| 1. |
- Dell'Unto, Nicolo, et al.
(författare)
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Pompeii revived : Scanning Mission - insula V 1
- 2013
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Ingår i: Archaeology in the Digital Era : Papers from the 40th Annual Conference of Computer Applications and Quantitative Methods in Archaeology (CAA), Southampton, 26-29 March 2012 - Papers from the 40th Annual Conference of Computer Applications and Quantitative Methods in Archaeology (CAA), Southampton, 26-29 March 2012. - 9789089646637 ; , s. 199-207
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Konferensbidrag (refereegranskat)abstract
- The Swedish Pompeii Project started in 2000 as a fieldwork initiated from the Swedish Institute in Rome. The aim was to record and analyze a full Pompeian city-block, Insula V 1. This paper presents the initial results of one of the actions in the context of this project. In October 2011, two houses were acquired using 3D scanning and 3d-from-photos techniques, and the data was processed to obtain an accurate and complete model. Through the use of Virtual Reality Techniques, it will be possible to visit the Pompeian houses of Casa del Torello and Casa di Cecilio Giocondo understanding the relation between the actual archaeological context and their original outfit. The collected data will be used also to design and test a web-based access system, where the entire dataset will be available for browsing, measurement and data extraction. The features of HTML5, in particular WebGL, will be used to deliver realtime 3D content and interaction.
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| 2. |
- Dunn, Stuart, et al.
(författare)
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Spatial Narratives in Museums and Online : The Birth of the Digital Object Itinerary
- 2019. - 1
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Ingår i: Museums and Digital Culture. - London and New York : Springer. - 9783319974576 ; , s. 253-271
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Bokkapitel (refereegranskat)abstract
- Museums represent complex layers of place. From carefully managed curatorial spaces, to exhibition environments, to the layout of display cases, to the representation of distant parts embodied in the collections of the great encyclopedic collections, the negotiation, representation and presentation of place has always been central to the mission of any museum. This chapter will examine the history of how museums (especially museum catalogues) present place, from early origins to the Internet. A set of case studies will be examined as a means of exploring how, where and in what form art objects and artefacts first began to be transported from non-Western to Western nations for display in the museums of Western capitals, thus representing the origins of what Cuno has called our “basic and inevitable cultural interrelatedness”; and what others have called “object itineraries” or “object biographies”. A comparison will be made of the same museums’ online representation of the same places today. It will thus be possible to present a framework for considering object itineraries – historic and modern - as a subject of both history and historiography.
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| 3. |
- Dunn, Stuart, et al.
(författare)
-
Spatial narratives in museums and online : the birth of the digital object itinerary
- 2019
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Ingår i: Museums and digital culture. - Cham : Springer. - 9783319974569 - 9783319974576 ; , s. 253-271
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Bokkapitel (refereegranskat)abstract
- Museums represent complex layers of place. From carefully managed curatorial spaces, to exhibition environments, to the layout of display cases, to the representation of distant parts embodied in the collections of the great encyclopedic collections, the negotiation, representation and presentation of place has always been central to the mission of any museum. This chapter will examine the history of how museums (especially museum catalogues) present place, from early origins to the Internet. A set of case studies will be examined as a means of exploring how, where and in what form art objects and artefacts first began to be transported from non-Western to Western nations for display in the museums of Western capitals, thus representing the origins of what Cuno has called our "basic and inevitable cultural interrelatedness"; and what others have called "object itineraries" or "object biographies". A comparison will be made of the same museums' online representation of the same places today. It will thus be possible to present a framework for considering object itineraries—historic and modern—as a subject of both history and historiography.
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