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1.
  • Andersén, Åsa, 1975-, et al. (författare)
  • Positive experiences of a vocational rehabilitation intervention for individuals on long-term sick leave, the Dirigo project : a qualitative study
  • 2017
  • Ingår i: BMC Public Health. - : Springer Science and Business Media LLC. - 1471-2458. ; 17
  • Tidskriftsartikel (refereegranskat)abstract
    • Background: The process of returning to work after long-term sick leave can sometimes be complex. Many factors, (e.g. cooperation between different authorities and the individual as well as individual factors such as health, emotional well-being and self-efficacy) may have an impact on an individual’s ability to work. The aim of this study was to investigate clients’ experiences with an individually tailored vocational rehabilitation, the Dirigo project, and encounters with professionals working on it. The Dirigo project was based on collaboration between rehabilitation authorities, individually tailored interventions and a motivational interviewing approach. Methods: A descriptive qualitative design was used with data collected through interviews. Fourteen individuals on long-term sick leave took part in individual semi-structured interviews. The interviews were analysed using content analysis.Results: The analysis showed overall positive experience of methods and encounters with professionals in a vocational rehabilitation project. The positive experiences were based on four key factors: 1. Opportunities for receiving various dimensions of support.  2. Good overall treatment by the professionals. 3. Satisfaction with the working methods of the project, and 4. Opportunities for personal development.Conclusions: The main result showed that the clients had an overall positive experience of a vocational rehabilitation project and encounters with professionals who used motivational interviewing as a communication method. The overall positive experience indicated that their interactions with the different professionals may have affected their self-efficacy in general and in relation to transition to work. The knowledge is essential for the professionals working in the area of vocational rehabilitation. However, vocational rehabilitation interventions also need a societal approach to be able to offer clients opportunities for job training and real jobs.
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3.
  • Behboudi, Afrouz, 1967, et al. (författare)
  • Evolutionary aspects of the genomic organization of rat chromosome 10.
  • 2002
  • Ingår i: Cytogenetic and genome research. - : S. Karger. - 1424-8581 .- 1424-859X. ; 96:1-4, s. 52-9
  • Tidskriftsartikel (refereegranskat)abstract
    • Using FISH and RH mapping a chromosomal map of rat chromosome 10 (RNO10) was constructed. Our mapping data were complemented by other published data and the final map was compared to maps of mouse and human chromosomes. RNO10 contained segments homologous to mouse chromosomes (MMU) 11, 16 and 17, with evolutionary breakpoints between the three segments situated in the proximal part of RNO10. Near one of these breakpoints (between MMU17 and 11) we found evidence for an inversion ancestral to the mouse that was not ancestral to the condition in the rat. Within each of the chromosome segments identified, the gene order appeared to be largely conserved. This conservation was particularly clear in the long MMU11-homologous segment. RNO10 also contained segments homologous to three human chromosomes (HSA5, 16, 17). However, within each segment of conserved synteny were signs of more extensive rearrangements. At least 13 different evolutionary breakpoints were indicated in the rat-human comparison. In contrast to what was found between rat and mouse, the rat-human evolutionary breaks were distributed along the entire length of RNO10.
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4.
  • Bobjer, Johannes, et al. (författare)
  • Location of retroperitoneal lymph node metastases in upper tract urothelial carcinoma : results from a prospective lymph node mapping study
  • 2023
  • Ingår i: European Urology Open Science. - : Elsevier. - 2666-1691 .- 2666-1683. ; 57, s. 37-44
  • Tidskriftsartikel (refereegranskat)abstract
    • Background: There is limited information on the distribution of retroperitoneal lymph node metastases (LNMs) in upper tract urothelial carcinoma (UTUC).Objective: To investigate the location of LNMs in UTUC of the renal pelvis or proximal ureter and short-term complications after radical nephroureterectomy (RNU) with lymph node dissection (LND).Design, setting, and participants: This was a prospective Nordic multicenter study (four university hospitals, two county hospitals). Patients with clinically suspected locally advanced UTUC (stage >T1) and/or clinical lymph node–positive (cN+) disease were invited to participate. Participants underwent RNU and fractionated retroperitoneal LND using predefined side-specific templates.Outcome measurements and statistical analysis: The location of LNMs in the LND specimen and retroperitoneal lymph node recurrences during follow-up was recorded. Postoperative complications within 90 d of surgery were ascertained from patient charts. Descriptive statistics were used.Results and limitations: LNMs were present in the LND specimen in 23/100 patients, and nine of 100 patients experienced a retroperitoneal recurrence. Distribution per side revealed LNMs in the LND specimen in 11/38 (29%) patients with right-sided tumors, for whom the anatomically larger, right-sided template was used, in comparison to 12/62 (19%) patients with left-sided tumors, for whom a more limited template was used. High-grade complications (Clavien grade ≥3) within 90 d of surgery were registered for 13/100 patients. The study is limited in size and not powered to assess survival estimates.Conclusions: The suggested templates that we prospectively applied for right-sided and left-sided LND in patients with advanced UTUC included the majority of LNMs. High-grade complications directly related to the LND part of the surgery were limited.Patient summary: This study describes the location of lymph node metastases in patients with cancer in the upper urinary tract who underwent surgery to remove the affected kidney and ureter. The results show that most metastases occur within the template maps for lymph node surgery that we investigated, and that this surgery can be performed with few severe complications.
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5.
  • Ekman, Simon, et al. (författare)
  • A novel oral insulin-like growth factor-1 receptor pathway modulator and its implications for patients with non-small cell lung carcinoma : A phase I clinical trial
  • 2016
  • Ingår i: Acta Oncologica. - 0284-186X .- 1651-226X. ; 55:2, s. 140-148
  • Tidskriftsartikel (refereegranskat)abstract
    • BACKGROUND: A phase Ia/b dose-escalation study was performed to characterize the safety, efficacy and pharmacokinetic properties of the oral small molecule insulin-like growth factor-1-receptor pathway modulator AXL1717 in patients with advanced solid tumors.MATERIAL AND METHODS: This was a prospective, single-armed, open label, dose-finding phase Ia/b study with the aim of single day dosing (phase Ia) to define the starting dose for multi-day dosing (phase Ib), and phase Ib to define and confirm recommended phase II dose (RP2D) and if possible maximum tolerated dose (MTD) for repeated dosing.RESULTS AND CONCLUSION: Phase Ia enrolled 16 patients and dose escalations up to 2900 mg BID were successfully performed without any dose limiting toxicity (DLT). A total of 39 patients were treated in phase Ib. AXL1717 was well tolerated with neutropenia as the only dose-related, reversible, DLT. RP2D dose was found to be 390 mg BID for four weeks. Some patients, mainly with NSCLC, demonstrated signs of clinical benefit, including four partial tumor responses (one according to RECIST and three according to PET). The 15 patients with NSCLC with treatment duration longer than two weeks with single agent AXL1717 in third or fourth line of therapy showed a median progression-free survival of 31 weeks and overall survival of 60 weeks. Down-regulation of IGF-1R on granulocytes and increases of free serum levels of IGF-1 were seen in patients treated with AXL1717. AXL1717 had an acceptable safety profile and demonstrated promising efficacy in this heavily pretreated patient cohort, especially in patients with NSCLC. RP2D was concluded to be 390 mg BID for four weeks. Trial number is NCT01062620.
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6.
  • Ekman, Simon, et al. (författare)
  • Clinical Phase I study with an Insulin-like Growth Factor-1 Receptor Inhibitor : Experiences in patients with squamous non-small cell lung carcinoma
  • 2011
  • Ingår i: Acta Oncologica. - 0284-186X .- 1651-226X. ; 50:3, s. 441-447
  • Tidskriftsartikel (refereegranskat)abstract
    • Background. Inhibition of the Insulin-like Growth Factor-1 receptor (IGF-1R) has resulted in extensive anti-tumor effects. Picropdophyllin (PPP, AXL1717) is a small-molecule inhibitor of the IGF-1R without inhibition of closely related receptors including the insulin receptor and has shown extensive effects against a wide range of tumors in animals. PPP is currently tested as an orally administrated single agent treatment in an open-label combined Phase I/II clinical study in advanced cancer patients with solid tumors which progress in spite of several lines of treatment. Patients and methods. The first part (Phase IA) consisted of single day BID dosing every three weeks with consecutive dose escalations. The second part (Phase IB) consists of seven days or longer BID dosing every three weeks, dosing range being 520-700 mg BID. Non-progressing patients could continue treatment within a compassionate use setting. Results and discussion. The present report describes our experience with the four patients with progressive squamous non-small cell lung cancer (NSCLC) that have received treatment with PPP. Despite more than seven months of PPP treatment as third or fourth line treatment, the reported patients did not develop any additional metastases. Furthermore, CT scans as well as (18)FDG-Positron Emission Tomography (PET) scans of the patients demonstrated large central necrotic areas, which may suggest tumor response. At the same time, the study drug is so far well tolerated. The phenomenon of necrosis in the tumors suggestive of tumor response has not been reported before in anti-IGF-1R treatment and will be subject to further studies in the present clinical trial.
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7.
  • Forlano, Laura, et al. (författare)
  • Mending and Growing in Feminist Speculative Fabulations : Design’s Unfaithful Daughters
  • 2016
  • Ingår i: DRS2016 Conversations. - London : University of Brighton; DesignResearchSociety; Imperial College London, Royal College of Art, PHDBYDESIGN.
  • Konferensbidrag (populärvet., debatt m.m.)abstract
    • This conversation seeks to consider design research practices around critical and speculative design which have been criticised for their lack of public engagement and awareness of their political and normative positions. In particular, we are interested in the ways in which feminist speculative fabulation offer alternative approaches through attention to core feminist arguments around corporeality, materiality, embodiment, affectivity and experientiality. Our conversation will imagine new ways of practicing design by examining relationships between speculative futures and reimaginings of the past; the role of a feminist perspective in problem-making and questioning; speculative design and fabulation as participatory practice; the role of practices around mending, growing, maintaining and repairing; and, the posthuman design and the anthropocene. 
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8.
  • Holmstedt, Janna, 1972- (författare)
  • Are you ready for a wet live-in? : explorations into listening
  • 2017
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • Listen. If I ask you to listen, what is it that I ask of you—that you will understand, or perhaps obey? Or is it some sort of readiness that is requested? What occurs with a body in the act of listening? How do sound and voice structure audio-visual-spatial relations in concrete situations?This doctoral thesis in fine arts consists of six artworks and an essay that documents the research process, or rather, acts as a travelogue as it stages and narrates a series of journeys into a predominantly sonic ecology. One entry into this field is offered by the animal “voice” and attempts to teach animals to speak human language. The first journey concerns a specific case where humanoid sounds were found to emanate from an unlikely source—the blowhole of a dolphin. Another point of entry is offered by the acousmatic voice, a voice split from its body, and more specifically, my encounter with the disembodied voice of Steve Buscemi in a prison in Philadelphia. This listening experience triggered a fascination with, and an inquiry into, the voices that exist alongside us, the parasitic relation that audio technology makes possible, and the way an accompanying voice changes one’s perceptions and even one’s behavior. In the case of both the animal and the acousmatic, the seemingly trivial act of attending to a voice quickly opens up a complex space of embodied entanglements with the potential to challenge much of what we take for granted. At the heart of my inquiry is a series of artworks made between 2012 and 2016, which constitute a third journey: the performance Limit-Cruisers (#1 Sphere), the praxis session Limit-Cruisers (#2 Crowd), the installations Therapy in Junkspace, Fluorescent You, and “Then, ere the bark above their shoulders grew,” and the lecture performance Articulations from the Orifice (The Dry and the Wet).The relationship between what is seen and heard is being explored and renegotiated in the arts and beyond. We are increasingly addressed by prerecorded and synthetic voices in both public and private spaces. Simultaneously, our notions of human communication are challenged and complicated by recent research in animal communication. My work attempts to address the shifts and complexities embodied in these developments. The three journeys are deeply entwined with theoretical inquiries into human-animal relationships, technology, and the philosophy of sound. In the essay, I consider as well how other artistic practices are exploring this same complex space. What I put forward is a materialist and concrete approach to listening understood as a situated practice. Listening is both a form of co-habitation and an ecology. In and through listening, I claim, one could be said to perform in concert with the things heard while at the same time being changed by them.
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10.
  • Jönsson, Li, et al. (författare)
  • How Can We Come to Care in and Through Design?
  • 2019
  • Ingår i: Nordes 2019: Who Cares?. - Eespo : Nordic Design Research. ; , s. 1-8, s. 1-8
  • Konferensbidrag (refereegranskat)abstract
    • On a generic level, caring can be described as "everything that we do to maintain, continue, and repair our 'world' so that we can live in it as well as possible" (Fisher and Tronto, 1990). This paper asks how we as design researchers in Scandinavia come to care, for our world and more specifically for the local NORDES community. We do this by describing how we have maintained, continued and added (as a practice of repair) in relation to the most recent NORDES summer school (2018). The summer school invited students to work with tensions between despair, in a site marked and haunted (Tsing et al., 2017) by the aftermath of industrial design practices and hope, by making time for soil (Puig de la Bellacasa, 2017) in a community-supported agricultural scheme. The paper invites you to share some cruxes and insights that emerged, and to imagine teaching with care as a collective process that attempts to bring things together, not as oppositions, but as generative and productive relations.
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11.
  • Jönsson, Li, et al. (författare)
  • The thickening of futures
  • 2021
  • Ingår i: Futures. - : Elsevier. - 0016-3287 .- 1873-6378. ; 134:December
  • Tidskriftsartikel (refereegranskat)abstract
    • This paper engages with biodiversity loss. In particular, it focuses on observations and scientific facts: the decline of pollinators and what that entails for the co-living of humans and more-than-humans. This kind of work often reaches the publics as thin stories of limited futures.The article explores how to situate the issue of out-of-sync plant–pollinator relationships into thick, ongoing presents rather than as a distant future that is out of one’s own hands. This is done through a collaborative design project that experiments with various formats for staging more material, embodied and experiential ways to sensitise and invite humans to experience the issue of pollination. We therefore explore and give an account of how we have situated the issues in a thick, ongoing present as an anticipatory practice. We thus suggest a practice that becomes both sticky and sweaty; in addition, the practice moves some pollination facts into not only matters of concern but also matters of care.In doing so, we forward the role that design researchers can play in environmental and collaborative anticipation by engaging with emerging approaches to both biodiversity loss and collaborative future-making that are simultaneously conflicting and harsh as well as hopeful.
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12.
  • Latva-Somppi, Riikka, et al. (författare)
  • Entangled Materialities : Caring for soil communities at glass industry sites
  • 2021
  • Ingår i: FORMakademisk. - Oslo : Universitetsbiblioteket OsloMet. - 1890-9515 .- 1890-9515. ; 14:2, s. 1-14
  • Tidskriftsartikel (refereegranskat)abstract
    • This paper discusses craft and design practices through their impact on the environment. We consider how to act concerning the consequences of the craft and design industry. Also, we reflect on the agency of our field of practice in changing how we perceive the environment. We present three case studies of the European glass industry sites in Sweden, Italy and Finland, where we study contamination of the soil with participatory, speculative and craft methods. Through these cases, we reflect on our role in soil communities and ask how we may act in them with responsibility, hope and care. We conclude by proposing to act locally, to share our practices and make them visible, expanding our situated, personal skills and knowledge towards the political.
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13.
  • Laurien, Thomas, 1967, et al. (författare)
  • An Emerging Posthumanist Design Landscape
  • 2022
  • Ingår i: Palgrave Handbook of Critical Posthumanism. - Cham : Palgrave Macmillan. - 9783030426811 - 9783030426811 - 9783031049576 - 9783031049583
  • Bokkapitel (refereegranskat)abstract
    • A designer is somebody who points, who designates, and gives directions. Design thereby has a direction into the future. What directions are designers pointing out if design is coupled with posthumanism? Posthumanism has come into being in a landscape of both ideas and design. That which has previously been designed and produced is coming back and it can help us point out harmful inequalities if we sharpen our observational tools and concepts.“An Emerging Posthumanist Design Landscape” is an overflowing designated area for examples and thinking on compositions of design and critical posthumanism. It is a landscape in the making, yet scarred by previous design cultures and histories. As design researchers operating out of Scandinavian academia, we invite readers/travelers to meander through an emerging hybrid landscape and to make a few selected stops at the sites of our own recent design interventions. We articulate concepts, frictions, and opportunities sprouted in a sprawling and increasingly populated landscape of design and posthumanism. Posthumanist thinking questions and recharges fundamental design concepts and methods/approaches, e.g.: Who are the actors of posthumanist design? Where does it take place? What do we design? What materials do we use? How do we work? When does design take place? Why are compositions of design and critical posthumanism important undertakings? The responses to these questions sketch trajectories for further travels and the co-creation of an emerging posthumanist design landscape.
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14.
  • Lindahl, Jesper, et al. (författare)
  • Add-on pramipexole for anhedonic depression : study protocol for a randomised controlled trial and open-label follow-up in Lund, Sweden
  • 2023
  • Ingår i: BMJ Open. - : BMJ Publishing Group. - 2044-6055. ; 13:11, s. 9
  • Tidskriftsartikel (refereegranskat)abstract
    • INTRODUCTION: Many depressed patients do not achieve remission with available treatments. Anhedonia is a common residual symptom associated with treatment resistance as well as low function and quality of life. There are currently no specific and effective treatments for anhedonia. Some trials have shown that dopamine agonist pramipexole is efficacious for treating depression, but more data is needed before it could become ready for clinical prime time. Given its mechanism of action, pramipexole might be a useful treatment for a depression subtype characterised by significant anhedonia and lack of motivation-symptoms associated with dopaminergic hypofunction. We recently showed, in an open-label pilot study, that add-on pramipexole is a feasible treatment for depression with significant anhedonia, and that pramipexole increases reward-related activity in the ventral striatum. We will now confirm or refute these preliminary results in a randomised controlled trial (RCT) and an open-label follow-up study. METHODS AND ANALYSIS: Eighty patients with major depression (bipolar or unipolar) or dysthymia and significant anhedonia according to the Snaith Hamilton Pleasure Scale (SHAPS) are randomised to either add-on pramipexole or placebo for 9 weeks. Change in anhedonia symptoms per the SHAPS is the primary outcome, and secondary outcomes include change in core depressive symptoms, apathy, sleep problems, life quality, anxiety and side effects. Accelerometers are used to assess treatment-associated changes in physical activity and sleep patterns. Blood and brain biomarkers are investigated as treatment predictors and to establish target engagement. After the RCT phase, patients continue with open-label treatment in a 6-month follow-up study aiming to assess long-term efficacy and tolerability of pramipexole. ETHICS AND DISSEMINATION: The study has been approved by the Swedish Ethical Review Authority and the Swedish Medical Products Agency. The study is externally monitored according to Good Clinical Practice guidelines. Results will be disseminated via conference presentations and peer-reviewed publications. TRIAL REGISTRATION NUMBER: NCT05355337 and NCT05825235.
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15.
  • Lindström, Kristina, et al. (författare)
  • Becoming Response-able Stakeholders : Participatory Design in Times of Uncertainties
  • 2016
  • Ingår i: Proceedings of the 14th Participatory Design Conference: Short Papers, Interactive Exhibitions, Workshops - Volume 2. - New York, NY, USA : ACM Digital Library. ; , s. 41-44, s. 41-44
  • Konferensbidrag (refereegranskat)abstract
    • This paper connects with recent movements within participatory design that move beyond democracy at work and into public engagements with matters where stakes and stakeholders are uncertain. This is thus a shift from earlier participatory design projects where identifiable stakeholders were a pre-condition. To enable the becoming of stakes and stakeholders that are responsible, this paper argues for a new design space within participatory design: to enable material participation in yet unarticulated issues connected to socio-material entanglements. This becoming of stakeholder is not necessarily about solving a problem but to sensitize oneself to one’s entanglements, response-ability and agency in relation to potential issues. The proposal is discussed through a design experiment centred on co-living and the messy practices of composting plastic waste in domestic settings.
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16.
  • Lindström, Kristina, et al. (författare)
  • Caring Design Experiments in the Aftermath
  • 2019
  • Ingår i: Nordes 2019: Who Cares?. - Espoo : Nordic Design Research. ; , s. 1-9, s. 1-9
  • Konferensbidrag (refereegranskat)abstract
    • We live in the aftermath of industrial design, which primarily has been guided by a focus on making the new. Through the project Un/Making Soil Communities, carried out where glass production has left pollution in the soil, the authors propose caring design experiments which aim to foster maintenance and repair for livable worlds. In this articulation, the authors draw on democratic design experiments (Binder et al 2015), but propose a shift from gathering around matters-of-concern (Latour 2005) to matters-of-care (Puig de la Bellacasa 2017). Furthermore, caring design experiments also entail engaging with big enough stories (Haraway 2016) through going visiting and continuously crafting invitations.
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17.
  • Lindström, Kristina, et al. (författare)
  • Editorial: Design, Research and Feminism(s)
  • 2018
  • Ingår i: Proceedings of DRS 2018. - London : Design Research Society. - 9781912294275 ; , s. 455-457
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • As design research matures and interacts more extensively with other academic disciplines, design research communities are engaging more profoundly and reflexively with the nature of research itself and the particular “situated knowledges” (Haraway) of design and the design researcher. Criticality, in design research today, involves interrogation of the theories and methods through which we do research. While early varieties of ‘criticality’ in design research drew largely from Frankfurt School critical theories, feminist theories are increasingly prevalent as a critical modality in design research by attending to issues such as power, positionality, embodiment, relationality, materiality, territoriality and temporality.
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18.
  • Lindström, Kristina, et al. (författare)
  • Figurations of spatiality and temporality in participatory design and after : networks, meshworks and patchworking
  • 2015
  • Ingår i: CoDesign - International Journal of CoCreation in Design and the Arts. - : Taylor & Francis. - 1571-0882 .- 1745-3755. ; 11:3-4, s. 222-235
  • Tidskriftsartikel (refereegranskat)abstract
    • In recent years, many have combined actor–network theory (and after) and collective design. In this emerging field that we call participatory design and after, many have proposed and appropriated figurations such as networks, fluid, fire, thing and meshwork. In this paper, we argue that figurations do not only contribute to knowing the world, they also intervene in the becoming of worlds. This recognition of the performative character of figuration suggests that knowledge-making and world-making are inseparable, and makes it very important to be careful what figurations we imagine, articulate and use. In order to continue the work done in ANT and collective design that focuses on uncertainties, boundary-making, complexities and time, we propose the figuration of patchworking. What we particularly find generative with the figuration of patchworking is that it figures design as entanglements in multiple temporalities. Through the figuration of patchworking, we offer an approach that allows for understanding and working with multiple and overlapping collectives. This means to refigure how and where to draw the boundaries of co-designing in technological societies.
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19.
  • Lindström, Kristina, et al. (författare)
  • Kraften i att sy ihop
  • 2007
  • Ingår i: Kvinnovetenskaplig tidskrift. - : Malmö högskola, Studentcentrum. - 0348-8365. ; :1-2, s. 113-117
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
    • I stitching together är konstnärerna Kristina Lindström och Åsa Ståhl ute efter kraften i att sy tillsammans. Det sker i fysiska möten i en syjunta och med hjälp av digitala kommunikationskanaler. De blev förvånade över att nålar och trådar kunde stöta på så många maktstrukturer och provocera i en mängd olika riktningar.
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20.
  • Lindström, Kristina, et al. (författare)
  • Las políticas de invitar : Coarticulación de temas en torno a la participación pública en diseño
  • 2017
  • Ingår i: Diseña. - : Pontificia Universidad Católica de Chile. - 0718-8447. ; :11, s. 110-121
  • Tidskriftsartikel (refereegranskat)abstract
    • The article engages with the politics of inviting by proposing a shift in what we invite to, and when. Rather than inviting stakeholders to participate in design projects before use, the article argues for the value of inviting participants to take part in co-articulations of issues that arise in the course of the ongoing living with technologies. Based on two public engagement projects, it is shown how co-articulations emerge through a combination of invitations and responses by the participants. When the issue emerges more inventively is usually when the assumptions enacted through the invitations do not t well with how participants live with technologies.
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21.
  • Lindström, Kristina, et al. (författare)
  • Living With
  • 2020
  • Ingår i: Transmissions. - Cambridge, Massachusetts : MIT Press. - 9780262043403 ; , s. 131-151
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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22.
  • Lindström, Kristina, et al. (författare)
  • Making private matters public in temporary assemblies
  • 2012
  • Ingår i: CoDesign - International Journal of CoCreation in Design and the Arts. - : Taylor & Francis. - 1571-0882 .- 1745-3755. ; 8:2-3, s. 145-161
  • Tidskriftsartikel (refereegranskat)abstract
    • In this paper we propose temporary assemblies where the sharing of stories and concerns are facilitated. Possible challenges and characteristics of such temporary assemblies will be discussed through the project Threads – A Mobile Sewing Circle, which is designed in order to support conversations in relation to everyday use of information and communication technology as well as to other means of communication. The participants do not necessarily belong to an already existing community and do not need to reach a consensus. The discussion in this paper will focus on how the design of Threads allows and encourages the participants to bring past lived experiences to the table, as well as how the act of participating in the sewing circle brings out new concerns. Despite the transient character of this assembly we will also look at how the things produced in the sewing circle might support longer lasting, future conversations.
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23.
  • Lindström, Kristina, et al. (författare)
  • Patchworking publics-in-the-making : design, media and public engagement
  • 2014
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • This is a collaborative practice-based thesis by publication written across two disciplines: interaction design, and media and communication studies. Based on Threads – a Mobile Sewing Circle, a travelling exhibition in which participants are invited to embroider an SMS by hand and with an embroidery machine connected to a mobile phone, this thesis puts forward the concept of publics-in-the-making. The potentialities of publics-in-the-making is explored through the figuration of patchworking. Patchworking has, for example, been used in the writing of this thesis and in the composition of Threads. As a method, patchworking ways of knowing should be understood as a response to a widespread call across disciplines for new ways of knowing mess and complexities in technological society. We are in dialogue here especially with those engaged with new feminist materialism, the material turn, and posthumanities. More specifically, patchworking ways of knowing means knowing through collective interventions and staying with such interventions. In this thesis patchworking is used to explore and speculate on the potentialities of publics-in-the-making, publics that emerge out of making things together, in which actors and issues are not pre-set but in the making. This kind of public engagement in issues of living with technologies is proposed as part of a larger repertoire of designerly public engagement that happens within participatory design, media archaeology, critical making and speculative design. Drawing on American pragmatism and feminist technoscience, we argue that everyday living with technologies makes us entangled and implicated in diverse issues characterised by multiple uncertainties. Given that it is not always possible to know what the concern is, who is concerned, and how it could be addressed, making is explored both in terms of its potential to bring humans and nonhumans together, and as a mode of engaging with issues related to living with technologies. Publics-in-the-making is thereby put forward as publics that gather because of a shared area of curiosity, rather than an emergency, and where issues are co-articulated in the making. While these co-articulated issues are rarely resolved, we argue that the making in Threads becomes a way of practising caring curiosity towards ongoing and emerging issues related to living with technologies. Publics-in-the-making should not be understood as an argument against other kinds of public engagement, but as complementary, since all handle different aspects of living with technologies. In line with most practice-based research, we argue that method and that which is explored cannot be separated. This means that method and problem emerge together, or are made together. In this case the patchworking ways of knowing have been used to speculate on and to explore potentialities of publics-in-the-making. The patchworking of Threads is thereby both the method and that which is explored and speculated upon. Through patchworking publics-in-the-making we build on and contribute to re-patternings and re-imaginations of interaction design and communication studies through a turn to feminist technoscience. We are thus able to explore multiple temporalities, issues of linearity and discreteness, and concerns around human-centeredness - as well as the ethics of such boundary-making. This thesis works simultaneously with several temporalities: that which is at hand, as well as that which is yet to come.
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24.
  • Lindström, Kristina, et al. (författare)
  • Patchworking Ways of Knowing and Making
  • 2015
  • Ingår i: The Handbook of Textile Culture. - : Bloomsbury Academic. - 9780857857750 ; , s. 65-78
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
  •  
25.
  • Lindström, Kristina, et al. (författare)
  • Plastic Imaginaries
  • 2017
  • Ingår i: continent.. - : Continent. - 2159-9920. ; 6.1, s. 62-67
  • Tidskriftsartikel (refereegranskat)abstract
    • What practices can we imagine in this world where progress, novelty, and production of the new has been privileged to the extent that it has had profound impact on not only culture but also nature and how we understand the relationship between the two? Jackson has, for example, suggested practices of maintenance and repair as stories and orders that can handle the decay and breakdown of the 21st Century.[1]In the accompanying text, we imagine a conversation between the ragpicker and the composter that suggest different ways of living with transformation in the aftermath of a plastic era. When plastic materials started to be used they came with the modernist vision that technologies would rid us from restrictions posed by nature.[2] Plastic materials were used as alternatives to, for example, wood, glass and metal, which suggested a world without material scarcity. As a cheaper alternative they have often been used for disposable products meant for one-time-use only. And, at the same time as plastic is hard to mend, maintain and repair, due to the way it wears and tears, it generally doesn’t breakdown and decay as other non-industrial materials. Rather, it accumulates.[3]The text is a speculative fabulation,[4] but it draws on ethnographic material that has been produced during a series of public engagement events where we invited participants to explore two kinds of emerging hybrid matters that are related to plastics. The first hybrid matter is plastiglomerates,[5] which is a new kind of stone partly consisting of plastic debris coming from such varied sources such as fishing industry, leisure activities and mundane living. The second hybrid matter is common mealworms that can biodegrade Styrofoam.[6] In the first set of public engagement events, we invited people to walk along beaches in Finland and Iceland to look for plastiglomerates. In the second set of public engagement events, we invited people in Denmark and Sweden to use common mealworms to compost plastic waste in their home.
  •  
26.
  • Lindström, Kristina, et al. (författare)
  • Plastic Imaginaries : Becoming Response-able Stakeholders?
  • 2016
  • Ingår i: PDC 2016, Participatory Design in an Era of Participation. - New York, NY, USA : Association for Computing Machinery (ACM). - 9781450341363 ; , s. 72-73
  • Konferensbidrag (refereegranskat)abstract
    • This piece in the interactive exhibition shows a prototype of a domestic plastic composting kit. More specifically it's a repurposed glass jar with a lid that has been cut open and replaced by a metal net. Inside it common mealworms are biodegrading styrofoam. A democratic design experiment, where similar prototypes were distributed to explore how it is to live with it, will be present in this exhibition through photos. A 30-minute workshop builds on this democratic design experiment and explores the becoming of stakeholders when the actors and issues are multiple and uncertain.
  •  
27.
  • Lindström, Kristina, et al. (författare)
  • Politics of Inviting : Co-Articulating Issues in Designerly Public Engagement
  • 2016
  • Ingår i: Design Anthropological Futures. - : Bloomsbury Academic. - 9781474280624 ; , s. 183-198
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • A crucial but little-explored practice in design anthropology is the crafting of invitations: invitations to user studies, to interviews, to ethnographic fieldwork projects, to co-design workshops, to prototyping and to public engagement events. The reason for issuing these invitations is partly to widen the epistemological community, partly to democratize the development of new designs or technological systems. In this chapter we engage with the politics of inviting by proposing a shift in what we invite to, and when. Rather than inviting stakeholders to participate in design projects before use, we will argue for the value of inviting participants to take part in co-articulations of issues that arise in the course of the ongoing living with technologies. This, we argue, is an important shift, because the issues and potentialities that emerge as things are used can never be fully predicted in a design project, whether by designers or potential users. We have termed this practice of inviting to collaborative formations of issues connected to the ongoing living with technologies designerly public engagements.
  •  
28.
  •  
29.
  • Lindström, Kristina, et al. (författare)
  • Publics-in-the-Making : Crafting Issues in a Mobile Sewing Circle
  • 2014
  • Ingår i: Making futures. - : MIT Press. - 9780262027939 ; , s. 303-322
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • In this chapter we will explore the potentialities of publics-in-the-making—that is, publics that come out of making things together and that are continuously reconfigured by their participants, human and nonhuman. The potentialities of such public engagement will be explored through Threads—a Mobile Sewing Circle, a traveling exhibition in which people are invited to embroider a message received by means of SMS, either by hand or with an embroidery machine connected to a mobile phone with bespoke software. This is an invitation to stitch together different kinds of technologies, temporalities, materialities, practices, and participants. What makes participants gather in Threads is not that they necessarily know each other since before, neither that they necessarily have a shared problem that they want to address. What they do share is that they have responded to an invitation that, we argue, articulates an area of curiosity—ways of living with technologies—rather than a predefined problem. Our concern in this chapter is the co-articulations that result from a particular way of gathering and from particular ways of engaging with everyday technologies.
  •  
30.
  • Lindström, Kristina, et al. (författare)
  • Threads - A Mobile Sewing Circle : Making Private Matters Public in Temporary Assemblies
  • 2010
  • Ingår i: Proceedings of the 11th Biennial Participatory Design Conference;PDC '10. - New York, NY, USA : ACM Digital Library. ; , s. 121-130
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • In this paper we propose temporary assemblies where the sharing of stories and concerns are facilitated. Possible challenges and characteristics of such temporary assemblies will be discussed through the project Threads - a Mobile Sewing Circle, which is designed in order to support conversations in relation to everyday use of ICT as well as in relation to other means of communication. The participants do not necessarily belong to an already existing community and do not need to reach a consensus. The discussion in this paper will focus on how the design of Threads allows and encourages the participants to bring past lived experiences to the table, as well as how the act of participating in the sewing circle brings out new concerns. Despite the transient character of this assembly we will also look at how the things produced in the sewing circle might support longer-lasting, future conversations.
  •  
31.
  • Lindström, Kristina, et al. (författare)
  • Threads without ends : a mobile sewing circle
  • 2011
  • Ingår i: Making Design Matter;04. - : Nordes.
  • Konferensbidrag (refereegranskat)abstract
    • In this paper the exhibition Threads – a Mobile Sewing Circle is used as an example of a design that travels. To tell the story of how Threads travels we use the concepts of immutable mobile (Latour 1990) and fluidity (de Laet and Mol 2000) – concepts that invite us to think of standardisation and stability on one hand and changes and adaptability on the other. Since Threads is continuously assembled, disassembled and reassembled in different contexts and by different actors, we argue that Threads needs to be able to deal with changes and local conditions and cannot strive for stability in the sense of ‘no change’. On the contrary, Threads is dependent on local actors’ engagement, which partly is done through adding, replacing and altering parts and practices of Threads which also redraws its boundaries. We further argue that it is through what has been called design-after-design (Ehn 2008) that Threads can become entangled in the local setting and thereby matter. Through examples from Threads it is also shown that, what we call, a fluid designer role is helpful when making fluid designs travel.
  •  
32.
  • Lindström, Kristina, et al. (författare)
  • Un/making
  • 2020
  • Ingår i: Glossary. - : Malmö University. ; , s. 33-33
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
  •  
33.
  • Lindström, Kristina, et al. (författare)
  • Un/Making in the Aftermath of Design
  • 2020
  • Ingår i: PDC '20. - New York, NY : Association for Computing Machinery (ACM). - 9781450377003 ; , s. 12-21
  • Konferensbidrag (refereegranskat)abstract
    • This paper takes as its starting point the fact that we live in the aftermath of previous making and design. For participatory design to adequately answer to this aftermath, we suggest building on a combination of participatory and speculative design approaches in everyday life settings and exploring the practice of un/making matters. The paper draws on two cases where participants have been invited to engage with recent scientific findings and practices - one where they explore the practice of un/making plastic waste through composting, and one on un/making polluted soil through plants that can accumulate metals. By not primarily aiming at feeding into new iterations of a design process, there is an openness for speculating beyond the given systems, and to bring into question imaginaries of constant progress, which have been part of generating these lingering matters.
  •  
34.
  • Lindström, Kristina, et al. (författare)
  • Un/Making the Plastic Straw : Designerly Inquiries into Disposability
  • 2023
  • Ingår i: Design and Culture. - : Taylor & Francis Group. - 1754-7075 .- 1754-7083. ; 15:3, s. 393-415
  • Tidskriftsartikel (refereegranskat)abstract
    • This article proposes un/making as a designerly response to urgent environmental issues. By focusing on the simultaneous constructive and destructive aspects of design, this effort attempts to challenge design's dominant focus on making new things. The implications and potentialities of un/making are explored through a designerly inquiry into ongoing and emerging attempts to ban the plastic straw. Based on this inquiry, the article proposes an approach to un/making that is driven by speculative, what if questions, informed by the history of the plastic straw: from coming into being to becoming preferable and now emerging as a matter of concern. Through a series of speculative design artifacts, the authors articulate matters at stake in the un/making of the plastic straw. They also show how these matters are a stake in the un/making of disposability as part of a preferable future. Rather than proposing one preferable future, the article highlights the frictions that emerge in un/making.
  •  
35.
  • Lindström, Kristina, et al. (författare)
  • Working Patches
  • 2012
  • Ingår i: Studies in Material Thinking. - : Auckland University of Technology. - 1177-6234. ; 07:04
  • Tidskriftsartikel (refereegranskat)abstract
    • This paper addresses accountability in academic and artistic writing. We use the narrative position of the patchwork to tell stories of the travelling exhibition Threads - A Mobile Sewing Circle. This particular narrative position is chosen as it can handle fragments, as well as multiple voices and perspectives, while still being held together. In addition, we argue that Threads is similar to the practice and object of patchwork. It comes into existence through processes of exclusion and inclusion of connections, alliances, and separations – through putting things in relation to one another.
  •  
36.
  •  
37.
  •  
38.
  • Oikology - Home Ecologics : a book about building and home making for permaculture and for making our home together on Earth
  • 2019
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • How can we, together, make our home on Earth in a time of mass extinction, climate change and social segregation? In this book two interplaying housing crises converge. The first concerns affordable and suitable housing for groups unprioritised by the housing market: older persons, students and migrants. The second concerns our home on Earth: science gives us but a decade to avert catastrophic climate change. This book aims at both reporting on research in the project BOOST metadesign and providing hands-on advice akin to that offered in home economics classes. The book starts performing Oikology – Home ecologics, a field of knowledge and practice in times of complexity, messiness and never finished labour of making homes together within Earth’s limits. The exploration of housing development for older persons, students and migrants in a context of sustainability has been carried out during 2016–19 through processes of co-creation in urban and rural parts of Småland, southern Sweden. Metadesign has opened up for a holistic and systemic take on home making that integrates different dimensions of sustainability and moves from the small and local to the all-encompassing. This book is for people who make homes in their personal or professional lives. It imagines an overarching paradigm of home making which starts from relationships. This is exemplified through speculative scenarios, a set of cruxes to be bounced into the planning process, methods for transdisciplinary co-creation and 29 recipes for home making.
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39.
  • Olofsdotter Bergström, Annika, 1970- (författare)
  • Ta plats : Plats-specifika spel i dialog med feministisk teknovetenskap
  • 2020
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Min utgångpunkt för den här avhandlingen är att undersöka hur ett spelande som utgår från spelarnas fysiska kroppar och publika platser kan få betydelse i städers vardagsliv. Jag utgår ifrån att den fysiska platsen och spelarens kropp får för lite uppmärksamhet i plats-specifika spel. För det här avhandlingsarbetet har jag sammanfört plats-specifika spel och feministisk teknovetenskap för att kunna utforska vad som uppstår i det mötet. Feministisk teknovetenskap bidrar med att utveckla en speldesign där spelarnas sinnen berör och responderar med sin omgivning för att förflytta invanda handlingar till att bli utforskande spelhandlingar. Mitt arbete involverar det materiellas betydelse för speldesignandet; platsers ytor, ljusförhållanden, föremål och form men även föreställningar, normer och konventioner får betydelse för spelarna och deras val, önskningar, handlingar och motstånd. De publika platserna och spelarna skapar tillsammans  speldesignen och omförhandlar det materiellas roll för det plats-specifika spelandet. Min forskning bidrar till det området som oftast kallas ’spelbara städer’ (playable cities). Jag vill med mitt bidrag utveckla en kritisk speldesign som tar hand om den komplexitet som städer och mänskliga aktiviteter innebär. I mitt arbete utgör speldesignsmetoderna av de vardagliga praktiker och föremål som ’finns till hands’ för att designa plats-specifika spel. Genom att spela och leka i staden möjliggörs rörelseutrymme som också ställer frågor om hur människor använder publika platser och till vad. Avhandlingsarbetet består empiriskt av tre plats-specifika spel som jag har designat på olika platser tillsammans med olika grupper av kvinnliga spelare. En feministisk teknovetenskaplig spelandedesign handlar i den här avhandlingen om att undersöka den värld som kan te sig strukturerad och regelstyrd men som genom spelandet visar hur rörlig och komplex den är. Det är en spelandedesign som inte bara leker med det strukturerade på vardagliga platser utan även försöker hitta och ta hand om det oväntade som kan uppstå. I avhandlingen utvecklar jag vad jag kallar för spelandedesign. Det vill säga att spelarna samtidigt spelar och designar spelandet. En feministisk teknovetenskaplig spelandedesign är en metodologi för att skapa lekfulla handlingar för att göra motstånd mot det som vill bli alltför konventionellt eller likriktat i hur människor lever och verkar i städer. 
  •  
40.
  • Rosenqvist, Johanna, 1971-, et al. (författare)
  • An Editorial Sewing Circle – Collaborative Storytelling beyond Established Journalistic Platforms : Paper presented at the Media- and Culture Studies Group at the NordMedia11 conference, Akureyri, Iceland, August 11th-13th 2011
  • 2011
  • Konferensbidrag (refereegranskat)abstract
    • This paper starts off with an editorial sewing circle and a patchwork seminar where participants were invited to contribute to an SMS-embroidery-feuillton by embroidering one of their own text-messages. Whereas research on participatory journalism has been based on established journalistic platforms (Karlsson 2010), this paper tries to understand the gathering, processing and publishing of information that takes place outside established journalistic platforms, but within known situations of everyday storytelling. In aligning us with others who use metaphors from textile handicraft in relation to knowledge construction, writing techniques and other forms for disseminating knowledge (eg. Haraway, 1988; Bränström-Öhman, Livholts, 2007; Sundén, 2008) we explore what happens in the seams between two particular platforms of storytelling: the editorial board and the sewing circle placed in an art gallery. Thus, by using something known and placing it in a different context, in a different space, we challenge the very practice of the editorial board, of journalism. This method of ours, is that of a feminist intervention into established rooms, concepts and practices. The paper consists of two parts: a written document and Texting Textiles, a collaborative patchwork-quilt based on the patchwork seminar hosted at Galleri Krets, in Malmö, August 2009.
  •  
41.
  • Rosenqvist, Johanna, 1971-, et al. (författare)
  • Stitching Together an Editorial Sewing Circle
  • 2011
  • Ingår i: ISEA2011 ISTANBUL, The 17th International Symposium on Electronic Art 14-21 September 2011.
  • Konferensbidrag (refereegranskat)abstract
    • Fragmented stories of an editorial sewing circle are temporarily sewn together. We thereby explore what public emerged through the combination of two known situations and collectives for sharing, joining, and negotiating stories: the sewing circle and the editorial board. Although we make texts and textiles public, the focus was also on being public – inviting people to become part of the editorial sewing circle’s negotiation processes.
  •  
42.
  • Sabie, Samar, et al. (författare)
  • Unmaking@CHI : Concretizing the Material and Epistemological Practices of Unmaking in HCI
  • 2022
  • Ingår i: CHI EA '22. - New York, NY, USA : ACM Digital Library. - 9781450391566 ; , s. 1-6
  • Konferensbidrag (refereegranskat)abstract
    • Design is conventionally considered to be about making and creating new things. But what about the converse of that process – unmaking that which already exists? Researchers and designers have recently started to explore the concept of “unmaking” to actively think about important design issues like reuse, repair, and unintended socio-ecological impacts. They have also observed the importance of unmaking as a ubiquitous process in the world, and its relation to making in an ongoing dialectic that continually recreates our material and technological realms. Despite the increasing attention to unmaking, it remains largely under-investigated and under-theorized in HCI. The objectives of this workshop are therefore to (a) bring together a community of researchers and practitioners who are interested in exploring or showcasing the affordances of unmaking, (b) articulate the material and epistemological scopes of unmaking within HCI, and (c) reflect on frameworks, research approaches, and technical infrastructure for unmaking in HCI that can support its wider application in the field.
  •  
43.
  • Ståhl, Christian, et al. (författare)
  • Dirigo 2 : Slutrapport
  • 2014
  • Rapport (övrigt vetenskapligt/konstnärligt)
  •  
44.
  • Ståhl, Christian, et al. (författare)
  • Process evaluation of an interorganizational cooperation initiative in vocational rehabilitation: the Dirigo project
  • 2017
  • Ingår i: BMC Public Health. - : BIOMED CENTRAL LTD. - 1471-2458. ; 17
  • Tidskriftsartikel (refereegranskat)abstract
    • Background: This study analyzes the process of establishing and developing a cooperative vocational rehabilitation project with special focus on organizational and professional aspects. In the project, officials from the Swedish Social Insurance Agency and the Swedish Public Employment Service worked cooperatively with participants on long-term sick leave, youths with disability benefits, and people receiving social allowances. The officials used Motivational Interviewing (MI) as a method when meeting participants, and were able to offer flexible and tailored case management. The goal was to improve work ability and promote self-sufficiency. Methods: The process evaluation was carried out through continuous data collection throughout the project (2012-2014), resulting in a total of 28 individual interviews and 17 focus groups with officials and managers. The material was categorized through an inductive content analysis, and analyzed using social capital as a theoretical frame. Results: The evaluation points to how issues related to design, organization and management contributed to the project not reaching its goals, e.g. problems with recruitment of participants, the funding structure, and staffing problems on the managerial level. Still, officials reported positive effects of close cooperation, which was perceived as facilitating the case management by fostering a mutual understanding and access to resources and rehabilitation measures from more than one authority. Conclusions: Cooperative work combined with the use of MI and flexible case management seem to promote an increased trust between officials from different authorities and participants, which in the study is conceptualized as bonding and bridging social capital (between officials) and linking social capital (between officials and participants). The organizational problems combined with the relatively large differences in approaches between the project and regular practice obstructed implementation, where the authorities involved did not appear to be ready for implementing methodologies that require organizational restructuring.
  •  
45.
  • Ståhl, Göran, et al. (författare)
  • National inventory of landscapes in Sweden (NILS) : scope, design, and experiences from establishing a multi-scale biodiversity monitoring system
  • 2011
  • Ingår i: Environmental Monitoring & Assessment. - : Springer Science and Business Media LLC. - 0167-6369 .- 1573-2959. ; 173:1-4, s. 579-595
  • Tidskriftsartikel (refereegranskat)abstract
    • The landscape-level and multiscale biodiversity monitoring program National Inventory of Landscapes in Sweden (NILS) was launched in 2003. NILS is conducted as a sample-based stratified inventory that acquires data across several spatial scales, which is accomplished by combining aerial photo interpretation with field inventory. A total of 631 sample units are distributed across the land base of Sweden, of which 20% are surveyed each year. By 2007 NILS completed the first 5-year inventory phase. As the reinventory in the second 5-year phase (2008-2012) proceeds, experiences and insights accumulate and reflections are made on the setup and accomplishment of the monitoring scheme. In this article, the emphasis is placed on background, scope, objectives, design, and experiences of the NILS program. The main objective to collect data for and perform analyses of natural landscape changes, degree of anthropogenic impact, prerequisites for natural biological diversity and ecological processes at landscape scale. Different environmental conditions that can have direct or indirect effects on biological diversity are monitored. The program provides data for national and international policy and offers an infrastructure for other monitoring program and research projects. NILS has attracted significant national and international interest during its relatively short time of existence; the number of stakeholders and cooperation partners steadily increases. This is constructive and strengthens the incentive for the multiscale monitoring approach.
  •  
46.
  • Ståhl, Åsa, 1976- (författare)
  • Anchoring by Picking Stones : - on Design and Economics in Småland and Other Places
  • 2023
  • Ingår i: Småland & Sápmi. Sápmi & Småland. - Växjö/Kalmar : Linnaeus University Press. - 9789180820639 ; , s. 74-85
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • This chapter starts off in an excursion where design students were working on moving stones in a field. Some of the stones were small. One of them was big. It took a lot of effort and cooperation to shift the big one and move it off of the field. Where do international design programmes in Småland, based in Växjö and Kalmar, go on excursions to seek a better understanding of design and their own role as designers? We know about big furniture manufacturers, and we know about the proud traditions in glass. However, since the focal point for these classes was resilience1, the answer to the question became a combination of places in which dreams of alternative social orders have been expressed in writing, through agriculture, and in relationships that keep life going.
  •  
47.
  • Ståhl, Åsa, 1976- (författare)
  • Building and home making for permaculture
  • 2019
  • Ingår i: Oikology - Home ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 78-111
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
  •  
48.
  • Ståhl, Åsa, 1976- (författare)
  • Förankring genom stenplockning - om design och ekonomi i Småland och andra platser
  • 2023
  • Ingår i: Småland och Sápmi. - Växjö : Linnaeus University Press. - 9789180820639 ; , s. 60-73
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • Det här kapitlet börjar i att bända upp stenar med designstudenter på exkursion. Några stenar var små. En var stor. Det behövdes mycket kraft och samarbete för att bända upp den stora ur fältet. Vart åker internationella designutbildningsprogram i Småland, baserade i Växjö och Kalmar, på exkursion för att förstå design och sin egen designerroll bättre? Vi känner till exempel till stora möbeltillverkare och vi känner till den stolta glastraditionen. Men eftersom fokus var på resiliens i de här lärandemomenten blev svaret en kombination av platser där drömmar om alternativa samhällen har tagit sig uttryck i skrift, odling och i relationer som får livet att fortgå.
  •  
49.
  • Ståhl, Åsa, 1976-, et al. (författare)
  • How can we critically & creatively engage with power relations in collaborative design research?
  • 2017
  • Ingår i: Nordes 2017. - : Nordic Design Research. ; , s. 17-17
  • Konferensbidrag (refereegranskat)abstract
    • This workshop explores power relations in collaborative design research. As co-creation is becoming more established and even something of a holy grail, it is important to revisit and further understandings of, for example, the limits to democracy in collaborative research and conflicting agendas. The workshop draws on ongoing research that explores housing needs and solutions at the intersection of an ageing population, students and migrants, and that engages multiple stakeholder groups in collaborative processes. The proposed workshop will stage an enactment of the research design, from invitation to analysis, with the workshop participants playing the different roles in the process. This will enable us, collaboratively, to critically and creatively engage with some concrete interfaces to power negotiations as well as the meta level of power dynamics in collaborative research. We will enrich our understandings of power relations by engaging with indigenous thinking, expressed as decolonizing methodologies. 
  •  
50.
  • Ståhl, Åsa, 1976-, et al. (författare)
  • Las políticas de invitar : Coarticulación de temas en torno a la participación pública en diseño : Politics of inviting : co-articulations of issues in designerly public engagement
  • 2017
  • Ingår i: Diseña. - : Pontificia Universidad Católica de Chile School of Design. - 0718-8447. ; :11, s. 110-121
  • Tidskriftsartikel (refereegranskat)abstract
    • The article engages with the politics of inviting by proposing a shift in what we invite to, and when. Rather than inviting stakeholders to participate in design projects before use, the article argues for the value of inviting participants to take part in co-articulations of issues that arise in the course of the ongoing living with technologies. Based on two public engagement projects, it is shown how co-articulations emerge through a combination of invitations and responses by the participants. When the issue emerges more inventively is usually when the assumptions enacted through the invitations do not t well with how participants live with technologies. 
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