SwePub
Sök i SwePub databas

  Utökad sökning

Träfflista för sökning "WFRF:(Lindbergh Kent) "

Sökning: WFRF:(Lindbergh Kent)

  • Resultat 1-17 av 17
Sortera/gruppera träfflistan
   
NumreringReferensOmslagsbildHitta
1.
  •  
2.
  • Chetty, Sylvie, et al. (författare)
  • The effect of specificity of experience on a firm's perceived importance of institutional knowledge in an ongoing business
  • 2006
  • Ingår i: Journal of International Business Studies. - : Springer Science and Business Media LLC. - 0047-2506 .- 1478-6990. ; 37:5, s. 699-712
  • Tidskriftsartikel (refereegranskat)abstract
    • We study how three types of firm experience, ranging from the specific to the general, influence the perceived importance of institutional knowledge in the ongoing business of internationalising firms based on a sample of 101 small-to-medium-sized firms. The three types of firm experiences are international, country and ongoing business. The results show that firm experience within the ongoing business, and the experience from multiple past business deals in various countries, develop institutional knowledge, whereas experience from multiple past business deals in a specific country does not. The theoretical contribution of this paper is that it establishes a link between different kinds of experience and managerial cognition in terms of institutional knowledge. In addition, it emphasises that firms develop institutional knowledge from multiple diverse country experiences, and experience in the specific ongoing business rather than experiences at the level of the country.
  •  
3.
  •  
4.
  • Eriksson, Kent, et al. (författare)
  • Factors Affecting SME Export Channel Choice in Foreign Markets
  • 2006
  • Ingår i: Advances in International Marketing. - 1474-7979. ; 16, s. 1-22
  • Tidskriftsartikel (refereegranskat)abstract
    • Determining market channels is usually considered a discrete decision made by the expanding firm (e.g., Anderson & Coughlan, 1987; Bello & Gilliland, 1997; Solberg & Nes, 2002). In reality, this decision is often limited by knowledge constraints and customer demands. We find an example of this in Gamma's attempt at entering the Italian market (Hohenthal, 2001). {A textbox is presented}. Gamma's attempted entry into Italy is not a unique situation facing internationalizing small- and medium-sized enterprises (SMEs). The array of possible channels is usually rather limited. A firm's decision regarding what channel to use may be the result of the firm's knowledge or indeed lack of knowledge about a specific customer and the foreign market in general, such as competitors or cultural differences. The internationalization process (IP) model is a theoretical framework that recognizes how a firm's knowledge of a foreign market and the influence business relationships may have on the choice of market channel (Johanson & Vahlne, 1977, 1990, 2003). This framework postulates that firms with increased experience will increase their commitment in a market. Because firms wish to avoid uncertainty and initially lack foreign market knowledge, the IP model claims that firms expand their operations in small sequential steps, starting with no regular export activities and gradually increasing their commitment to the market and finally setting up a manufacturing subsidiary (Johanson & Vahlne, 1977; Johanson & Wiedersheim-Paul, 1975). This outcome of sequential steps, also known as the establishment chain (Johanson & Wiedersheim-Paul, 1975), has been heavily criticized because empirical research has shown that the establishment patterns of firms are less restricted than proposed by the model (Björkman, 1989; Hedlund & Kverneland, 1985; Turnbull, 1987; Welch & Loustarinen, 1988). Even though firms use a variety of establishment patterns when internationalizing, a growing body of research shows that firms gradually develop knowledge from their experiences (Barkema, Bell, & Pennings, 1996; Barkema, Shenkar, Vermeulen, & Bell, 1997; Barkema & Vermeulen, 1998; Delios & Beamish, 1999, 2001; Eriksson, Johanson, Majkgård, & Sharma, 1997; Hitt, Dacin, Tyler, & Park, 1997; Madhok, 1996; Zahra, Ireland, & Hitt, 2000). Thus, the model's fundamental argument that knowledge is developed through experience is generally supported in internationalization research. Based on the critique of the establishment chain proposition, reconsidering the explanatory power of the IP model may be warranted. For example, it may be more appropriate to use the IP model to explain the sequential buildup of knowledge rather than discrete choices of mode of establishment. The accumulation of experience occurs before, during, and after the exact time when a decision to establish in a certain mode is made. Despite the extensive acceptance of behavioral-oriented arguments in foreign-entry mode research (export, joint venture, and subsidiary modes), surprisingly few studies have been conducted on the determinants of integrated and non-integrated channels (see Aulakh & Kotabe, 1997, for notable exception). Thus, a behavioral-oriented approach to the study of firms' choices of market channels in foreign markets may prove enlightening. Adopting this approach is of particular interest because transaction-cost analysis has proved effective in explaining why firms choose either integrated or non-integrated channels (Hennart, 1991). Therefore, the question that needs to be answered is whether or not the IP model can be used to explain why firms choose integrated or non-integrated channels. If the IP model cannot be applied in this case, it should be clarified that this model can be used to explain sequential knowledge accumulation through experience but nothing else. The purpose of this study is to test which IP-related antecedents lead to the use of a specific channel in a foreign market. The two alternatives tested here are integrated and non-integrated channels. To accomplish this objective, we apply an IP approach to international business and then discuss channel choice from a knowledge perspective. Several hypotheses are developed concerning channel choice and tested on a sample of SMEs from Sweden, Denmark, and New Zealand. We use logistic regression to analyze our data. Based on this analysis, we present a discussion of our results and some managerial and research implications.
  •  
5.
  • Eriksson, Kent, et al. (författare)
  • Modeling firm specific internationalization risk : An application to banks' risk assessment in lending to firms that do international business
  • 2014
  • Ingår i: International Business Review. - : Elsevier BV. - 0969-5931 .- 1873-6149. ; 23:6, s. 1074-1085
  • Tidskriftsartikel (refereegranskat)abstract
    • Drawing on internationalization process theory, we develop a new model for firm-specific internationalization risk assessment. The model shows that firm-specific internationalization risks can be determined from a firm's experiences and from current business activities in a firm's network. Experiential risks are categorized as international, country market, network, or relationship experience risks. Risk assessment in current network activities can be determined from a firm's dependency on a network and from the network's performance and evolution. We apply our model to credit risk assessment by banks and other credit institutions. This article adds to research on financial institutions' credit risk assessment by focusing on firm-specific internationalization risk assessment, an area that has previously received little attention in the literature. In addition, this article provides a better understanding of risk assessment in the internationalization process, shedding light not only on the risks involved in firms' commitment to internationalization but also on the risks that banks and other institutions take when they commit by lending to internationalizing firms.
  •  
6.
  • Eriksson, Kent, 1964-, et al. (författare)
  • SME export channel choice in international markets
  • 2006
  • Ingår i: Advances in International Marketing. - : Emerald Group Publishing Limited. - 1571-2990. ; :16, s. 1-22
  • Tidskriftsartikel (refereegranskat)abstract
    • The Internationalization Process (IP) model claims that firms gradually accumulate knowledge of foreign markets, and that this kind of knowledge determine foreign establishment. Later developments of the model claim that experiences and knowledge of local business relationships are also essential elements of the IP model. The IP model has been found to hold well for incremental resource commitments. However, while other theories, such as the transaction-cost theories have managed to explain why firms go from integrated to non-integrated channels, the IP model has produced mixed results. This paper tests some of the fundamental IP model factors on a sample of Small and Medium Sized firms. Findings are that factors included in the initial explanation of the IP model explain choice of channel, but that the later developments of the model does not. Implications are that the foreign market knowledge is, and that more incremental experiential knowledge accumulation is not relevant for export channel choice as regards integrated or non-integrated channel.
  •  
7.
  •  
8.
  •  
9.
  •  
10.
  •  
11.
  • Lindbergh, Jessica (författare)
  • Overcoming Cultural Ignorance : Institutional Knowledge Development in the Internationalizing Firm
  • 2005
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This thesis studies how experiences influence the development of institutional knowledge within business relationships. It contributes to international business research by clarifying how experience develops the institutional knowledge of firms and what outcome such knowledge development has on firms’ internationalizations. The thesis identifies a need to distinguish between different types of experiences when investigating institutional knowledge development. In addition, the thesis compares different types of knowledge with institutional knowledge as to understand how firms learn to overcome cultural ignorance.The empirical setting consists of quantitative research of small- and medium sized firms. The findings show that market-specific experiences increases a firm’s institutional knowledge whereas experiences of multiple markets contribute to the firm’s perception of a greater need of institutional knowledge when conducting business with their specific partner. However, these experience effects are influenced by firms’ mode of operation (export vs. subsidiaries) in the international markets and mediated by cultural distance. Furthermore, the results show that despite the increased complexity that experiences of multiple markets lead to, such experiences increase a firm’s competence in foreign institutional environments. In addition, the findings show that firms lacking in ability to adapt their business also perceives a lack of knowledge about a country’s institutions and the customer.
  •  
12.
  •  
13.
  • True, Nicholas, et al. (författare)
  • The Voice Harvester : An Interactive Installation
  • 2013
  • Ingår i: Conference on Human Factors in Computing Systems, Extended Abstracts. - New York, NY : ACM Press. - 9781450319522 ; , s. 3003-3006
  • Konferensbidrag (refereegranskat)abstract
    • The Voice Harvester is an exploratory interactive installation that embodies human voice in physical materials. Sound input is processed, amplified and transmitted through audio drivers connected to a thin, flexible membrane that agitates the material on it. The title “Voice Harvester” is derived from the original design brief, which called for an object able to elicit non-linguistic, expressive, and naturalistic human vocal sounds to explore the full range of capability of the human voice through use of a novel, playful, and embodied interaction. This paper describes the intention, design process, construction, technical details, interaction, and planned/potential uses of this design exploration.
  •  
14.
  •  
15.
  • Zarin, Rouien, 1978-, et al. (författare)
  • Be Green : implementing an Interactive,Cylindrical Display in the Real World
  • 2013
  • Ingår i: Proceedings of the 2nd ACM International Symposium on Pervasive Displays (PerDis '13). - New York, NY : ACM Press. - 9781450320962 ; , s. 55-60
  • Konferensbidrag (refereegranskat)abstract
    • Many studies in Human-Computer Interaction and related fields,such as pervasive displays, have historically centered around userevaluation and knowledge production, focusing on usability issuesand on creating a more efficient user experience. As the trajectoryof HCI moves toward the so-called ‘third wave’, new values arebeing emphasized and explored. These include concepts such asembodiment and engagement, complementing usability as theprimary metric of evaluation. This paper explores the ideation,iteration, design, and real-world deployment of such a ‘thirdwave’ interactive pervasive installation in the form of aninteractive, large cylindrical display. The purpose was to displaythe air quality data in a manner that would inspire elevatedenvironmental consciousness and discussion among Umeåcitizens, especially with regard to the environmental impact ofdifferent methods of transportation.
  •  
16.
  • Zarin, Rouien, 1978-, et al. (författare)
  • Stop Motion Animation as a Tool for Sketching in Architecture
  • 2012
  • Ingår i: Proceeding of the 2012 Design Research Society International Conference.
  • Konferensbidrag (refereegranskat)abstract
    • Widely acknowledged as an archetypal design activity, sketching is typically carried out using little more than pen and paper. Today’s designed artifacts however, are often given qualities that are hard to capture with traditional means of sketching. While pen and paper sketching catches the character of a building, it may not equally well capture how that building changes with the seasons, how people pass through it, how the light moves in between its rooms from sunrise to dawn, and how its façade subtly decays over centuries. Yet, it is often exactly these dynamic and interactive aspects that are emphasized in contemporary design work. So is there a way for designers to be able to sketch also these dynamic processes? Over several years and in different design disciplines, we have been exploring the potential of stop motion animation (SMA) to serve this purpose. SMA is a basic form of animation typically applied to make physical objects appear to be alive. The animator moves objects in small increments between individually photographed frames. When the photographs are combined and played back in continuous sequence, the illusion of movement is created. Although SMA has a long history in filmmaking, the animation technique has received scarce attention in most design fields including product design, architecture, and interaction design. This paper brings SMA into the area of sketching in architecture by reporting on the planning, conduct, result, and evaluation of a workshop course carried out with a group of 50 students at Umeå School of Architecture, Umeå University, Sweden.
  •  
17.
  • Zarin, Rouien, et al. (författare)
  • Using Stop Motion Animation to Sketch in Architecture : A Practical Approach
  • 2012
  • Ingår i: Design and Technology Education. - : Design and Technology Association. - 1360-1431 .- 2040-8633. ; 7:3, s. 78-86
  • Tidskriftsartikel (refereegranskat)abstract
    • Widely acknowledged as an archetypal design activity,sketching is typically carried out using little more than penand paper. Today’s designed artifacts however, are oftengiven qualities that are hard to capture with traditionalmeans of sketching. While pen and paper sketchingcatches the character of a building, it may not equally wellcapture how that building changes with the seasons, howpeople pass through it, how the light moves in betweenits rooms from sunrise to dawn, and how its façade subtlydecays over centuries. Yet, it is often exactly these dynamicand interactive aspects that are emphasised incontemporary design work. So is there a way for designersto be able to sketch also these dynamic processes?Over several years and in different design disciplines, wehave been exploring the potential of stop motionanimation (SMA) to serve this purpose. SMA is a basicform of animation typically applied to make physicalobjects appear to be alive. The animator moves objects insmall increments between individually photographedframes. When the photographs are combined and playedback in continuous sequence, the illusion of movement iscreated. Although SMA has a long history in filmmaking,the animation technique has received scarce attention inmost design fields including product design, architecture,and interaction design. This paper brings SMA into thearea of sketching in architecture by reporting on theplanning, conduct, result, and evaluation of a workshopcourse carried out with a group of 50 students at Umeå School of Architecture, Umeå University, Sweden.
  •  
Skapa referenser, mejla, bekava och länka
  • Resultat 1-17 av 17

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Stäng

Kopiera och spara länken för att återkomma till aktuell vy