| 1. |
|
|
| 2. |
|
|
| 3. |
- Björkvall, Gunilla, Iversen, Gunilla, et al.
(författare)
-
"A brief Description of Corpus Troporum"
- 1992
-
Ingår i: Proceedings of the first British– Swedish conference on musicology, Medieval studies. - : Stockholm. ; , s. 119-122.
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 4. |
|
|
| 5. |
- Björkvall, Gunilla, et al.
(författare)
-
"Liturgische Tropen"
- 1986
-
Ingår i: Mittellateinisches Jahrbuch. - Ratingen : Henn. - 0076-9762. ; 21, s. 258-260.
-
Tidskriftsartikel (refereegranskat)
|
|
| 6. |
|
|
| 7. |
|
|
| 8. |
- Jacobsson, Ritva Maria, et al.
(författare)
-
Corpus Troporum
- 1988
-
Ingår i: Tvärsnitt. - Stockholm : Vetenskaprådet. - 0348-7997. ; :1, s. 3-11., s. 3-11.
-
Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
|
|
| 9. |
- Andrée, Alexander, 1974-
(författare)
-
Gilbertus Universalis: Glossa ordinaria in Lamentationes Ieremie prophete. Prothemata et Liber I. : A Critical Edition with an Introduction and a Translation
- 2005
-
Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The Glossa ordinaria on the Bible stands as one of the prime achievements of the period in western intellectual history known as the Renaissance of the twelfth century. In spite of the great number of still extant manuscripts very little is known about the circumstances around its composition. This state of affairs is partly explained by the lack of modern and critical editions of the books of the Glossa ordinaria. The present work is the first critical edition of the Glossa ordinaria on the Book of Lamentations, and consists of the forewords, or prothemata, and the first book (of five) of this text, which was compiled early in the twelfth century by the theologian and Ciceronian rhetorician Gilbert the Universal (†1134), schoolmaster at Auxerre and subsequently Bishop of London. The introduction includes a background sketch of the environment in which the Glossa ordinaria was conceived – the school of Laon – with a short biography of Gilbert the Universal, as well as a study of the sources to this particular part of the Gloss, chief among them the ninth-century commentary of Paschasius Radbertus. It is shown that Gilbert’s major improvement to his source, apart from drastically rewriting it, consists of the introduction of Ciceronian rhetorical loci to the verses of Lamentations. The introduction furthermore provides the reader with an analysis of the manuscript tradition of the early twelfth century and a selective analysis of the later manuscript tradition (some 86 manuscripts have so far been traced). One of the conclusions reached is that the Gloss on Lamentations exists in two textual recensions, the one original, the other a later redaction made once the Gloss had become a success and preserved in nearly all the later manuscripts. The manuscripts of the first recension, which is the one edited in the present work, may be organised into a stemma codicum consisting of two major families originating in a single archetype. It is possible to reconstruct this archetype on the basis of the five oldest manuscripts. An English translation of the edited text is included, as well as a ‘semi-critical’ edition of the text of the second recension. An important part of the present work consists of an effort to combine the sophisticated mise-en-page of the glossed manuscripts with the standards of presentation to be expected of a modern critical edition.
|
|
| 10. |
|
|
| 11. |
- Colette, Marie-Noël, et al.
(författare)
-
La parole chantée : Invention poètique et musicale dans le Haut Moyen Âge occidental
- 2014. - 1
-
Bok (refereegranskat)abstract
- Dans ce volume sont présentés des genres musicaux et poé- tiques qui reflètent la culture chrétienne du Haut Moyen Âge. Â la suite de la renaissance carolingienne ces chants ont été copiés et notés dans un grand nombre de manuscrits. C’est ainsi qu’ils nous sont parvenus et que nous possédons des témoignages inestimables de la création littéraire et musicale au sein de la liturgie au cours des siècles. Le répertoire grégorien est encore chanté de nos jours, non sans avoir subi quelques avatars. Les tropes et prosules, dont l’usage a été limité au Moyen Âge nous seraient inconnus si nous n’avions pas ces documents écrits. Ces textes ont pu être notés parce qu’ils appartenaient à une culture ecclésiastique, très peu de textes profanes ayant été notés avant 1200. Les sources, très nom- breuses en dépit des pertes occasionnées par diverses circonstances historiques, sont restées cachées et même souvent oubliées jusqu’à nos jours. Leur témoignage, quoique répondant à des règles de composition codifiées parce que réservées à une fonction détermi- née, est précieux. Cependant il ne faut pas oublier que cet usage liturgique ne représente qu’une toute petite partie des pratiques musicales médiévales, dont il ne peut pas en tout cas être tenu pour complètement étranger. C’est ce dont témoignent les quelques exemples de musique profane qui sont joints à ce volume. Comme il s’agit de littérature et de musique, ce livre est partagé entre deux auteurs, Marie-Noël Colette a écrit les chapitres 1, 2, 4, et 9, Gu- nilla Iversen les chapitres 3, 5, 6, 7, 8, 10, 11, et 12.
|
|
| 12. |
-
Corpus troporum. 7, Tropes du Sanctus : tropes de l'ordinaire de la messe : introduction et édition critique
- 1990
-
Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The present volume. Tropes du Sanctus, is a Corpus Troporum edition of liturgical tropes to the chants of the medieval Roman mass. This edition, the second in the series of Ordinary tropes, is based on 137 manuscripts dating from the tenth through the thirteenth centuries.The volume encompasses three major parts: an introduction, the edition and an inventory. In the introduction is presented the base chant and the medieval interpretations of the text. It also contains a study of the compositional forms of the tropes added to this chant, followed by a study of the different themes of the trope texts and a short summary of the various forms of versification.The central part of the volume consists of a critical edition of 174 texts added to the Sanctus chant. The Sanctus tropes are edited as unites, as are the Agnus Dei tropes in volume IV, and not like elements of Proper tropes.The edition is followed by a table which corresponds to the tables of the volumes of Proper tropes, presenting all combinations of the trope verses of each manuscript.The third major part of the volume is a detailed inventory of the repertories of Sanctus tropes in the manuscrips of the edition. It provides information on the localisation, rubrics and structure of each single trope, as well as the melody of the specific Sanctus chant connected to each trope.Finally, the volume contains several indices, a bibliography and 32 plates.
|
|
| 13. |
- Göransson, Elisabet, et al.
(författare)
-
Connecting the Case Studies : Editorial Methods and the Editorial Circle Model
- 2016
-
Ingår i: The Arts of Editing Medieval Greek and Latin : a Casebook - a Casebook. - 0082-5328. - 9780888442031 ; 203, s. 400-429
-
Bokkapitel (refereegranskat)abstract
- The concluding study offers reflections and a synthetic analysis of all the studies in the casebook, presented from the perspective of a "first reader". The pattern of external factors, editorial challenges, methodologies and forms of presentation is discussed. It offers an interpretation of how the body of case studies manifest a wide spectrum of methodologies. The case studies are categorized through two suggested models, one expressed as a map of varieties of editions produced using different methods and approaches; the other as a hermeneutic editorial circle revolving around four interrelated factors every editor has to take into consideration. The map sets out to clarify the editorial task, while the editorial circle problematizes it by bringing into the equation experiential parameters often omitted in theoretical discussions.
|
|
| 14. |
- Iversen, Gunilla
(författare)
-
A la recherche d’une poétique de la poésie liturgique
- 2005
-
Ingår i: Poesía Latina Medieval (siglos V–XV in Poesia latina medieval (siglos VXV). - : Sismel. Edizioni del Galluzzo. ; , s. 891–903-
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Une poétique de la poésie liturgique avant 1150 ?Avant la grande époque des nouvelles poétiques des douzième et treizième siècles, quelle a été ”la poétique” de la poésie liturgique des dixième et onzième siècles ?Quels ont été les modèles les plus importants pour les auteurs des nouveaux genres poétiques tropes et séquences chantés dans le cadre de la messe latine médiévale ?Evidémment, cette poésie chantée, étroitement liée aux autres textes de la liturgie, représente une poésie qui peut être définie comme une poésie ”fonctionelle”.Mais comment les auteurs médiévaux ont-ils regardé ces textes, leur fonction, leur raison d’être, leur but ?Ces textes, sont ils regardés comme des simples fictiones ou comme des expressions pures d’une vérité théologique, ou bien comme des figurata ornamenta ajoutant à la solemnité de la fête célebré ?Quels ont été pour les auteurs médiévaux les critères d’une pièce bien réussite ?Dans quelles domaines des Artes liberales a-t-on placé cette nouvelle poésie ?La présente étude cherche à définir les questions à partir des exemples concrèts et à suggérer des voies à suivres dans les recherches d’aujourd’hui pour tracer ”une poétique de la poésie liturgique” dans l’époque avant la renaissance des poétiques.L’étude fait partie d’un projet de recherches intérnational dirigé par l’auteur à l’université de Stockholm: ”Sapientia-eloquentia. Studies on the function of poetry in the period of tension between a monastic and a new scholastic culture in medieval Europé”.
|
|
| 15. |
- Iversen, Gunilla
(författare)
-
”Abélard et la poésie liturgique”
- 2003
-
Ingår i: Pierre Abélard. Colloque international de Nantes. - : Nantes: Presses Universitaires de Rennes. ; , s. 233-260.
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 16. |
|
|
| 17. |
|
|
| 18. |
|
|
| 19. |
- Iversen, Gunilla
(författare)
-
"Att förmedla en text"
- 1981
-
Ingår i: Tvärsnitt 4. ; , s. 3-10.
-
Tidskriftsartikel (refereegranskat)
|
|
| 20. |
- Iversen, Gunilla
(författare)
-
"Att förmedla en text"
- 1982
-
Ingår i: Tvärsnitt 1. ; , s. 47-48.
-
Tidskriftsartikel (refereegranskat)
|
|
| 21. |
- Iversen, Gunilla, 1941-
(författare)
-
Biblical interpretation in tropes and sequences
- 2007. - 1
-
Ingår i: The journal of Medieval Latin. - Turnhout : Brepols. - 0778-9750. ; 17, s. 210-225
-
Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
|
|
| 22. |
- Iversen, Gunilla
(författare)
-
Chanter avec les anges : Poesie dans la messe médiévale. Interprétations et commentaires
- 2001
-
Bok (refereegranskat)abstract
- Ce livre présente quelques exemples de la poésie chantée dans la messe médiévale illustrant différentes formes de composition, et exposant diverses interprétations médiévales de ces textes et de leur contexte dans la messe, telle qu’elle pouvait être célébrée au Moyen Age. Cette présentation se propose comme un complément aux introductions musicales. Elle s’adresse à tous ceux qui s’intéressent aux divers aspects de la culture médiévale : à sa vie spirituelle, à sa philosophie, à sa théologie et sa liturgie, aux nouveaux genres lyriques apparaissant dans l’histoire de la littérature Latine.
|
|
| 23. |
- Iversen, Gunilla
(författare)
-
”Compositional planning and tropes”
- 1998
-
Ingår i: Study Group Cantus Planus, (IMS London 1997), Studia Musicologica Academiae Scientiarum Hungaricae 39/2–4. ; , s. 201-214.
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 24. |
|
|
| 25. |
|
|
| 26. |
- Iversen, Gunilla, 1941-
(författare)
-
Corpus Troporum XII. Tropes du Gloria : Vol. 2. Aperçu des manuscrits
- 2014
-
Bok (refereegranskat)abstract
- Volume 2 publishes 32 plates from the manuscripts used in the edition. It then provides an overview of the entire Gloria repertory, listing all the manuscripts by place of provenance (coinciding with the order of collation) and detailing information on the place of insertion of each verse in the tropes and prosulas, including liturgical rubrics and melodies. French musicologist Marie Noël Colette contributes to this volume with musical transcriptions and annotations of a selection of troped Gloria chants. Indices and bibliography conclude the volume.
|
|
| 27. |
- Iversen, Gunilla, 1941-
(författare)
-
Corpus Troporum XII. Tropes du Gloria : Volume 1. Introduction et édition des textes
- 2014
-
Bok (refereegranskat)abstract
- The present volume is an edition of medieval liturgical tropes to the most extensive chants of the Roman Mass, Gloria in excelsis Deo. Following the editions of tropes to the Agnus Dei and Sanctus by the same editor in the series Corpus Troporum, this is the third part dedicated to Ordinary tropes. It is based on 137 manuscripts dating from the ninth through the thirteenth centuries.Volume 1 contains an introduction presenting the Gloria chant, its history and its interpretation by medieval commentators. Iversen presents the various compositional methods used by medieval compilers, who, combining ‘wandering’ verses, could vary the form of the troped chant in almost unlimited ways. The innovative aspect of this edition is to present for the reader as much material from this extensive poetic tradition while keeping faithful to the manuscript witnesses.Thus the main part of the first volume contains the critical edition of 152 tropes and prosulas amounting to thousands of verses, in various ways and at various points inserted into the Gloria chanted in the medieval Mass.
|
|
| 28. |
|
|
| 29. |
|
|
| 30. |
|
|
| 31. |
|
|
| 32. |
|
|
| 33. |
|
|
| 34. |
- Iversen, Gunilla
(författare)
-
”Fictiones or figurata ornamenta?"
- 2004
-
Ingår i: Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000–2000. - : Amsterdam–New York. ; , s. 341-361.
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 35. |
- Iversen, Gunilla, 1941-
(författare)
-
From Jubilus to learned Exegesis : new liturgical poetry in twelfth-century Nevers
- 2009
-
Ingår i: Sapientia et eloquentia. - Turnhout : Brepols. - 9782503520575 ; , s. 203-258
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In a number of interrelated case studies of earlier unexplored poetic and musical material dating from the ninth through the thirteenth centuries, the scholars explore and shed further light on changes in functions and forms in poetry, particularly in liturgical poetry, and in medieval interpretations of this poetry and music. Although the earlier part of the twelfth century remains the focus of the book, this should not be taken as a clearly delimited period. Many of the phenomena dealt with had roots in earlier times and did by no means end with the 'high Middle Ages'. In several articles, the poetical heritage of the Carolingian environment of the palace school of Charles the Bald is examined – a poetic before the poetics, the place and function of music in the liturgical context, to name but two subjects that are treated. With the twelfth century, the ideas developed during the preceding centuries finally took a more institutional shape; in the present book, we see this phenomenon represented in Peter Abelards hymnary for the Paraclete, ritual representations and liturgical drama, in commentaries to biblical poetry, such as the Glossa ordinaria to Lamentations. Finally, the interpretation and understanding of musical texts, exemplified by the view on Boethius’ De Musica and the new literary genre represented by commentaries to Sequences in the later middle ages give the volume a final touch and tie its end again to the beginning.
|
|
| 36. |
|
|
| 37. |
|
|
| 38. |
|
|
| 39. |
|
|
| 40. |
|
|
| 41. |
|
|
| 42. |
|
|
| 43. |
- Iversen, Gunilla, 1941-
(författare)
-
Introduction
- 2009
-
Ingår i: Sapientia et eloquentia. - Turnhout : Brepols. - 9782503520575 ; , s. 1-7
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In a number of interrelated case studies of earlier unexplored poetic and musical material dating from the ninth through the thirteenth centuries, the scholars explore and shed further light on changes in functions and forms in poetry, particularly in liturgical poetry, and in medieval interpretations of this poetry and music. The present volume thrusts the reader into the intellectual turmoil of the period in medieval Europe that is often characterized by Peter Abelard and his controversies with contemporary authorities. Although the earlier part of the twelfth century remains the focus of the book, this should not be taken as a clearly delimited period. Many of the phenomena dealt with had roots in earlier times and did by no means end with the 'high Middle Ages'. In several articles, the poetical heritage of the Carolingian environment of the palace school of Charles the Bald is examined – a poetic before the poetics, the place and function of music in the liturgical context, to name but two subjects that are treated. With the twelfth century, the ideas developed during the preceding centuries finally took a more institutional shape; in the present book, we see this phenomenon represented in Peter Abelards hymnary for the Paraclete, ritual representations and liturgical drama, in commentaries to biblical poetry, such as the Glossa ordinaria to Lamentations. Finally, the interpretation and understanding of musical texts, exemplified by the view on Boethius’ De Musica and the new literary genre represented by commentaries to Sequences in the later middle ages give the volume a final touch and tie its end again to the beginning.
|
|
| 44. |
|
|
| 45. |
|
|
| 46. |
|
|
| 47. |
|
|
| 48. |
- Iversen, Gunilla
(författare)
-
Le répertoire de tropes du graduel de Saint-Yrieix (xie siècle)
- 2014
-
Ingår i: Les chapitres séculiers et leur culture - Vie canoniale, art et musique à Saint-Yrieix (Vie - XIIIe siècle). - Limoges : Presse universitaire de Limoges. - 9782842876265 ; , s. 556-572
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
| 49. |
|
|
| 50. |
|
|
