| 1. |
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| 2. |
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Number fascination : A reflection on data and measuring
- 2022
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Konstnärligt arbeteabstract
- Number fascinationA reflection on data and measuringAn exhibition is open from 3rd of May until 2nd of October 2022.Our lives are full of numbers and metrics. The minutes you need to boil an egg, the temperature outside, the hours until the end of the workday, the hourly pay rate of your job, the recommended amount of salt in your daily diet, the number of likes on your latest social media post. Numbers help to make sense of what we think, feel and know. Everything can be measured, once we learn how to count.Since the 16th century, Europeans have become increasingly obsessed with collecting data. The ability to describe the world quantitatively gave way to modern science and the hope that we could understand how things are.When you count things, you probably feel achievement and success: the number of followers you have on social media, the clicks on your latest post, the number of steps you have taken this day. But to know what decisions you need to make, good metrics and a clear understanding of what is being measured are needed. If you can’t measure it, you can’t manage it. Or can you?This exhibition is part of Me-Mind, a Creative Europe project that aims to measure and visualise the effect of culture. Throughout the process, we’ve come up with great questions about what measuring and counting mean, their challenges and the effect they can have on people. We’re sharing these thoughts in the form of an exhibition.Please ask yourself about your relationship with data as you are going through the sections of the exhibition. And when you reach the last one, where we present the results of our investigation, please ask questions and be critical of what we have developed. All data sets should be questioned by as many minds as possible.
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| 3. |
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| 4. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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Producing a Media-Rich Permanent Exhibition for the Estonian National Museum as Arts-Based research
- 2021
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Ingår i: Comunicazioni Sociali. - : Vita e Pensiero. - 0392-8667 .- 1827-7969. ; :1, s. 128-135
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Tidskriftsartikel (refereegranskat)abstract
- The article explores how academic and arts-based research have been combined in curating the contemporary, media-rich exhibition The Time of Freedoms, which is part of the permanent exhibition of the Estonian National Museum. The article shows how the success of exhibition-making practice depends on the skill of switching codes from the more strictly procedure-oriented sociological/ethnological, to an arts-based approach that relies on being processual and performative. After contextualizing the exhibition and positioning the curatorial team, the article discusses three parts/exhibits of The Time of Freedoms exhibition: The Sacrifice Stone and ATM, the Synthesiser of Freedom and the Stories about Freedom. These vignettes are then used to discuss the roles of arts-based research in this exhibition design process and outcome.
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| 5. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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The museum as an arena for cultural citizenship : Exploring modes of engagement for audience empowerment
- 2018
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Ingår i: The Routledge Handbook of Museums, Media and Communication. - London : Routledge. - 9781138676305 - 9781315560168 ; , s. 143-158
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Bokkapitel (refereegranskat)abstract
- The museum as an arena for cultural citizenship: exploring modes of engagement for audience empowerment. The article looks at museums as democratic institutions from the perspective of cultural citizenship and cultural representation as well as investigating the notions of participation and engagement. Located in the context of new museology, the article looks at the audience engagement from the museums perspective and investigates participatory and communicative choices for the museum and how the different modes of engagement can be implemented in museums by bringing numerous examples from practice. It also briefly describes barriers to participation in the museum organisation. In investigating the visitors/public's perspective, the article discusses how people switch between the different roles in museums and asks a question about motivations for participating.
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| 6. |
- Runnel, Pille, et al.
(författare)
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Why is This Exhibit Digital? : Dimensions of Digital Exhibits in the Museum Space
- 2021
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Ingår i: Emerging Technologies and the Digital Transformation of Museums and Heritage Sites. - Cham : Springer. - 9783030836467 - 9783030836474 ; , s. 47-60
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Konferensbidrag (refereegranskat)abstract
- Abstract. Digital objects have controversial roles in the exhibition space [1, 2],ranging from being a vague ‘must be’ element at the exhibitions signifying theircontemporaneity, to being a crucially important design tool shaping museumexperience. Departing from the museum communication studies, this articleseeks to provide an analytical framework about the digital exhibits within theexhibitions. Based on an iterative reflexive process whereby the empirical datain the form of exhibits at the Estonian National Museum and literature are in acircular dialogue with each other, we look at the potential role of the digitalexhibits by using analytical dimensions, which have been strategically, althoughnot always consciously utilized in the exhibition development. We start with 1)Spatiality, involving potentials and limitations of space-bound digital elements,and 2) Temporality, concerning dilemma between stability and changeability ofthe content. Next, approaching digital exhibits from the perspective of 3)private-public dimension as well as 4) single-multi-user aspects allows for abetter understanding of the previously discussed sociability dimension [1, 3]. 5)Increasingly, narrating the past depends on the fusion of fictional-documentaryformats. Finally, considering the critical perspective, we will also look at thedimensions of 6) authoritative-collaborative voice and 7) openness or determinednessof the interpretation. Outlining some of the theoretical underpinningsthrough concrete examples, we argue for the heuristic value of these dimensionsin understanding visitor engagement.
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| 7. |
- Addo, Giuseppina, et al.
(författare)
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Encoding object-oriented democracy in Swedish museums : implementing method of the thing in exhibition-making
- 2023
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Ingår i: Museum Management and Curatorship. - : Taylor & Francis. - 0964-7775 .- 1872-9185. ; 38:1, s. 76-91
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Tidskriftsartikel (refereegranskat)abstract
- As museums face conflicting demands on maintaining and caringfor their collections, opening for visitor engagement, and beingmore inclusive in their practice, new approaches are needed tomuseum work. This article introduces a democratic and inclusiveapproach focusing on the relational properties of the artefact–the Method of the Thing (Tigenes Metode). We use interviewswith different museum professionals in Sweden. The methodallows knowledge to emerge from the convergence of differentactors within and outside the museum who negotiate theirexpertise, (professional) roles and technical infrastructure of themuseum by foregrounding the object rather than the curators’story. We use the encoding/decoding model to discuss thestrengths and weaknesses of the method where centring theobject allows for a process of democratisation and polyvocality totake shape, thus allowing divergent narratives to emerge.
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| 8. |
- Andersson, Magnus, et al.
(författare)
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Mediation and Place : The Sharpening and Weakening of Boundaries
- 2019
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Ingår i: Communication as the Intersection of the Old and the New. - 9783948077037 ; , s. 105-114
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Bokkapitel (refereegranskat)abstract
- This chapter starts off in communication geography and discuss the dynamic relationship between media and place. The main argument is that processes of mediation are central to the meaning of place although without determination; mediations may both strengthen and weaken boundaries of place. This argument is based on an interdisciplinary double theorization where the concept of place as well as media are elaborated. Hence, place is here understood as composed of social relations and infused with meaning and power, while media are considered broadly, including infrastructures, representations and communication practices.
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| 9. |
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Communication as the intersection of the old and the new
- 2019
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This book, the fourteenth in the Researching and Teaching Communication Book Series launched in 2006, stems from the communal intellectual work of the lecturers, the students and the alumni of the 2018 edition of the European Media and Communication Doctoral Summer School (SuSo).The book gives an account of the plurality of research interests and analytical perspectives that the SuSo community values as its main asset. What was especially apparent in this year’s cluster of contributions is that our field of study integrates a wide variety of media technologies (ranging from old to new), demonstrating that contemporary societies are not characterized by the replacement of technologies, but by the always unique articulations, integrations and intersections of old and new. The book is structured in four sections: 1) Theories and Concepts, 2) Media and the Construction of Social Reality, 3) Mediatizations, 4) Media, Health and Sociability. Contributors are: Fatoş Adiloğlu, Magnus Andersson, Nico Carpentier, Xu Chen, Vaia Doudaki, Edgard Eeckman, Timo Harjuniemi, Kari Karppinen, Alyona Khaptsova, Ludmila Lupinacci, Fatma Nazlı Köksal, Ondrej Pekacek , Michael Skey, Piia Tammpuu, Ruben Vandenplas, Konstanze Wegmann and Karsten D. Wolf . The book additionally contains abstracts of the doctoral projects that were discussed at the 2018 European Media Communication Doctoral Summer School.
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| 10. |
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| 11. |
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| 12. |
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Current Perspectives on communication and media research
- 2018
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This book consists of the intellectual work of the 2017 European Media and Communication Doctoral Summer School organized in cooperation with the European Communication Research and Education Association (ECREA) at Università Cattolica del Sacro Cuore in Milan, Italy. The chapters cover relevant research topics, structured into three sections: “Intertwining public spheres”, “Trajectories of participation”, “From traditional media to networks”. Contributors are: Aida Martori Muntsant, Alvaro Oleart, Annamaria Pulga, Bart Cammaerts, Binakuromo Ogbebor, Erika Theissen Walukiewicz, Fausto Colombo, François Heinderyckx, Hannu Nieminen, Ignacio Bergillos, Kristian Jeff Cortez Agustin, Laura Peja, Leif Kramp, Lorleen Farrugia, Maria Francesca Murru, Michael Skey, Nico Carpentier, Pille Pruulmann-Vengerfeldt, Reinhard Anton Handler, Simone Tosoni, Simone Tosoni, Valentina Turrini, Victor Navarro-Remesal and Zsofia Nagy. The book additionally contains abstracts of 42 doctoral projects that were discussed at the 2017 European Media Communication Doctoral Summer School.
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| 13. |
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| 14. |
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| 15. |
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| 16. |
- Harvard Maare, Åsa, et al.
(författare)
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Å utvide Tingenes metode
- 2023
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Ingår i: Tingenes metode. - Trondheim : Museumsforlaget AS. - 9788283051186
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Bokkapitel (populärvet., debatt m.m.)
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| 17. |
- Himma-Kadakas, Marju, et al.
(författare)
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Visualizing COVID-19: : an analytical model to understand and compose continuously evolving data visualization projects
- 2022
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Ingår i: Medialni studia / Media studies. - : Faculty of Social Sciences, Charles University, Prague, Czech Republic. - 2464-4846. ; 16:1, s. 65-91
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Tidskriftsartikel (refereegranskat)abstract
- The increased demand for information during the Covid-19 pandemic inspired projects todescribe the pandemic’s progress via data visualization. Critically analyzing the publisheddata visualization projects (DVPs) contributes to establishing a framework that supportsboth understanding and composing DVPs that evolve over time. Drawing upon constructedgrounded theory, we develop an analytical model for creating DVPs in a journalistic or public communication context. For our analysis, we selected Covid-19 public service media DVPsin the United Kingdom, Norway, Sweden and Estonia as well as DVPs created by global andlocal data activists. The analysis of these examples provides an understanding of (1) theimplied agency standing of the authors of the visualizations, (2) the kinds of editorial layer(data, visual representation, annotation or interactivity) that inform the creation processand (3) what newsrooms and data visualizers can learn from this practice to create understandable, meaningful and engaging DVPs of (critical) events that evolve over an extendedperiod. Our model supports data visualization practitioners in making informed choiceswhen creating data stories.
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| 18. |
- Karaseva, Agnese, et al.
(författare)
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Relationships between in-service teacher achievement motivation and use of educational technology : case study with Latvian and Estonian teachers
- 2018
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Ingår i: Technology, Pedagogy and Education. - : Taylor & Francis. - 1475-939X .- 1747-5139. ; 27:1, s. 33-47
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Tidskriftsartikel (refereegranskat)abstract
- This study explored the relationship of in-service teacher achievement goal orientation and practices of educational technology use. Semi-structured individual interviews with secondary school teachers in Latvia (N = 16) and Estonia (N = 10) revealed that the use of information and communication technology (ICT) in pedagogical work and the ways in which teachers learn ICT-related skills are associated with individual differences in teacher achievement goal orientation. Based on their findings, the authors argue that achievement goal theory is a promising framework for understanding how the integration and application of ICT in teaching happens. Directions for future research and implications for teacher training are discussed.
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| 19. |
- Lepik, Krista, et al.
(författare)
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Kuidas mõtestavad ekspositsioonikoostajad auditooriumidekaasamist? : Kujuteldavadauditooriumid ja kaasamisviisidTartu Ülikooli loodusmuuseumiuue püsiekspositsiooni loomisel
- 2020
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Ingår i: Eesti Rahva Muuseumi aastaraamat. - Tartu, Estonia : Eesti Rahva Muuseum. - 1406-0388 .- 2585-450X. ; 62, s. 21-42
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Tidskriftsartikel (refereegranskat)abstract
- The article aims to enhance the understanding of audience engagement and ways of its shaping in relation to permanent expositions by using the example of Tartu University Natural History Museum. We focus on the role of exhibition curators as content creators in the shaping of audience engagement. The study is informed by constructivist grounded theory and draws upon eleven semi-structured interviews with the curators of the new permanent exhibition of Tartu University Natural History Museum. In order to understand better the curators’ perspectives our analysis relies on the concept of imagined audiences and seeks to answer questions about what kind of engagement modes can be identified from the curators’ comments and what processes the latter were influenced by. The theme of museum audiences and engagement modes should already be familiar to the reader from previous Yearbooks of the Estonian National Museum (Runnel ja Pruulmann-Vengerfeldt 2012; Runnel, Lepik, Pruulmann-Vengerfeldt 2014; Lotina 2014; Rattus 2016). Earlier discussions, however, placed more emphasis to the existence of audiences and engagement modes, and were less concerned with how curatorial considerations can impact the formation of audience engagement and how this formative process may be directed. Furthermore, the earlier in-depth identification of engagement modes and examination of the interrelationships between their various aspects was underpinned by a holistic view on museum activities (Lotina 2016), while the present treatment focuses on the specific context of museum expositions. The concept of imagined audiences (Litt 2012) draws on the study of social media, but for this article we have applied its principles to a museum exposition, which is a far more static communicative environment. 40 The study answered the questions about the kind of audiences the curators who put together the permanent exhibition of Tartu University Museum of Natural History were envisioning and what factors influenced the construction of audiences as well as what engagement modes were designed for the exposition. Individuals and institutions were distinguished among the audiences, both of which were in turn comprised of more detailed groups. Building on Gidden’s theory of structuration (1984) and Litt’s notion of an imagined audience (Litt 2012) the factors influencing the curators were grouped as either structural or agential. The following modes of engagement with the permanent display emerged: teaching, attracting interest, co-operation and provisions for stakeholders. Teaching was closely interlinked with the main objective of renewing the permanent display: the intent is to create a learning environment for non-formal environmental education, and in this respect it resembled the informing mode of audience engagement identified by Lotina (2016). Attracting interest was a mode of engagement which bore similarities to the marketing engagement mode previously described by Lotina (2016). Co-operation where visitors contribute towards the fulfillment of the museum’s objectives offered limited possibilities within the context of the permanent exhibition, but it holds considerable potential in the planning of future developments of the exposition. Providing for stakeholders was reflected in the museum’s consideration of the stakeholders’ needs, and it allows the museum to develop various services. All in all, both museums and their permanent displays offer valuable material for analysing the way in which audiences and their engagement modes are shaped. A better understanding of these processes will help us expand the possibilities of engaging actual audiences. Identifying messages, audiences and activities is a natural part of the planning of any permanent exhibition; however, the content creators’ visions of the upcoming exhibition also merit a detailed examination, and thereby particular factors that favour or constrain curatorial creativity will become clearer.
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| 20. |
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| 21. |
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| 22. |
- Mathieu, David, et al.
(författare)
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The Data Loop : how audiences and media actors make datafication work
- 2020
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Ingår i: MedieKultur. - : SMID. - 0900-9671 .- 1901-9726. ; :69, s. 116-138
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Tidskriftsartikel (refereegranskat)abstract
- As our digital footprints are collected and analysed by the media and fed back at us as new experiences, providing more data to collect, data circulates in a loop from audiences to media and back. This data loop is for media studies an occasion to revisit the media–audience nexus in an age of datafication. We argue that an audience perspective is needed in order to break with the structure–agency linearity in the current understanding of datafication. In this article, we develop a model of the data loop that first presents the fundamentals of data circulation between social actors and digital interfaces, then the moments of agency between actors in a relation of mutual dependence. The article closes with a discussion of previous models within media and communication that have addressed similar ideas, such as audience feedback, mutuality and circularity.
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| 23. |
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| 24. |
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| 25. |
- Müür, Kristiina, et al.
(författare)
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Russian Information Operations against the Ukrainian State and Defence Forces : April-December 2014 in Online News
- 2016
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Ingår i: Journal of Baltic Security. - : Baltic Defence College. - 2382-9230. ; 2:1, s. 28-71
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Tidskriftsartikel (refereegranskat)abstract
- The aim of the current article is to provide analysis of information operations of the Russian Federation performed against the Ukrainian state and defence forces from 1 April until 31 December 2014. Russia uses ideological, historical, political symbols and narratives for justifying and supporting their military, economic and political campaigns not only in Donbass but in the whole of Ukraine. The article concentrates on the various means of meaning-making carried out by Russian information operations regarding the Ukrainian state and military structures.
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| 26. |
- Nanì, Alessandro, et al.
(författare)
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Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
- 2017
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Ingår i: Baltic Screen Media Review. - : De Gruyter Open. - 2346-5522. ; 5:1, s. 58-69
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Tidskriftsartikel (refereegranskat)abstract
- Stemming from the concept of active audiences and from Henry Jenkins’ (2006) idea of participatory culture as the driving force behind the transformation of public service broadcasting into agencies of public service media (Bardoel, Ferrell Lowe 2007), this empirical study explores the attitude and behaviour of the audiences of two crossmedia projects, produced by the public service media of Finland (YLE) and Estonia (ERR). This empirical study aims to explore the behaviour, wants and needs of the audiences of cross-media productions and to shed some light on the conditions that support the dynamic switching of the engagement with cross-media. The study’s results suggest that audiences are neither passive nor active, but switch from one mode to another. The findings demonstrate that audience dynamism is circumstantial and cannot be assumed. Thus, thinking about active audiences and participation as the lymph of public service media becomes problematic, especially when broadcasters seek generalised production practices. This work demonstrates how television networks in general cannot be participatory, and instead, how cross-media can work as a vehicle of micro participation through small acts of audience engagement (Kleut et al. 2017).
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| 27. |
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| 28. |
- Olsson, Tobias, et al.
(författare)
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Remaining divides : Access to and use of ICTs among elderly citizens
- 2016
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Ingår i: Politics, Civil Society and Participation : Media and Communications in Transforming Environment - Media and Communications in Transforming Environment. - Bremen : edition lumière. - 1736-4752 .- 1736-3918. - 9783943245547 ; 11, s. 273-286
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Bokkapitel (refereegranskat)abstract
- The ambition to make all kinds of societal services, public as well as commercial ones, more effective and accessible via online applications is reoccurring all over the western world. To a large extent, such ambitions hold the promise to make citizens’ everyday lives easier, but they are, however, also problematic in that they presuppose a number of important prerequisites. They presuppose widespread access to ICT-applications of a standard that is fast and solid enough to manage to make users actually make use of these services. They further presuppose that all citizens and consumers, who are the inscribed users of these applications, have enough competences and skills to make use of them. Hence, there is an obvious risk that people who do not have access are being left behind in the transformations of these services from analogue to digital. In this chapter we attend to these risks by paying attention to contemporary patterns of access to, and use of, digital applications. The chapter is inspired by domestication theory and looks into and analyses different patterns of ICT access and use among Swedish senior citizens, with the following questions in mind: What ICT-devices do various groups of senior citizens have access to? To what extent do they make everyday use of them? For what purposes do they use these devices? The empirical material has been derived from a pilot survey which was conducted from August to September 2015.
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| 29. |
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| 30. |
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Past, future and change : Contemporary analysis of evolving media scapes
- 2013
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This book includes the work of lecturers and PhD-students at the ECREA European Media and Communication Doctoral Summer School in August 2012 in Ljubljana (Slovenia). The book consists of four sections: 1/Crisis, 2/Journalism, 3/Time and Memory, 4/The Political. The book also includes all abstracts of PhD projects presented at the Summer School.
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| 31. |
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Politics, Civil Society and Participation : Media and Communications in a Transforming Environment
- 2016
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The book “Politics, Civil Society and Participation” is dedicated to the fundamental question: How do media and communications practices within European culture schange with their environment? This volume consists of the intellectual work of the 2015 European Media and Communication Doctoral Summer School, organized incooperation with the European Communication Research and Education Association (ECREA) and a consortium of 21 European partner universities at the ZeMKI,the Centre for Media, Communication and Information Research of the University of Bremen, Germany. The chapters cover relevant research topics, structured into four sections: “Policies and politics of communication”, “Civil participation in and through the media”, “Media representations and usages” and “On methods”.
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| 32. |
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| 33. |
- Pruulmann-Vengerfeldt, Pille
(författare)
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CHARGE on : Digital Parenting of a Child with Rare Genetic Syndrome with the Help of Facebook Group
- 2018
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Ingår i: Digital Parenting. - : The International Clearinghouse on Children, Youth&Media at NORDICOM, University of Gothenburg. - 9789188855008 - 9789188855015 ; , s. 189-198
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- This article relies on auto-ethnography to make sense of the role a closed Facebook group can play in the life of a parent with a child who has rare genetic syndrome, CHARGE. The article will use the concept of affordances as a general framework to make sense of the activities in the Facebook group. For Norman “affordances refer to the potential actions that are possible, but these are easily discoverable only if they are perceivable: Perceived affordances”, thus the Facebook group becomes a sum of imagined possibilities. Previous research has identified the following affordances of social media: identity, flexibility, structure, narration and adaptation. These five affordances will be used to structure the discussion around the parenting experiences.
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| 34. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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CULTURAL AND CREATIVE INDUSTRIES IMPACT CANVAS
- 2022
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Annan publikation (populärvet., debatt m.m.)abstract
- The Impact Canvas and the visualised guidelines to fill out the impact canvas are outcomes of the research project Me-Mind. The aim of these visual materials is to support the self-assessment of cultural and creative organisations to understand their potential impact and to identify the necessary data to measure the impact of a cultural and creative industry organisation.
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| 35. |
- Pruulmann-Vengerfeldt, Pille
(författare)
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Datafying Museum Visitors:A Research Agenda
- 2022
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Ingår i: Information & Communication. - : University of Texas Press. - 0894-8631 .- 1534-7591. ; 57:1, s. 63-81
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Tidskriftsartikel (refereegranskat)abstract
- Museums are participating in the capturing of global data for the perceived benefit of improved relationships with the public. This article proposes a framework for critically analyzing the ratification of museum visitors and visitor engagement, combining a critical lens from data studies with a social view of datafication as practice—a set of practices within a sociotechnical assemblage that is continuously reproduced by the choices made within and outside the museum. Museums are situated at the intersection of PierreBourdieu’s economic, cultural, and political fields; thus, I highlight some of the external social and technological pressures driving datafication in museums. Relying on public accounts and previous case studies, I argue that datafication of visitor engagement is made to work through data loops: circular processes between institutional practices of museums and social practices of audiences where data are collected, processed, and decided upon.
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| 36. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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Developing democratic data practices for heritage organisations
- 2022
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- When new data practices are being deployed at cultural heritage organisations, a new set of apprehensions and insecurities emerge. We invite participants to the interactive session where we employ monsters to explore what is happening with data practices in cultural heritage organisations. The participants will confront/get to know their data monsters through interactive exercises: depicting the monster, naming the monster and addressing the monster.As contemporary research conceptualizes the agency of technology and data through the figure of the monster, our workshop aims to explore the monstrous aspects of data practices so that we might learn to live (differently) with our monsters. In the three-part exercises, the participants will explore the mutuality of agency in relation to data practices as monsters.The workshop is intended for people who are working with data in the cultural heritage organisations – through collections’, management’, visitors’ or other kinds of data. In this workshop, we will experiment with monster making as a collaborative inquiry into data practices. Data and activities around it are often very elusive, and we hope that after the workshop, participants will be better aware of their own ideas about data practices or will be equipped to conduct a similar workshop at their home institution with concerned and wary colleagues to discuss data monsters and their care.
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| 37. |
- Pruulmann-Vengerfeldt, Pille
(författare)
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How-To Discussion Forum: Museums and data power.
- 2022
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Konferensbidrag (populärvet., debatt m.m.)abstract
- As an academic researcher, I have proposed that the way we celebrate metrification and numbers as measures of our work has implications in the misinformation and fake news. If we think things that have lots of likes or shares are indicators of great engagement - what are we missing out on our understanding of engagement
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| 38. |
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| 39. |
- Pruulmann-Vengerfeldt, Pille
(författare)
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Illustrated guideline #2 : Data collection methods for CCIs
- 2022
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Rapport (populärvet., debatt m.m.)abstract
- Illustrated guideline #2:Data collection methods for CCIs. The one-page visual overview will give a basic introduction to cultural and creative industries to the following questions:1. How to collect data? What are the advantages of the various techniques?2. Data is everywhere, even where we don’t expect it!
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| 40. |
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| 41. |
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| 42. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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Reimagining audiences in the age of datafication
- 2020
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Ingår i: Reimagining Communication. - Abingdon, Oxon ; New York, NY : Routledge, 2020. : Routledge. - 9781138499003 - 9781138498990 - 9781351015356
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Bokkapitel (refereegranskat)abstract
- The chapter looks at the history of audience studies in order to reflect on the datafication turn that is exciting both researchers and practitioners worldwide. By distinguishing six stages in audience research, we discuss what we know of audiences and what we have considered important to study about audiences has changed over time. Now that there is an increasing amount of digital data tracking different aspects of audience actions, there is a sense that we know now more than ever before. However, the argument of the following discussion through the historical phases of audience studies is that we know less than we care to admit. Datafication is seldom connected to the ideas of what kind of questions can we ask about audiences and what the data is actually indicative of. What is collected is not always suitable in answering the questions we might have about the audiences, despite our excitement about the opportunities that the data provides in understanding audiences.
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| 43. |
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| 44. |
- Pruulmann-Vengerfeldt, Pille
(författare)
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The impact of CCIs, Measurement and Data: What to Choose and Where it Takes Us?
- 2022
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The talk will give a brief overview from experiences from Me-Mind project, where we have worked with the idea of how to experience data and make culture count. Starting with the assumption that cultural and creative industries have an impact, we will discuss how we can think about data and measurement to understand that impact. Considering the challenges of identifying indicators, distinguishing between outputs and outcomes, and identifying indicators, data and data analysis opportunities, the presentation addresses briefly the questions of what is data about impact, what can be done with the data, and finally, what is needed for a creative, but also critical understanding of data about cultural industries.
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| 45. |
- Pruulmann-Vengerfeldt, Pille
(författare)
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The Ways of Knowing the Pandemic With the Help of Prompted Autoethnography
- 2021
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Ingår i: Qualitative Inquiry. - : Sage Publications. - 1077-8004 .- 1552-7565. ; 27:7, s. 812-819
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Tidskriftsartikel (refereegranskat)abstract
- This article discusses how different forms of autoethnographic production prompted by diverse forms of academic self-expression can lead to different types of knowing. Utilizing five examples from the Massive_Microscopic project, where participants responded to 21 different prompts inviting autoethnographic reflections about COVID-19 global pandemic, the article explores the responses from the perspective of alternative ways of knowing, reflecting on questions of motherhood, self-care, and performance in academia. Whether visual, rhythmic, or text produced from the perspective of things, the different modalities of the prompts allowed unexpected knowledge to emerge and supported deeper and more colorful reflections. Exploring the personal experience with the pandemic is expanded by the qualitative inquiry supported by different (self-)expression formats.
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| 46. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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Translating positivist audience data into pragmatic action in media industry
- 2022
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- When we interrogated audience studies in the context of reimagining communication, we noted a backward moving trend where previous critical and constructivist understanding of audiences has increasingly been reduced to the (post)positivist views of audiences as data in the media industry (Pruulmann-Vengerfeldt & Meyer zu Hörste, 2020). The datafication trend has reduced audiences to clicks, likes, comments. It has thus removed the diversity and complexity of the lived experiences that have characterised audience research in the constructivist epistemologies. This presentation introduces an analytical framework of Data Loop (Mathieu & Pruulmann-Vengerfeldt, 2020), which shows how audience data circulates between the audiences and media institutions, showing that there are formatting and transformative moments in which engagement with data is translated into action. This presentation will unpack how the formation and transformation of actions are influenced by the individual, technological, social and contextual assemblages. Inspired by Derek Layder’s work on entangled social domains: psychobiography, situated activity, social networks and contextual resources (1997, 2021), we will discuss how the positivist, numerical representation of the audience data is handled in the media industry. We argue that audience data is negotiated within the framework of multiple influences. For instance, individual and collective skills, data encounters, organisational and professional culture, technological platforms, competitors practices form a complex network of factors that frame the process of translating positivist data into actions. As such, the pragmatist approach (Creswell & Creswell, 2018) taken to the audience data in the media industry ignores the positivist assumptions ingrained in the audience data and instead is concerned with the application. We will use the data loop model and the social domains to pinpoint some of the translation moments and open the discussion of the potential consequences of such translations. References:Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (5th edition). SAGE Publications, Inc.Layder, D. (1997). Modern social theory: Key debates and new directions. UCL Press.Layder, D. (2021). Social sciences, social reality and the false division between theory and method: Some implications for social research. SN Social Sciences, 1(2), 47. https://doi.org/10.1007/s43545-020-00052-yMathieu, D., & Pruulmann-Vengerfeldt, P. (2020). The Data loop of media and audience. MedieKultur: Journal of Media and Communication Research, 36(69), 116–138. https://doi.org/10.7146/mediekultur.v36i69.121178Pruulmann-Vengerfeldt, P., & Meyer zu Hörste, H. (2020). Reimagining audiences in the age of datafication. In M. Filimowicz & V. Tzankova (Eds.), Reimagning Communication: Experience (Vol. 2, pp. 179–195). ROUTLEDGE. http://hdl.handle.net/2043/30973
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| 47. |
- Pruulmann-Vengerfeldt, Pille, et al.
(författare)
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Using a Humour Podcast to Break Down Stigma Around Illness
- 2018
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Ingår i: Podcasting. - Cham : Palgrave Macmillan. - 9783319900551 ; , s. 251-271
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Bokkapitel (refereegranskat)abstract
- This chapter concerns how the Sickboy podcast series uses comedy to present discussions around illness. The chapter discusses podcasts as social media at the intersections of the public and private sphere. The article uses elements from the circuit of culture - production, text, readings and lived cultures to shed light on the phenomenon of humour podcast. The ideas of production are analysed through the lens of collaborative media. Content is looked through elements of seriality, structure, mechanics of comedy and construction of normalcy. The readings of the podcast are tackled through the lens of affordances.
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| 48. |
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| 49. |
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| 50. |
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