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- Bernal, Ximena E., et al.
(författare)
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Empowering Latina scientists
- 2019
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Ingår i: Science. - : American Association for the Advancement of Science (AAAS). - 0036-8075 .- 1095-9203. ; 363:6429, s. 825-826
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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2. |
- Henao Castro, Andrés Fabián, et al.
(författare)
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"Hic Rhodus, Hic Salta!" Postcolonial Remains and The Politics of the Anthropo-ob(S)cene
- 2019
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Ingår i: Urban Political Ecology in the Anthropo-obscene. - Abingdon and New York : Routledge. - 9781138629196 - 9781138629189 - 9781315210537 ; , s. 69-87
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Bokkapitel (refereegranskat)abstract
- We use postcolonial theory to interrogate the discourse of the Anthropocene and its depoliticizing effects. It is maintained that the way that the Anthropocene discourse has been articulated within parts of postcolonial theory is deeply problematic and risks making the political itself categorically unthinkable and ontologically evacuated. In an attempt to disrupt this deadlock, we combine post-foundational and postcolonial theory to propose three performative interruptions against conditions of exclusionâthe politics of time, the politics of translation, and the politics of the stage. These build a platform to re-launch the political performativity of subaltern experiences in the here and now.
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3. |
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Ruptured Times : Advances in Visual Environmental Humanities
- 2021
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This first issue of Annals of Crosscuts includes eleven richly textured films that speak from the growing environmental humanities with strong intent and originality. The films speaks to the theme of "Ruptured Times" and forms a testimony to the integrative ambitions of the environmental humanities. The contributors come from a range of disciplines, schools and practices including artistic research, urban and architectural studies, social movements of the urban south, political ecologies of water, studies of mining legacies, decolonial performance aesthetics, science studies and ethnographies of conservation, toxicity and more-than-human relations. Made in ten countries, at four continents, the films are the final outcomes of a collaborative peer-review process that started in the first half of 2019, screened at the Crosscuts festival in late 2019 and published as a film-based special issue at Zenodo, CERN, in 2021 with a reflection from chief editor Jacob von Heland.
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