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| 2. |
- Björkvall, Gunilla, Iversen, Gunilla, et al.
(författare)
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"A brief Description of Corpus Troporum"
- 1992
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Ingår i: Proceedings of the first British– Swedish conference on musicology, Medieval studies. - : Stockholm. ; , s. 119-122.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 3. |
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| 6. |
- Bladh, Elisabeth, 1975-
(författare)
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La Bible traduite en français contemporain : forme, signification et sens
- 2003
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation analyses seven modern Bible translations in French with respect to their renderings of Koine Greek participles. The sample consists of the Passion Story from the four Gospels (Matt 26-28, Mark 14-16, Luke 22-24 and John 18-21), and is comprised of 603 Hellenistic participles in all. The participle forms are studied in six categories according to their syntactic function. The comparison focuses on differences in translation strategy, i.e. formal equivalence, omission and different kinds of transpositions, with special attention given to the choice of verb form. There is a discussion of the adequacy of contemporary, explicative theories of systemic differences between the passé simple/passé composé and the imparfait. A large number of examples are analysed in detail. The results of the survey show that the most prominent differences in translation strategies concern the predicative participle. Furthermore, this was the category that occurred most frequently in the sample. The Catholic scientific and literary translation La Bible de Jérusalem (1998) is the most literal of the seven versions. A high level of formal equivalence is also registered in the other scientific translation, La Traduction Œcuménique de la Bible (1988), even though application of this strategy outweighs the use of finite verbs, that is to say, the most common transposition. La Bible en français courant (1996) is the least literal: generally, it transposes the participle of the source text with a finite verb. This transposition is also very frequent in the literary La Bible de la Pléiade (1971). Most of the omissions are recorded in the recent literary La Bible, Nouvelle traduction (2001), which is shown to be the most divergent translation. Omissions are also frequent in the pastoral La Bible des moines de Maredsous (1968) and the liturgical La Traduction liturgique de la Bible (1977). When translated in conjunction with an element comprising a verb in one of the non-indicative moods (infinitive, imperative, participle and subjunctive), both the present and the aorist predicative participles are, to a large extent, rendered by a simple form, expressing non-accomplishment. However, the Bible de Jérusalem stands out with its greater use of compound present participles than any other version. When the predicative participle of the source text is transposed with a verb in the indicative mood, the passé simple is generally used to render the aorist; for the present participle, the imparfait is more frequent than the passé simple. Nevertheless, here too the passé simple accounts for a significant portion of the equivalents, especially in the two translations where transpositions formed by finite verbs are particularly important. There exist a few cases where some translators chose to use the passé simple/passé compose, while others chose the imparfait. The various details, tables and linguistic analyses in this dissertation provide a solid basis for accurately characterizing the various modern attempts made at reproduce this ancient text – a text so often translated, paraphrased, interpreted and deeply integrated in our cultural heritage.
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| 7. |
- Cedergren, Mickaëlle, 1969-
(författare)
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L'écriture biblique de Strindberg : Étude textuelle des citations bibliques dans Inferno, Légendes et Jacob lutte
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Inferno constitutes a turning point in Strindberg's literary production in that scriptural quotations appear more frequently and a new style emerges. This thesis presents the characteristics of the scriptural quotations appearing in Inferno (1897) and Jacob Wrestles (a fragment following Légendes, written in French and in Swedish in 1898). Comparative, discourse, textual and intertextual approaches are used to define the place and role of scriptural quotations in this literary corpus.From a historical point of view, both novels are part of the religious history of late 19th century France, where religion played a more important role than during the scientific, rationalist era characterizing the preceding decades. Strindberg adopts a new style corresponding to the spirit of his time. The art of "quoting the Bible at random" is a rhapsodic style, which appears mainly in Strindberg’s correspondence, in his Occult Diary (writings contemporary with Inferno) and in the work of some French 19th century writers. This style originates, above all, in the occult tradition, but it is also a means of imitating the Bible and identifying with a prophetic figure.The research discussed in this dissertation has made it possible to determine, for the first time, what Bible translations are used in the two novels by Strindberg (translations by Ostervald and Martin / Roques). Five different types of rewritings of quotations were found: omissions, cutting of verses, substitutions, typographical changes and inversions. These variations were aimed at harmonising the Biblical text and the Strindbergian text, while removing contextual and theological elements that bothered the writer. The discourse analysis has concentrated on the quotations viewed as reported speech, distinguishing different ways of introducing Biblical verses in the novel. It was found that the narrator's subjectivity is present in the comments leading up to the quotations. The polyphonic character of some quotations has stressed the importance of identification play between the narrator and certain quotations characters such as Christ, Job and the psalmist.The intertextual analysis has revealed a large number of similarities in the scriptural quotations in the literary production of Strindberg, Swedenborg and French 19th century literature. It is shown that Inferno contains various quotations that appear in Occult Diary and in other writers’ works, such as those of Swedenborg, Péladan, Zola, Huysmans and Chateaubriand. Jacob Wrestles, on the other hand, does not include as many intertextual elements but instead reassembles many scriptural quotations that were underlined in the Bible translation used for this novel: La Sainte Bible, Ostervald's translation from 1890, which can be found in Blå Tornet (The Strindberg Museum in Stockholm). Strindberg is consequently recycling Biblical material when he writes Inferno, while resorting to the French Bible of Ostervald from 1890 to write Jacob Wrestles.The quotations strewn in Inferno constitute a crescendo and reveal the narrator’s unsuccessful attempt at conversion, at the same time forming the structure of a complaint psalm in which the narrator cries out his suffering and awaits liberation. In the French text of Jacob Wrestles, the writer offers a package of scriptural quotations in order to identify the narrator as "a religious man", imploring God's mercy like Moses and Job. In the Swedish text of Jacob Wrestles, a new perspective is introduced as a result of the change in language, the change from Old to New Testament, the new spiritual disposition of the narrator and the sudden intrusion of the writer in the narrator’s space. The role of scriptural quotations in the entire fragment of Jacob Wrestles is a true linguistic, thematic and theological revolution, which accounts for the narrator's extraordinary religious evolution. The misery of the narrator in Inferno allows a ray of Christian hope, which will persist in Strindbergs’s literary production post-Inferno.
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| 12. |
- Jacobsson, Ritva Maria
(författare)
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"Contribution à la géographie des tropes des saints"
- 1990
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Ingår i: La tradizione dei tropi liturgici. Atti dei convegni sui tropi liturgici, Parigi – Perugia. - : Spoleto: Centro italiano di studi sull'alto medioevo. ; , s. 145-182.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 13. |
- Jacobsson, Ritva Maria, et al.
(författare)
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Corpus Troporum
- 1988
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Ingår i: Tvärsnitt. - Stockholm : Vetenskaprådet. - 0348-7997. ; :1, s. 3-11., s. 3-11.
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 16. |
- Jacobsson, Ritva Maria
(författare)
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"Den romersk-katolska mässan"
- 1998
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Ingår i: Vallentuna anno domini 1198. Vallentunakalendariet och dess tid. ; , s. 34-39.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 21. |
- Jacobsson, Ritva Maria
(författare)
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"Le style des prosules d'alleluia, genre mélogène"
- 1979
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Ingår i: Le Polifonie primitive in Friuli e in Europa (Atti del congresso internazionale Cividale del Friuli, 22-24 agosto 1980. - : Roma. ; , s. 367-376.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 25. |
- Jacobsson, Ritva Maria
(författare)
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"Maria i tidebönen"
- 1994
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Ingår i: Symposiet Maria i Sverige under 1000 år, 6-10 oktober 1994.
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Annan publikation (populärvet., debatt m.m.)
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| 30. |
- Jacobsson, Ritva Maria
(författare)
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"Saints'Tropes – Some reflections"
- 1992
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Ingår i: Proceedings of the first British–Swedish conference on musicology. ; , s. 124-140.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 35. |
- Jacobsson, Ritva Maria
(författare)
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Såsom det flitiga biet
- 2008
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Ingår i: Förbistringar och förklaringar. - Lund : Språk- och litteraturcentrum, Lunds universitet ; Skåneförlaget. - 9789187976292 ; , s. 364-374
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 36. |
- Jacobsson, Ritva Maria
(författare)
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"The Antiphoner of Compiègne: Paris BNF lat 17436"
- 2000
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Ingår i: The Divine Office in the Latin Middle Ages. Methodology and Source Studies, Regional Developments, Hagiography. Written in Honor of Professor Ruth Steiner. - : Oxford. ; , s. 147-178.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 37. |
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| 40. |
- Jacobsson, Ritva Maria, et al.
(författare)
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"Tropes and the Concept of Genre"
- 1986
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Ingår i: Pax et Sapientia. Studies intext and music of liturgical tropes and sequences. In memory of Gordon Anderson. - : Stockholm: Almqvist&Wiksell International. ; , s. 59-89.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 41. |
- Jacobsson, Ritva Maria, 1932-
(författare)
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Tropes du propre de la messe 5 : Fétes des Saints et de la Croix et de la Transfiguration
- 2011
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The present Corpus Troporum edition, CT X, volumes A and B, contains the tropes of the proper of the Mass for the feasts of the Saints, of the Holy Cross and of the Transfiguration. The edition (Proper tropes number 5) is part of the editorial program of the Corpus Troporum and completes the cycles of proper tropes of Christmas (CT I), of Easter (CT III) and of The Blessed Virgin Mary (CT IX).Tropes are Latin chants--words and music--embellishing the Medieval mass chants; those of the proper concern the antiphons of the moveable feasts. Their verses were sung as introductions to and interpolations between those of the introit, the offertory and the communion.The edition comprises 1,662 trope units (called éléments ) and is based on 134 manuscripts written throughout Europe, the majority dating from the tenth through the twelfth centuries, but some even later.Volume A contains a general introduction explaining the principles of the edition and analyzing various problems. The feasts and the calendar as well as the antiphons are discussed. Special chapters take up the complicated story of the Saint Martial tropes in the Limoges manuscripts as well as the strange offertory hymn-like tropeSolve lingua. For each antiphon a system of tables shows all trope elements in each manuscript source, in the exact order of their occurrence. Here also the versification of elements is indicated. A detailed text commentary follows, in which philological, liturgical, and other relevant questions are discussed. Several difficult texts are translated into French. Three different indexes show the interrelations: which saints are found in which manuscripts, which antiphons and verses belong to which saints, which verses are linked to which antiphons, etc. A selection of tropes, “Tropi Selecti”, presents the particular tradition of single manuscript sources. There is also a map showing the origin/provenance of the manuscripts, and thirteen facsimiles from manuscripts and a select bibliography complete this volume.Volume B contains the proper edition: the Latin trope texts of Saints appear as elements in alphabetical order, with an apparatus showing all the variant readings, with cross references to tropes, with parallel passages, above all scriptural and liturgical ones, and with references to extant published editions. Also trope texts appearing without musical notation in the manuscripts are identified. Five special sections complete the edition of tropes : 1) The Holy Cross, 2) The Transfiguration, 3) a few supplementary saints’ tropes 4) the tropes from Santiago de Compostela, and 5) texts of uncertain genre. An additional section, the addenda et corrigenda, contains tropes which ought to have been included in earlier editions.
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| 42. |
- Jacobsson, Ritva Maria
(författare)
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"Tropes for Palm Sunday and Maunday Thursday"
- 2001
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Ingår i: Pasionska Bastina 2000/ Patrimoine de la Passion: Passion, une source inépuisable de l'inspiration en culture. - : Zagreb. ; , s. 347-366.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 43. |
- Jacobsson, Ritva Maria
(författare)
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"Tropes in Honour of Angels"
- 1998
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Ingår i: Chant and its Peripheries. Essays in Honour of Terence Bailey. - : Ottawa. ; , s. 257-276.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 44. |
- Jacobsson, Ritva Maria
(författare)
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"Tropes in honour of Saint Lawrence"
- 1997
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Ingår i: Musica Antiqua Europae Orientalis: acta scientifica congressus. Bydgoskie Towarzystwo Naukowe, Filharmonica Pomorska Im. I. Paderewskiego. - : Bydgoszcz-Warszawa. ; , s. 57-75.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 45. |
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| 46. |
- Jacobsson, Ritva Maria
(författare)
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"Unica in the Cotton Caligula Troper"
- 1993
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Ingår i: Music in the Medieval English Liturgy. Plainsong&Mediaeval Music Society Centennial Essays. - : Oxford: Clarendon Press. ; , s. 11-45.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 47. |
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