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- Kristensson, Per Ola, 1979-
(författare)
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Discrete and Continuous Shape Writing for Text Entry and Control
- 2007
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Mobile devices gain increasing computational power and storage capabilities, and there are already mobile phones that can show movies, act as digital music players and offer full-scale web browsing. The bottleneck for information flow is however limited by the inefficient communication channel between the user and the small device. The small mobile phone form factor has proven to be surprisingly difficult to overcome and limited text entry capabilities are in effect crippling mobile devices’ use experience. The desktop keyboard is too large for mobile phones, and the keypad too limited. In recent years, advanced mobile phones have come equipped with touch-screens that enable new text entry solutions. This dissertation explores how software keyboards on touch-screens can be improved to provide an efficient and practical text and command entry experience on mobile devices. The central hypothesis is that it is possible to combine three elements: software keyboard, language redundancy and pattern recognition, and create new effective interfaces for text entry and control. These are collectively called “shape writing” interfaces. Words form shapes on the software keyboard layout. Users write words by articulating the shapes for words on the software keyboard. Two classes of shape writing interfaces are developed and analyzed: discrete and continuous shape writing. The former recognizes users’ pen or finger tapping motion as discrete patterns on the touch-screen. The latter recognizes users’ continuous motion patterns. Experimental results show that novice users can write text with an average entry rate of 25 wpm and an error rate of 1% after 35 minutes of practice. An accelerated novice learning experiment shows that users can exactly copy a single well-practiced phrase with an average entry rate of 46.5 wpm, with individual phrase entry rate measurements up to 99 wpm. When used as a control interface, users can send commands to applications 1.6 times faster than using de-facto standard linear pull-down menus. Visual command preview leads to significantly less errors and shorter gestures for unpracticed commands. Taken together, the quantitative results show that shape writing is among the fastest mobile interfaces for text entry and control, both initially and after practice, that are currently known.
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| 2. |
- Moussette, Camille, 1977-
(författare)
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Simple haptics : Sketching perspectives for the design of haptic interactions
- 2012
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Historically, haptics—all different aspects of the sense of touch and its study—has developed around very technical and scientific inquiries. Despite considerable haptic research advances and the obviousness of haptics in everyday life, this modality remains mostly foreign and unfamiliar to designers. The guiding motif of this research relates to a desire to reverse the situation and have designers designing for and with the haptic sense, for human use and looking beyond technical advances. Consequently, this thesis aims to nurture the development of haptics from a designerly perspective, leading to a new field of activities labeled haptic interaction design. It advances that haptic attributes and characteristics are increasingly part of the qualities that make up the interactions and the experiences we have with objects and the interfaces that surround us, and that these considerations can and ought to be knowingly and explicitly designed by designers.The book encompasses an annotated research through design exploration of the developing field of haptic interaction design, building on a considerable account of self-initiated individual design activities and empirical-style group activities with others. This extensive investigation of designing haptic interactions leads to the Simple Haptics proposition, an approach to ease the discovery and appropriation of haptics by designers. Simple Haptics consists in a simplistic, rustic approach to the design of haptic interactions, and advocates an effervescence of direct perceptual experiences in lieu of technical reverence. Simple Haptics boils down to three main traits: 1) a reliance on sketching in hardware to engage with haptics; 2) a fondness for basic, uncomplicated, and accessible tools and materials for the design of haptic interactions; and 3) a strong focus on experiential and directly experiencable perceptual qualities of haptics. Ultimately, this thesis offers contributions related to the design of haptic interactions. The main knowledge contribution relates to the massification of haptics, i.e. the intentional realization and appropriation of haptics—with its dimensions and qualities—as a non-visual interaction design material. Methodologically, this work suggests a mixed longitudinal approach to haptics in a form of a well-grounded interplay between personal inquiries and external perspectives. The book also presents design contributions as ways to practically, physically and tangibly access, realize and explore haptic interactions. Globally these contributions help make haptics concrete, graspable, sensible and approachable for designers. The hope is to inspire design researchers, students and practitioners to discover and value haptics as a core component of any interaction design activities.
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| 3. |
- Pederson, Thomas, 1971-
(författare)
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From Conceptual Links to Causal Relations — Physical-Virtual Artefacts in Mixed-Reality Space
- 2003
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis presents a set of concepts and a general design approach for designing Mixed Reality environments based on the idea that the physical (real) world and the virtual (digital) world are equally important and share many properties. Focus is on the design of a technology infrastructure intended to relieve people from some of the extra efforts currently needed when performing activities that make heavy use of both worlds. An important part of the proposed infrastructure is the idea of creating Physical-Virtual Artefacts, objects manifested in the physical and the virtual world at the same time.The presented work challenges the common view of Human-Computer Interaction as a research discipline mainly dealing with the design of “user interfaces” by proposing an alternative or complementary view, a physical-virtual design perspective, abstracting away the user interface, leaving only physical and virtual objects. There are at least three motives for adopting such a design perspective: 1) people well acquainted with specific (physical and virtual) environments are typically more concerned with the manipulation of (physical and virtual) objects than the user interface through which they are accessed. 2) Such a design stance facilitates the conceptualisation of objects that bridge the gap between the physical and the virtual world. 3) Many physical and virtual objects are manifested in both worlds already today. The existing conceptual link between these physical and virtual objects has only to be complemented with causal relations in order to reduce the costs in crossing the border between the physical and the virtual world.A range of concepts are defined and discussed at length in order to frame the design space, including physical-virtual environment gap, physical-virtual activity, physical-virtual artefact, and physical-virtual environment.Two conceptual models of physical-virtual space are presented as a result of adopting the physical-virtual design perspective: for the analysis of object logistics in the context of physical-virtual activities, and for describing structural properties of physical-virtual space respectively. A prototype system offering some degree of physical-virtual infrastructure is also presented.
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