| 1. |
- Adman, Per, et al.
(författare)
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171 forskare: ”Vi vuxna bör också klimatprotestera”
- 2019
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Ingår i: Dagens nyheter (DN debatt). - Stockholm. - 1101-2447.
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- DN DEBATT 26/9. Vuxna bör följa uppmaningen från ungdomarna i Fridays for future-rörelsen och protestera eftersom det politiska ledarskapet är otillräckligt. Omfattande och långvariga påtryckningar från hela samhället behövs för att få de politiskt ansvariga att utöva det ledarskap som klimatkrisen kräver, skriver 171 forskare i samhällsvetenskap och humaniora.
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| 2. |
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| 3. |
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| 4. |
- Gabrielsson, Alf, et al.
(författare)
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Can strong experiences of music have therapeutic implications?
- 1995
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Ingår i: Music and the mind machine. The psychophysiology and psychopathology of the sense of music. - : Berlin, Heidelberg, New York: Springer-Verlag. ; , s. 195-202
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Gabrielsson, Alf, et al.
(författare)
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Children's perception and performance of emotion in singing and speech
- 2002
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Ingår i: Proceedings of the 10th International Conference of the Early Childhood Commission of the International Society for Music Education, 5-9 August 2002, Copenhagen, Denmark. ; , s. 75-79
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Children’s ability to perceive and to express emotion in song and speech was investigated with 48 children, 16 children at each of three ages (4, 7, and 10 years), equally distributed in gender. In the perception experiment children judged which of four e
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| 6. |
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| 7. |
- Gabrielsson, Alf, et al.
(författare)
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Emotional expression in music
- 2003
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Ingår i: Handbook of affective sciences. - : Oxford University Press, New York. - 0195126017 ; , s. 503-534
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Bokkapitel (refereegranskat)
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| 8. |
- Gabrielsson, Alf, et al.
(författare)
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Emotional expression in music performance: Between the performer's intention and the listener's experience
- 1996
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Ingår i: PSYCHOLOGY OF MUSIC. - 0305-7356. ; 24, s. 68-91
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Tidskriftsartikel (refereegranskat)abstract
- Nine professional musicians were instructed to perform short melodies using various instruments - the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners. The performances were first validated by having listeners rating the emotional expression and then analysed with regard to their physical characteristics, e.g. tempo, dynamics, timing, and spectrum. The main findings were that (a) the performer's expressive intention had a marked effect on all analysed variables, (b) the performers showed many similarities as well as differences in emotion encoding, (c) listeners were generally successful in decoding the intended expression, and (d) some emotional characters seemed easier to communicate than others. The reported results imply that we are unlikely to find performance rules independent of instrument, musical style, performer, or listener.
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| 9. |
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| 10. |
- Gabrielsson, Alf
(författare)
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Emotions in strong experiences with music
- 2001
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Ingår i: Music and emotion: Theory and research. - : New York:Oxford University Press. - 0192631888 ; , s. 431-449
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Bokkapitel (refereegranskat)
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| 11. |
- Gabrielsson, Alf
(författare)
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Expression, communcation, musicality
- 2002
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Ingår i: Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. - : Sydney: Causal Productions. - 1876346396 ; , s. 153-156
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Konferensbidrag (refereegranskat)
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| 12. |
- Gabrielsson, Alf
(författare)
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Expressive intention and performance.
- 1995
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Ingår i: Music and the mind machine. The psychophysiology and psychopathology of the sense of music. - : Berlin, Heidelberg, New York: Springer-Verlag. ; , s. 35-47
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 13. |
- Gabrielsson, Alf, et al.
(författare)
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Expressive intention governs music performance
- 1994
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Ingår i: Proceedings of the Third International Conference for Music Perception and Cognition. - 2930104007 ; , s. 19-20
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Konferensbidrag (refereegranskat)
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| 14. |
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| 15. |
- Gabrielsson, Alf
(författare)
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Individuella starka musikupplevelser
- 2006
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Ingår i: Konsterna och själen. - : Kungl. Vitterhets Historie och Antikvitets Akademien , Stockholm. - 9174023578 ; , s. 107-117
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Bokkapitel (refereegranskat)
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| 16. |
- Gabrielsson, Alf
(författare)
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Manfred Clynes - Encounters and reflections
- 1999
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Ingår i: A Festschrift for Manfred Clynes. - : Saint Louis: MMB Music. ; , s. 159-165
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Manfred Clynes, truly inter-disciplinary researcher and musician, has inspired much work on emotion and music. This chapter describes his contacts with researchers in Uppsala and Stockholm with special regard to the use of Clynes's so-called sentograph fo
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| 17. |
- Gabrielsson, Alf
(författare)
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Music performance research at the millennium
- 2003
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Ingår i: Psychology of Music. - : London: SAGE Publications. - 0305-7356. ; 31, s. 221-272
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Tidskriftsartikel (refereegranskat)abstract
- Empirical research on music performance has increased much during recent decades. This article updates the review of the research up to 1995 published by the current author in 1999. Covering about 2oo papers from 1995 up to 2002, this article confirms the
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| 18. |
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| 19. |
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| 20. |
- Gabrielsson, Alf, 1936-
(författare)
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Musikpsykologi : En introduktion
- 2020
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Musikpsykologi är läran om upplevelser coh beteenden i samband med musik. I denna bok ges en översikt över olika forskningsområden inom musikpsykologi med tyngdpunkt på hur musik kan uppfattas, upplevas, utföras och komponeras.
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| 21. |
- Gabrielsson, Alf, 1936-
(författare)
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My marriage with music psychology
- 2009
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Ingår i: Psychomusicology: music, mind & brain. - 0275-3987. ; 20:1 & 2, s. 64-73
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Tidskriftsartikel (refereegranskat)
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| 22. |
- Gabrielsson, Alf
(författare)
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Old people's remembrance of strong experiences related to music
- 2002
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Ingår i: Psychomusicology. - 0275-3987. ; 18, s. 103-122
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Tidskriftsartikel (refereegranskat)abstract
- Old people’s remembrance of their strong experiences related to music (SEM) was investigated within an extensive research project aimed at developing a descriptive system for such experiences. Participants were asked to describe the strongest experience o
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| 23. |
- Gabrielsson, Alf
(författare)
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Om uttryck i musik
- 2002
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Ingår i: Musikpædagogiske refleksioner. Festskrift till Frede V. Nielsen 60 år. - : Köpenhamn: Danmarks Pædagogiska Universitet. - 8777019091 ; , s. 211-220
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Bokkapitel (refereegranskat)
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| 24. |
- Gabrielsson, Alf, 1936-, et al.
(författare)
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Peak experiences in music
- 2009
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Ingår i: Oxford handbook of music psychology. - Oxford : Oxford University Press. - 9780199298457 ; , s. 452-461
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 25. |
- Gabrielsson, Alf, 1936-, et al.
(författare)
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Peak experiences with music
- 2016
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Ingår i: <em>The Oxford handbook of music psychology</em>. - Oxford : Oxford University Press. ; , s. 745-758
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Bokkapitel (refereegranskat)
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| 26. |
- Gabrielsson, Alf
(författare)
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Psychology of music in Sweden.
- 1995
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Ingår i: Psychology of music today. - : Warsaw: Frederic Chopin Academy of Music. ; , s. 61-65
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 27. |
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| 28. |
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| 29. |
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| 30. |
- Gabrielsson, Alf, 1936-
(författare)
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(Recension av) Psyke og Logos
- 2009
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Ingår i: Svensk tidskrift för musikforskning. - 0081-9816 .- 2002-021X. ; 91, s. 212-215
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Recension (övrigt vetenskapligt/konstnärligt)
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| 31. |
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| 32. |
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| 33. |
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| 34. |
- Gabrielsson, Alf
(författare)
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Some reflections on musical testing
- 2000
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Ingår i: Czlowiek – muzyka – psychologia. Festschrift for Maria Manturzewska. - : Warsaw: Chopin Academy of Music. - 8387759554 ; , s. 275-284
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Bokkapitel (refereegranskat)
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| 35. |
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| 36. |
- Gabrielsson, Alf, 1936-
(författare)
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Starka musikupplevelser : musik är mycket mer än bara musik
- 2008
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Ca 950 personer har beskrivit sin starkaste musikupplevelse. Berättelserna har analyserats med avseende på vilka reaktioner som beskrivits och dessa har sedan kategoriserats i ett omfattande beskrivningssystem för starka musikupplevelser omfattande ca 150 olika reaktioner. Analysen har också gällt orsakerna till upplevelsen och vilka konsekvenser den haft för individien.
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| 37. |
- Gabrielsson, Alf
(författare)
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Strong experiences elicited by music — What music?
- 2006
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Ingår i: New Directions in Aesthetics, Creativity, and the Psychology of Art. - : Baywood Publishing Company,Amityville, NY. - 0895033054 ; , s. 251-267
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Bokkapitel (refereegranskat)
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| 38. |
- Gabrielsson, Alf, et al.
(författare)
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Strong experiences related to music: A descriptive system
- 2003
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Ingår i: Musicae Scientiae. - 1029-8649. ; 7, s. 157-217
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Tidskriftsartikel (refereegranskat)abstract
- Strong Experiences related to Music (SEM) were investigated by means of some 900 persons’ free description of their strongest experience of music ever. Most of them also completed a questionnaire containing statements about SEM. Content analysis of the fr
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| 39. |
- Gabrielsson, Alf, 1936-
(författare)
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Strong experiences with music
- 2010
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Ingår i: Handbook of music and emotion. Theory, research, applications. - Oxford : Oxford University Press. - 9780199230143 ; , s. 547-574
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 40. |
- Gabrielsson, Alf, 1936-, et al.
(författare)
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Strong experiences with music : Music is much more than just music
- 2011
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Nowadays we listen to music whenever and wherever we like. Never before has the scope of what is available been so great and varied. The mass media and Internet have given us unlimited paths into the world of music.Just like music is varied and endless, so are our reactions to music. The very same piece of music can generate completely different reactions in different people, and a person can react quite differently to the same piece of music on different occasions. Sometimes the reactions become more intense and profound than usual and leave powerful impressions in one’s memory. In this book several hundred people – women and men, young and old, musicians and non-musicians – tell about such strong experiences with music and what these have come to mean for them. The experiences extend across almost all of the 20th century and have occurred in highly varying and often unexpected situations. The music absorbs the listeners and shuts out everything else. It evokes strong emotions and a lot of other reactions, all the way from purely physical responses to experiences of existential and spiritual character. Every account is unique, bears witness to strong commitment and is often moving. The experience may lead to release of pent-up feelings, lead to liberation and inner cleansing and work as therapy. One can feel confirmed and understood, gain increased self-confidence and acquire another view of oneself and of life in general. Of course also quite a new view of music and what it can mean for well-being, health and quality of life. There are many similarities with strong experiences in other areas, such as nature, love, religion, literature, art, and dance.
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| 41. |
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| 42. |
- Gabrielsson, Alf
(författare)
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Studies in rhythm
- 1973
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)
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| 43. |
- Gabrielsson, Alf
(författare)
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Studying emotional expression in music performance.
- 1999
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Ingår i: Council for Research in Music Education, Bulletin No 141. ; , s. 47-53
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Tidskriftsartikel (refereegranskat)abstract
- Musicians were asked to perform short monophonic pieces of music so as to express different emotions. Listeners were usually able to recognize the intended emotions. Analysis of the performances indicated that all performance variables—tempo, timing, dyna
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| 44. |
- Gabrielsson, Alf
(författare)
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The performance of music
- 1999
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Ingår i: The psychology of music (2nd ed.). - : San Diego: Academic Press. ; , s. 501-602
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Empirical research on the performance of music is reviewed: Planning of performance (representation and performance plan, practicing); Sight reading (eye movements, sight-reading and memorizing, relation to musical structure); Improvisation; Feedback in
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| 45. |
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| 46. |
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| 47. |
- Gabrielsson, Alf, 1936-, et al.
(författare)
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The role of structure in the musical expression of emotions
- 2010
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Ingår i: Handbook of music and emotion. Theory, research, applications. - Oxford : Oxford University Press. - 9780199230143 ; , s. 367-400
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 48. |
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| 49. |
- Laukka, Petri, et al.
(författare)
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Emotional expression in drumming performance
- 2000
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Ingår i: Psychology of Music. - : Society for Research in Psychology of Music and Music Education. ; 28, s. 181-189
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Tidskriftsartikel (refereegranskat)abstract
- Two professional drummers were instructed to play three rhythm patterns on a set of electronic drums so as to communicate specific emotions (happy, sad, angry, fearful, tender, solemn, and no expression) to listeners. Listening tests confirmed that listen
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| 50. |
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