and enactment of architecture and contribute to an architectural shift towards a built environment that does not simply repeat repressive structures but attempts to resist discrimination and dismantle hierarchies.
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| 7. |
- Bonnevier, Katarina
(författare)
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Blonda hus, vita masker
- 2003
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Ingår i: Artes. ; 2003(29):2, s.106-114
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Tidskriftsartikel (refereegranskat)
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| 8. |
- Bonnevier, Katarina
(författare)
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Dress-code : Gender performance and misbehavior in the manor
- 2012
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Ingår i: Gender, Place and Culture. - 0966-369X .- 1360-0524. ; 19:6, s. 707-729
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Tidskriftsartikel (refereegranskat)abstract
- This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored 'on the one hand' as a representation of social norms and 'on the other hand' as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called 'the most famous manor in Sweden and of Swedish manors the most famous in the world' (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858-1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy - a national monument. Lagerlöf continuously worked on the main building. In 1919-1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal 'power suit', which enabled a lifestyle that deviated from the norms of society.
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| 9. |
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| 10. |
- Bonnevier, Katarina
(författare)
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Dresscode : herrgård
- 2008
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Ingår i: Trikster. - 1890-596X. ; Querying Space:2
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Tidskriftsartikel (refereegranskat)
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| 11. |
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| 12. |
- Bonnevier, Katarina
(författare)
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Ett rum med utsikt
- 2007
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Ingår i: Tidskrift för Genusvetenskap. - : Malmö högskola, Studentcentrum. - 1654-5443 .- 2001-1377. ; :3, s. 51-55:3, s. 51-55
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Går det att rucka på husens tröghet och sega strukturer?Katarina Bonnevier lyfter fram kvinnliga arkitekters motmaktför att tänka nytt och visa att rum går att förvandla.
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| 13. |
- Bonnevier, Katarina
(författare)
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Implicit burdens : or, A theory of action built on sexed and gendered scandals
- 2008
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Sexuality and gender are often implicit burdens in architecture theory. The performative force of the male, western, middle class, heterosexual canon dominates the practices, methodologies, contents and theories, of architectural research. Feminists have pointed out the pretence of an objective, disembodied knowledge producer, and within the discourse of architecture they have pointed out how space often is considered uncritically as a neutral entity that is designed, shaped and used by autonomous subjects. In this paper I will, through a productive relationship between the critical fields of architecture and gender studies, revisit Mårbacka, the memorial estate and former home of author Selma Lagerlöf and her kin to disclose some of the implicit burdens and to draw out a methodology for a theory of action.The paper, which builds on my doctoral dissertation (Bonnevier 2007), consists of different writing modes and genres; a theoretical stage is set up for a couple of performances in writing that attempt to both read and enact building constellations from a queer feminist perspective. Formal concerns are important in the process of writing and performing queer theory, because the political aim, to paraphrase Judith Butler, is to speak in ways that have not yet been legitimized, and hence produce legitimation in new and future forms (Butler 1997; 41). The speaking body always says something it does not intend; it acts in excess of what is said. Shoshana Felman claims that the excess of the speaking body produce powerful scandals which can throw new light on established truths (Felman 1980).In her lecture series ‘A Room of One’s Own’ Virginia Woolf discussed performance, language and misbehavior as critical acts -“whole flights of words would need to wing their way illegitimately into existence before a woman could say what happens when she goes into a room.” (Woolf 1929; 100). Woolf pulls the setting into the plot as a performance in matter. The material conditions – flight of stairs, private rooms, and the act of entering – presented to an audience and subject to interpretation, and the illegitimate words that make possible critical reflection is like a charge from Woolf which sums up the ambitions of this paper; to present a theory of action.
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| 18. |
- Bonnevier, Katarina
(författare)
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Missmatch
- 2008
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Ingår i: Rum. - 1650-1330. ; :11
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Tidskriftsartikel (refereegranskat)
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| 19. |
- Bonnevier, Katarina
(författare)
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Mårbacka
- 2005
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Ingår i: Startpunkter. - Stockholm : Axl Books. - 9789197590105 ; , s. 78-79
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Bokkapitel (refereegranskat)
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| 20. |
- Bonnevier, Katarina, 1970-
(författare)
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Mårbacka drag king
- 2007
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Ingår i: Bang. - Stockholm : Bang. - 1102-4593. ; 2, s. 12-16
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Tidskriftsartikel (refereegranskat)
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| 21. |
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| 22. |
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| 23. |
- Bonnevier, Katarina
(författare)
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Normer i Klassrummet
- 2008
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Ingår i: Pedagogiska Magasinet. - 1401-3320. ; :1
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Tidskriftsartikel (refereegranskat)
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| 24. |
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| 25. |
- Bonnevier, Katarina
(författare)
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Out of the Salon
- 2004
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Genom en studie kring Salongen undersöker jag de performativa aspekter som finns i allarkitektur. Salongen är både den materiella, rumsliga behållaren och den tidsbegränsade händelsen – en typ av iscensättning där människorna och handlingarna inte kan särskiljas från detbyggda. Texten kretsar kring den litterära, feministiska och sexuellt gränsöverskridande salong författaren Natalie Clifford Barney iscensatte i sitt hem på 20, rue Jacob i Paris undernittonhundratalet, och ett par samtida Stockholms salonger som låtit sig inspireras av Barney.På café Copacabana har det under flera säsonger hållits litterära salonger en gång i månaden.Där har ”historiska och dagsaktuella kulturella och queerfeministiska teman” presenterats. Föratt komma salongsarkitekturen närmare gav jag, som ett slags fullskaleexperiment, en salonghösten 2004 inom ramen för mitt avhandlingsarbete. Det försöket som var ett akademiskt seminarium förklätt till salong hade också sin utgångspunkt i Barneys evenemang. Genom salongens rollbesatta arkitektur framträder relationen mellan människa och arkitektur skarpareeftersom aktörer och publik alltid redan är inskrivna. Jag frågar mig hur konstruerar arkitekturen genus, ”lägre” stående grupper eller ”avvikare” från normen? Mitt huvudtema är queerastrategier, frågan om motstånd och överskridande av sådana ordningar. Det handlar om maskerad arkitektur, det queera eller icke-straighta. Mitt antagande är att sambandet mellanmänniskor och arkitektur har mycket att göra med ytan; beklädnaden. En arkitekt i Barneyssamtid som arbetade utifrån detta synsätt var Elsie de Wolfe. Det är arkitektur betraktat somvisuella rumsliga avgränsningar, vilket rör sig i skala från accessoarer och klädedräkter, viascenerier och kulisser, till väggar och husgrupper.
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| 26. |
- Bonnevier, Katarina
(författare)
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Policy Document
- 2010
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Annan publikation (populärvet., debatt m.m.)
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| 27. |
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| 28. |
- Bonnevier, Katarina
(författare)
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Queer som Stockholm
- 2008
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Ingår i: Rum, Arkitektur inredning och design. - : Rum. - 1650-1330. ; :2
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Tidskriftsartikel (refereegranskat)
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| 29. |
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| 30. |
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| 31. |
- Bonnevier, Katarina
(författare)
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Samlade tankar om självbyggeri
- 2009
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Ingår i: Årsbok / Arkitekturmuseet. - Stockholm : Arkitekturmuseet. - 0280-2686. ; , s. 8-17
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Tidskriftsartikel (refereegranskat)
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| 32. |
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| 33. |
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| 34. |
- Bonnevier, Katarina
(författare)
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Topless : änglavakternas ordning
- 2010
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Ingår i: En alternativ guide till Nationalmuseum [An Alternative Guide to Nationalmuseum]. - Stockholm : Nationalmuseum. - 9789171008190
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Bokkapitel (populärvet., debatt m.m.)
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| 35. |
- Bonnevier, Katarina
(författare)
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Ut ur salongen
- 2005
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Ingår i: <em>Feminist Cultural </em> <em>Studies</em> at <em>Cultural Studies in Sweden</em>. - Norrköping.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 36. |
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| 37. |
- Burroughs, Brady, 1970-
(författare)
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Architectural Flirtations : A Love Storey
- 2016
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Formulated as a feminist project, written as a pulp fiction, Architectural Flirtations: A Love Storey begins with our claim that the architectural discipline is centered around a culture of critique, which is based in what bell hooks calls “a system of imperialist, white supremacist, heterosexist, capitalist, patriarchy,” and that the values instilled by this culture not only begin with, but are reinforced and reproduced by, the education of young architects.Sounds serious. Right?In a move toward a more vulnerable, ethical and empowering culture of architecture, the project aims to displace the culture of critique, by questioning and undermining relationships of power and privilege through practices that are explicitly critical, queer feminist, and Campy. In other words, it takes seriously, in an uncertain, improper and playful way, what is usually deemed unserious within the architectural discipline, in order to undermine the usual order of things.All of the (love) storeys take place on March 21st, the spring equinox, in and around a 1977 collaborative row house project called Case Unifamiliari in Mozzo, Italy, designed by Aldo Rossi and Attilio Pizzigoni. Beda Ring, PhD researcher, constructs a Campy renovation of one of these row houses, full of theatricality, humor, and significant otherness; while architectural pedagogue, Brady Burroughs, guides a student group from KTH in an Architecture and Gender course; and Henri T. Beall, practicing architect, attends to the details upstairs.
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| 38. |
- Burroughs, Brady, 1970-, et al.
(författare)
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Between Delft and Stockholm
- 2017
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Ingår i: Footprint. - : Jap Sam Books. - 1875-1504 .- 1875-1490. ; 11:2, s. 119-128
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Over the years, colleagues at the Architecture School of Stockholm have developed a most remarkable and inspiring approach to architecture and writing in terms of performances and the performative while integrating feminist and queer theory. Of particular interest are the Critical Studies in Architecture group, the group Fatale for feminist architecture theory and practice, and the Mycket collaboration. By way of an interview between Footprint editors Dirk van den Heuvel and Robert Gorny, and the Stockholm colleagues Brady Burroughs, Katarina Bonnevier, Katja Grillner, and Hélène Frichot questions of pedagogy, research and methodology are further investigated, how to ‘stay with the trouble’ and where to situate newly emerging knowledge models.
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| 39. |
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Drömbyggen
- 2009
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Samlingsverk (redaktörskap) (populärvet., debatt m.m.)
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| 40. |
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| 41. |
- Hållander, Frida
(författare)
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Vems hand är det som gör? : En systertext om konst/hantverk, klass, feminism och om viljan att ta strid
- 2019
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Whose hand is making? And how can we understand craft practices in dialogue with society through making and objects? How do we understand objects that manifest resistance? This dissertation in artistic research explores craft practices within the fields of ceramics and textile, through the method and form of autoethnography, and on the basis of an intersectional perspective. It understands making as embodied experience and knowledge, conditioned, but not always bounded, by societal structures, and it documents the resistance against, and the resilience of, repressive structures, in dialogues and struggles where objects gain agency.It is an examination that moves between the bookishness of libraries and historical trajectories on the one hand and making as collective practice on the other, the latter represented in what this study defines as case studies of making. The study creates the term “together-making” to describe and analyse collective craft practice as simultaneously a method of research and of making as a potentially political and socially-conscious act.Through two case studies of making the study assembles an archive of willfulness. In the first case study of making, ceramic practice and historical objects emanating from feminist and anti-slavery movements, are explored through a process of together-making, putting together the exhibition From Pottery to Politics in 2016. In the actual exhibition, further ceramic objects from Swedish twentieth century come into play to re-direct the shape of the exhibition, exemplifying the ways in which this study understands objects as manifest, material politics inciting response.The second case study of making, takes off from the geographical area known as »de sju häraderna«: a centre for Swedish textile manufacture and home-based industry since the seventeenth century. Focusing on a group of local seamstresses who organized Sweden’s first women’s football series in the 1960s – Öxabäck IF – the study investigates textile objects in dialogue with society reflected through the textile history of labour and feminist political movements in the nineteenth and twentieth century. This case study also documents the process of research through together-making, and the exhibition Öxabäck IF – Without You no Tomorrow, 2016.
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