SwePub - search: WFRF:(Ståhl Åsa 1976 )

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1.	Ståhl, Åsa, 1976-, et al. (author) Living with 2020 In: Transmissions. - Cambridge, Massachusetts : MIT Press. - 9780262043403 ; , s. 131-151 Book chapter (other academic/artistic)abstract This chapter focuses on a collaborative project involving a series of walks on remote Icelandic beaches, sending participants home with their own worms; beach bonfires; and dinner parties in Reykjavik and Westfjords in Iceland. Many of these events emerged in the process of doing speculative design research with and about humans and nonhuman participants. The authors critically reflect on how these events and practices gave shape to multiple un/expected happenings in public.
2.	Ståhl, Åsa, 1976- (author) Smile, you're on 24 h CCTV! 2018 In: MirrorMe You. - Malmö : Helga Steppan. - 9789163940491 Book chapter (pop. science, debate, etc.)
3.	Ståhl, Åsa, 1976- (creator_code:cre_t) Un/Making the Plastic Straw 2018 Artistic workabstract I samband med utställningen Experiment för utopier på Ystads konstmuseum utforskar Kristina Lindström och Åsa Ståhl i The Un/Making Studio, i samarbete med Petra Lilja, möjligheter att un/make plastsugrör. Under 2018 gjordes det flera försök att göra sig kvitt plastsugrör, samtidigt som tidigare versioner verkar vara seglivade och kommer tillbaka i nya relationer. Vårt intresse ligger här både i vad som görs och vad som ogörs i dessa förslag på nya relationer. Arbetet är tematiskt ordnat i fyra kategorier: efterdyningar, tidslighet, omsorg och mikrobiologisk samlevnad. Gunnel Petterson kuraterade utställningen Experiment för utopier.
4.	Forlano, Laura, et al. (author) Mending and Growing in Feminist Speculative Fabulations : Design’s Unfaithful Daughters 2016 In: DRS2016 Conversations. - London : University of Brighton; DesignResearchSociety; Imperial College London, Royal College of Art, PHDBYDESIGN. Conference paper (pop. science, debate, etc.)abstract This conversation seeks to consider design research practices around critical and speculative design which have been criticised for their lack of public engagement and awareness of their political and normative positions. In particular, we are interested in the ways in which feminist speculative fabulation offer alternative approaches through attention to core feminist arguments around corporeality, materiality, embodiment, affectivity and experientiality. Our conversation will imagine new ways of practicing design by examining relationships between speculative futures and reimaginings of the past; the role of a feminist perspective in problem-making and questioning; speculative design and fabulation as participatory practice; the role of practices around mending, growing, maintaining and repairing; and, the posthuman design and the anthropocene.
5.	Jönsson, Li, et al. (author) How Can We Come to Care in and Through Design? 2019 In: Nordes 2019: Who Cares?. - Eespo : Nordic Design Research. ; , s. 1-8, s. 1-8 Conference paper (peer-reviewed)abstract On a generic level, caring can be described as "everything that we do to maintain, continue, and repair our 'world' so that we can live in it as well as possible" (Fisher and Tronto, 1990). This paper asks how we as design researchers in Scandinavia come to care, for our world and more specifically for the local NORDES community. We do this by describing how we have maintained, continued and added (as a practice of repair) in relation to the most recent NORDES summer school (2018). The summer school invited students to work with tensions between despair, in a site marked and haunted (Tsing et al., 2017) by the aftermath of industrial design practices and hope, by making time for soil (Puig de la Bellacasa, 2017) in a community-supported agricultural scheme. The paper invites you to share some cruxes and insights that emerged, and to imagine teaching with care as a collective process that attempts to bring things together, not as oppositions, but as generative and productive relations.
6.	Jönsson, Li, et al. (author) The thickening of futures 2021 In: Futures. - : Elsevier. - 0016-3287 .- 1873-6378. ; 134:December Journal article (peer-reviewed)abstract This paper engages with biodiversity loss. In particular, it focuses on observations and scientific facts: the decline of pollinators and what that entails for the co-living of humans and more-than-humans. This kind of work often reaches the publics as thin stories of limited futures.The article explores how to situate the issue of out-of-sync plant–pollinator relationships into thick, ongoing presents rather than as a distant future that is out of one’s own hands. This is done through a collaborative design project that experiments with various formats for staging more material, embodied and experiential ways to sensitise and invite humans to experience the issue of pollination. We therefore explore and give an account of how we have situated the issues in a thick, ongoing present as an anticipatory practice. We thus suggest a practice that becomes both sticky and sweaty; in addition, the practice moves some pollination facts into not only matters of concern but also matters of care.In doing so, we forward the role that design researchers can play in environmental and collaborative anticipation by engaging with emerging approaches to both biodiversity loss and collaborative future-making that are simultaneously conflicting and harsh as well as hopeful.
7.	Latva-Somppi, Riikka, et al. (author) Entangled Materialities : Caring for soil communities at glass industry sites 2021 In: FORMakademisk. - Oslo : Universitetsbiblioteket OsloMet. - 1890-9515. ; 14:2, s. 1-14 Journal article (peer-reviewed)abstract This paper discusses craft and design practices through their impact on the environment. We consider how to act concerning the consequences of the craft and design industry. Also, we reflect on the agency of our field of practice in changing how we perceive the environment. We present three case studies of the European glass industry sites in Sweden, Italy and Finland, where we study contamination of the soil with participatory, speculative and craft methods. Through these cases, we reflect on our role in soil communities and ask how we may act in them with responsibility, hope and care. We conclude by proposing to act locally, to share our practices and make them visible, expanding our situated, personal skills and knowledge towards the political.
8.	Laurien, Thomas, 1967, et al. (author) An Emerging Posthumanist Design Landscape 2022 In: Palgrave Handbook of Critical Posthumanism. - Cham : Palgrave Macmillan. - 9783030426811 - 9783030426811 - 9783031049576 - 9783031049583 Book chapter (peer-reviewed)abstract A designer is somebody who points, who designates, and gives directions. Design thereby has a direction into the future. What directions are designers pointing out if design is coupled with posthumanism? Posthumanism has come into being in a landscape of both ideas and design. That which has previously been designed and produced is coming back and it can help us point out harmful inequalities if we sharpen our observational tools and concepts.“An Emerging Posthumanist Design Landscape” is an overflowing designated area for examples and thinking on compositions of design and critical posthumanism. It is a landscape in the making, yet scarred by previous design cultures and histories. As design researchers operating out of Scandinavian academia, we invite readers/travelers to meander through an emerging hybrid landscape and to make a few selected stops at the sites of our own recent design interventions. We articulate concepts, frictions, and opportunities sprouted in a sprawling and increasingly populated landscape of design and posthumanism. Posthumanist thinking questions and recharges fundamental design concepts and methods/approaches, e.g.: Who are the actors of posthumanist design? Where does it take place? What do we design? What materials do we use? How do we work? When does design take place? Why are compositions of design and critical posthumanism important undertakings? The responses to these questions sketch trajectories for further travels and the co-creation of an emerging posthumanist design landscape.
9.	Lindström, Kristina, et al. (author) Caring Design Experiments in the Aftermath 2019 In: Nordes 2019: Who Cares?. - Espoo : Nordic Design Research. ; , s. 1-9, s. 1-9 Conference paper (peer-reviewed)abstract We live in the aftermath of industrial design, which primarily has been guided by a focus on making the new. Through the project Un/Making Soil Communities, carried out where glass production has left pollution in the soil, the authors propose caring design experiments which aim to foster maintenance and repair for livable worlds. In this articulation, the authors draw on democratic design experiments (Binder et al 2015), but propose a shift from gathering around matters-of-concern (Latour 2005) to matters-of-care (Puig de la Bellacasa 2017). Furthermore, caring design experiments also entail engaging with big enough stories (Haraway 2016) through going visiting and continuously crafting invitations.
10.	Lindström, Kristina, et al. (author) Editorial: Design, Research and Feminism(s) 2018 In: Proceedings of DRS 2018. - London : Design Research Society. - 9781912294275 ; , s. 455-457 Conference paper (other academic/artistic)abstract As design research matures and interacts more extensively with other academic disciplines, design research communities are engaging more profoundly and reflexively with the nature of research itself and the particular “situated knowledges” (Haraway) of design and the design researcher. Criticality, in design research today, involves interrogation of the theories and methods through which we do research. While early varieties of ‘criticality’ in design research drew largely from Frankfurt School critical theories, feminist theories are increasingly prevalent as a critical modality in design research by attending to issues such as power, positionality, embodiment, relationality, materiality, territoriality and temporality.
11.	Lindström, Kristina, et al. (author) Figurations of spatiality and temporality in participatory design and after : networks, meshworks and patchworking 2015 In: CoDesign - International Journal of CoCreation in Design and the Arts. - : Taylor & Francis. - 1571-0882 .- 1745-3755. ; 11:3-4, s. 222-235 Journal article (peer-reviewed)abstract In recent years, many have combined actor–network theory (and after) and collective design. In this emerging field that we call participatory design and after, many have proposed and appropriated figurations such as networks, fluid, fire, thing and meshwork. In this paper, we argue that figurations do not only contribute to knowing the world, they also intervene in the becoming of worlds. This recognition of the performative character of figuration suggests that knowledge-making and world-making are inseparable, and makes it very important to be careful what figurations we imagine, articulate and use. In order to continue the work done in ANT and collective design that focuses on uncertainties, boundary-making, complexities and time, we propose the figuration of patchworking. What we particularly find generative with the figuration of patchworking is that it figures design as entanglements in multiple temporalities. Through the figuration of patchworking, we offer an approach that allows for understanding and working with multiple and overlapping collectives. This means to refigure how and where to draw the boundaries of co-designing in technological societies.
12.	Lindström, Kristina, et al. (author) Plastic Imaginaries 2017 In: continent.. - : Continent. - 2159-9920. ; 6.1, s. 62-67 Journal article (peer-reviewed)abstract What practices can we imagine in this world where progress, novelty, and production of the new has been privileged to the extent that it has had profound impact on not only culture but also nature and how we understand the relationship between the two? Jackson has, for example, suggested practices of maintenance and repair as stories and orders that can handle the decay and breakdown of the 21st Century.[1]In the accompanying text, we imagine a conversation between the ragpicker and the composter that suggest different ways of living with transformation in the aftermath of a plastic era. When plastic materials started to be used they came with the modernist vision that technologies would rid us from restrictions posed by nature.[2] Plastic materials were used as alternatives to, for example, wood, glass and metal, which suggested a world without material scarcity. As a cheaper alternative they have often been used for disposable products meant for one-time-use only. And, at the same time as plastic is hard to mend, maintain and repair, due to the way it wears and tears, it generally doesn’t breakdown and decay as other non-industrial materials. Rather, it accumulates.[3]The text is a speculative fabulation,[4] but it draws on ethnographic material that has been produced during a series of public engagement events where we invited participants to explore two kinds of emerging hybrid matters that are related to plastics. The first hybrid matter is plastiglomerates,[5] which is a new kind of stone partly consisting of plastic debris coming from such varied sources such as fishing industry, leisure activities and mundane living. The second hybrid matter is common mealworms that can biodegrade Styrofoam.[6] In the first set of public engagement events, we invited people to walk along beaches in Finland and Iceland to look for plastiglomerates. In the second set of public engagement events, we invited people in Denmark and Sweden to use common mealworms to compost plastic waste in their home.
13.	Lindström, Kristina, et al. (author) Plastic Imaginaries : Becoming Response-able Stakeholders? 2016 In: PDC 2016, Participatory Design in an Era of Participation. - New York, NY, USA : Association for Computing Machinery (ACM). - 9781450341363 ; , s. 72-73 Conference paper (peer-reviewed)abstract This piece in the interactive exhibition shows a prototype of a domestic plastic composting kit. More specifically it's a repurposed glass jar with a lid that has been cut open and replaced by a metal net. Inside it common mealworms are biodegrading styrofoam. A democratic design experiment, where similar prototypes were distributed to explore how it is to live with it, will be present in this exhibition through photos. A 30-minute workshop builds on this democratic design experiment and explores the becoming of stakeholders when the actors and issues are multiple and uncertain.
14.	Lindström, Kristina, et al. (author) Un/making 2020 In: Glossary. - : Malmö University. ; , s. 33-33 Book chapter (other academic/artistic)
15.	Lindström, Kristina, et al. (author) Un/Making in the Aftermath of Design 2020 In: PDC '20. - New York, NY : Association for Computing Machinery (ACM). - 9781450377003 ; , s. 12-21 Conference paper (peer-reviewed)abstract This paper takes as its starting point the fact that we live in the aftermath of previous making and design. For participatory design to adequately answer to this aftermath, we suggest building on a combination of participatory and speculative design approaches in everyday life settings and exploring the practice of un/making matters. The paper draws on two cases where participants have been invited to engage with recent scientific findings and practices - one where they explore the practice of un/making plastic waste through composting, and one on un/making polluted soil through plants that can accumulate metals. By not primarily aiming at feeding into new iterations of a design process, there is an openness for speculating beyond the given systems, and to bring into question imaginaries of constant progress, which have been part of generating these lingering matters.
16.	Lindström, Kristina, et al. (author) Un/Making the Plastic Straw : Designerly Inquiries into Disposability 2023 In: Design and Culture. - : Taylor & Francis Group. - 1754-7075 .- 1754-7083. ; 15:3, s. 393-415 Journal article (peer-reviewed)abstract This article proposes un/making as a designerly response to urgent environmental issues. By focusing on the simultaneous constructive and destructive aspects of design, this effort attempts to challenge design's dominant focus on making new things. The implications and potentialities of un/making are explored through a designerly inquiry into ongoing and emerging attempts to ban the plastic straw. Based on this inquiry, the article proposes an approach to un/making that is driven by speculative, what if questions, informed by the history of the plastic straw: from coming into being to becoming preferable and now emerging as a matter of concern. Through a series of speculative design artifacts, the authors articulate matters at stake in the un/making of the plastic straw. They also show how these matters are a stake in the un/making of disposability as part of a preferable future. Rather than proposing one preferable future, the article highlights the frictions that emerge in un/making.
17.	Oikology - Home Ecologics : a book about building and home making for permaculture and for making our home together on Earth 2019 Editorial collection (other academic/artistic)abstract How can we, together, make our home on Earth in a time of mass extinction, climate change and social segregation? In this book two interplaying housing crises converge. The first concerns affordable and suitable housing for groups unprioritised by the housing market: older persons, students and migrants. The second concerns our home on Earth: science gives us but a decade to avert catastrophic climate change. This book aims at both reporting on research in the project BOOST metadesign and providing hands-on advice akin to that offered in home economics classes. The book starts performing Oikology – Home ecologics, a field of knowledge and practice in times of complexity, messiness and never finished labour of making homes together within Earth’s limits. The exploration of housing development for older persons, students and migrants in a context of sustainability has been carried out during 2016–19 through processes of co-creation in urban and rural parts of Småland, southern Sweden. Metadesign has opened up for a holistic and systemic take on home making that integrates different dimensions of sustainability and moves from the small and local to the all-encompassing. This book is for people who make homes in their personal or professional lives. It imagines an overarching paradigm of home making which starts from relationships. This is exemplified through speculative scenarios, a set of cruxes to be bounced into the planning process, methods for transdisciplinary co-creation and 29 recipes for home making.
18.	Sabie, Samar, et al. (author) Unmaking@CHI : Concretizing the Material and Epistemological Practices of Unmaking in HCI 2022 In: CHI EA '22. - New York, NY, USA : ACM Digital Library. - 9781450391566 ; , s. 1-6 Conference paper (peer-reviewed)abstract Design is conventionally considered to be about making and creating new things. But what about the converse of that process – unmaking that which already exists? Researchers and designers have recently started to explore the concept of “unmaking” to actively think about important design issues like reuse, repair, and unintended socio-ecological impacts. They have also observed the importance of unmaking as a ubiquitous process in the world, and its relation to making in an ongoing dialectic that continually recreates our material and technological realms. Despite the increasing attention to unmaking, it remains largely under-investigated and under-theorized in HCI. The objectives of this workshop are therefore to (a) bring together a community of researchers and practitioners who are interested in exploring or showcasing the affordances of unmaking, (b) articulate the material and epistemological scopes of unmaking within HCI, and (c) reflect on frameworks, research approaches, and technical infrastructure for unmaking in HCI that can support its wider application in the field.
19.	Ståhl, Åsa, 1976- (author) Anchoring by Picking Stones : - on Design and Economics in Småland and Other Places 2023 In: Småland & Sápmi. Sápmi & Småland. - Växjö/Kalmar : Linnaeus University Press. - 9789180820639 ; , s. 74-85 Book chapter (other academic/artistic)abstract This chapter starts off in an excursion where design students were working on moving stones in a field. Some of the stones were small. One of them was big. It took a lot of effort and cooperation to shift the big one and move it off of the field. Where do international design programmes in Småland, based in Växjö and Kalmar, go on excursions to seek a better understanding of design and their own role as designers? We know about big furniture manufacturers, and we know about the proud traditions in glass. However, since the focal point for these classes was resilience1, the answer to the question became a combination of places in which dreams of alternative social orders have been expressed in writing, through agriculture, and in relationships that keep life going.
20.	Ståhl, Åsa, 1976- (author) Building and home making for permaculture 2019 In: Oikology - Home ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 78-111 Book chapter (other academic/artistic)
21.	Ståhl, Åsa, 1976- (author) Förankring genom stenplockning - om design och ekonomi i Småland och andra platser 2023 In: Småland och Sápmi. - Växjö : Linnaeus University Press. - 9789180820639 ; , s. 60-73 Book chapter (other academic/artistic)abstract Det här kapitlet börjar i att bända upp stenar med designstudenter på exkursion. Några stenar var små. En var stor. Det behövdes mycket kraft och samarbete för att bända upp den stora ur fältet. Vart åker internationella designutbildningsprogram i Småland, baserade i Växjö och Kalmar, på exkursion för att förstå design och sin egen designerroll bättre? Vi känner till exempel till stora möbeltillverkare och vi känner till den stolta glastraditionen. Men eftersom fokus var på resiliens i de här lärandemomenten blev svaret en kombination av platser där drömmar om alternativa samhällen har tagit sig uttryck i skrift, odling och i relationer som får livet att fortgå.
22.	Ståhl, Åsa, 1976-, et al. (author) How can we critically & creatively engage with power relations in collaborative design research? 2017 In: Nordes 2017. - : Nordic Design Research. ; , s. 17-17 Conference paper (peer-reviewed)abstract This workshop explores power relations in collaborative design research. As co-creation is becoming more established and even something of a holy grail, it is important to revisit and further understandings of, for example, the limits to democracy in collaborative research and conflicting agendas. The workshop draws on ongoing research that explores housing needs and solutions at the intersection of an ageing population, students and migrants, and that engages multiple stakeholder groups in collaborative processes. The proposed workshop will stage an enactment of the research design, from invitation to analysis, with the workshop participants playing the different roles in the process. This will enable us, collaboratively, to critically and creatively engage with some concrete interfaces to power negotiations as well as the meta level of power dynamics in collaborative research. We will enrich our understandings of power relations by engaging with indigenous thinking, expressed as decolonizing methodologies.
23.	Ståhl, Åsa, 1976-, et al. (author) Las políticas de invitar : Coarticulación de temas en torno a la participación pública en diseño : Politics of inviting : co-articulations of issues in designerly public engagement 2017 In: Diseña. - : Pontificia Universidad Católica de Chile School of Design. - 0718-8447. ; :11, s. 110-121 Journal article (peer-reviewed)abstract The article engages with the politics of inviting by proposing a shift in what we invite to, and when. Rather than inviting stakeholders to participate in design projects before use, the article argues for the value of inviting participants to take part in co-articulations of issues that arise in the course of the ongoing living with technologies. Based on two public engagement projects, it is shown how co-articulations emerge through a combination of invitations and responses by the participants. When the issue emerges more inventively is usually when the assumptions enacted through the invitations do not t well with how participants live with technologies.
24.	Ståhl, Åsa, 1976-, et al. (author) Staying with, working through and performing obsolescence 2014 In: Acoustic Space Journal. - Riga : MPLab, Art Research Lab of Liepāja University. - 1407-2858. - 9789934843419 ; 12, s. 243-253 Journal article (peer-reviewed)abstract This paper, which contributes to discussions on techno-ecologies by drawing on feminist technoscience, is divided into three parts. The first part is written by Lindström and Ståhl and outlines the figure of the rag and bone wo/man. It also recounts stories from their travels, where they collected both obsolete phones and also personal accounts on the part of the owners of these phones, and then moving on to explain the process of unravelling and repeating these materials into a composition of an SMS novel.In the second part, Snodgrass gives an account of the experience of subscribing to the SMS novel P.S. Sorry if I Woke You, which Lindström and Ståhl composed from the materials they collected as rag and bone women. Snodgrass’s focus is on the kinds of relational, media ecologies style dimensions that the piece can be seen to bring to the fore.Finally, all three authors join in a concluding discussion on the notions of staying with, working through and performing obsolescence.
25.	Ståhl, Åsa, 1976-, et al. (author) Un/Making Pollination : Feminist Methods for Creating Ecosocial Imaginaries 2024 In: Australian feminist studies (Print). - : Taylor & Francis. - 0816-4649 .- 1465-3303. ; , s. 1-33 Journal article (peer-reviewed)abstract How to imagine other kinds of world-making when there is a loss of species; livelihoods are threatened, and lives are on the line? Stoddard et al. (2021) note that there is a lack of social imaginaries. Critical, creative practices act in a tradition of responding to complex questions by turning them into embodied inquiries and opportunities to imagine how things could be otherwise (Mareis and Paim 2021; DiSalvo 2022). The project Un/ Making Pollination is a designerly response to the twofolded lack of pollinators and imagination. It is an exploration on how to approach more liveable feminist futures by relationship building across species, with a focus on plant-pollinator-human relationships. The authors give a critical account of choices in the creation of a series of posters and hand pollination tools as feminist methods of opening ecosocial imaginaries. These feminist ways of knowing and worlding are also methods of inquiring, making, giving form, using senses, connecting temporalities, spaces and bodies, getting attracted, lured in and touched by the making and unmaking of biodiversity. We articulate and perform references of feminist methods for combining knowledge production with everyday life that can contribute to imagining otherworlds.
26.	Tham, Mathilda, 1970-, et al. (author) From dirt-Sweden to kitchen island to luxury hotel 2019 In: Oikology – Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 61-72 Book chapter (other academic/artistic)abstract This chapter discusses a historical context of housing.
27.	Tham, Mathilda, 1970-, et al. (author) Making resilient research dissemination : The case of BOOST metadesign performing housing scenarios 2019 In: Cumulus Conference Proceedings Rovaniemi 2019, Around the Campfire – Resilience and Intelligence. - Rovaniemi : University of Lapland. - 9789523371583 ; , s. 170-181 Conference paper (peer-reviewed)abstract This paper shares the process and insights from designing the dissemination of the development project BOOST metadesign. The three-year long project has developed housing proposals at the intersection of migrants, students and an ageing population, in a context of sustainability. We have been working through iterative processes of co-creation, with members from these three stakeholder groups, as well as representatives from the building sector and governance. The paper relates considerations in dissemination of the project to two principles of resilience: diversity and overlap in governance. It describes how we pursued resilience through a hybrid format of dissemination. The openness of this slideshow-performance-talkshowexhibition- film-book has made it workable across a range of contexts and audiences. It also manifests the challenging of dominant power structures and epistemological hierarchies in design’s meeting with other disciplines which the project has entailed. This has come to also include challenging the modernist legacy in design.
28.	Tham, Mathilda, 1970-, et al. (author) Recipe for contract for careful sharing 2019 In: Oikology – Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 89-94 Book chapter (other academic/artistic)abstract This is a recipe for how humans and other species can negotiate the sharing in cohabitation. This might be sharing of a home, a neighbourhood, particular spaces, equipment, time, tasks and community.
29.	Tham, Mathilda, 1970-, et al. (author) Recipe for needs, dreams and housing workshop 2019 In: Oikology – Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 76-77 Book chapter (other academic/artistic)abstract Method for workshop to explore housing needs and dreams with transdisciplinary groups.
30.	Tham, Mathilda, 1970-, et al. (author) Recipe for plus-community 2019 In: Oikology – Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 122-122 Book chapter (other academic/artistic)abstract Method for exploring how a community can generate social values beyond its needs.
31.	Tham, Mathilda, 1970-, et al. (author) Recipe for scenario salad 2019 In: Oikology - Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 59-59 Book chapter (other academic/artistic)abstract Recipe for scenario salad - a method for transdisciplinary co-creation.
32.	Tham, Mathilda, 1970-, et al. (author) Recipe for secret housing 2019 In: Oikology – Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 118-119 Book chapter (other academic/artistic)abstract Method for bringing out the secret, hidden, shameful aspects of co-creation and collaboration and of the topic of work.
33.	Tham, Mathilda, 1970-, et al. (author) Trans-port and contributions 2019 In: Oikology – Home Ecologics. - Växjö : Linnaeus University Press. - 9789188898722 - 9789188898739 ; , s. 123-137 Book chapter (other academic/artistic)abstract Discussion of the scenario of Trans-Port and how the project has led to trans-port of understandings and proposals.

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