| 1. |
- Ehlin, Lisa, 1982-
(författare)
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Becoming Image : Perspectives on Digital Culture, Fashion and Technofeminism
- 2015
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Departing from a technofeminist perspective, Becoming Image, places the digital image in a broader context of modern and postmodern technological discourses and fashion. In four articles, the compilation dissertation expands a contemporary and imagistic tech discourse by questioning the ideology of ”masculinity”―specifically the idea of it as a historically male domain. Through interviews, discourse analysis and feminist critique, as well as an interdisciplinary focus on digital media, the project investigates how everyday image practices open up for new embodied experiences. Focusing on women and social media, the articles examines the way material and immaterial aspects of images overlap in everyday life. Rather than artistic intention, emotions and basic human interaction often lie at heart of becoming image. Fashion is, however, highly present in this critical transformation. Not only as collaborative projects emerge out of combining new technologies and dress―such as using your smartphone to elevate your clothing―but also how fashion is a technology itself. Fashion highlights the body as medium, but fashion is also always (mostly) image. Previous research around the digital image and its meaning has often stressed the banality of everyday image practices as taking selfies. However, these debates represent deeper cultural values and norms, which the dissertation reaches beyond. As women, and also queer and trans-people increasingly innovate and interfere with normative technological usage, it becomes evident that such groups have been excluded from communities organized around technological power and skill. As with language, technology and digital imagery are not neutral media. Women have hence been excluded―and been forced to use instruments and apps seemingly made for strict masculine purposes. Arguably, image practices such as selfies or image micro-blogging encourage women to “write” themselves out of a world they have not constructed themselves. Thus, Becoming Image simultaneously illuminates the structural and fundamental levels of technology and gender―while also suggesting new methodological and theoretical ways of studying and approaching digital media.
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| 2. |
- Faggella, Chiara, 1983-
(författare)
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"Not So Simple" : Reassessing 1951, G.B. Giorgini and the launch of Italian fashion
- 2019
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation aims to shed light on the circumstances that allowed Italy to become a reputable country of origin in the international fashion market. In particular, my contribution to the historiography of Italian fashion is a reassessment of the role played by Giovanni Battista Giorgini, whose involvement with the fashion and handicraft industries has not been fully investigated by scholars so far. Drawing upon Marc Bloch’s paradigm against the “fetish of the single cause”, I argue that the historiography of Italian fashion is not so simple and linear as it has been presented so far. Instead, the appearance of Giorgini’s Italian High Fashion Shows from 1951 needs to be contextualized with other historical facts. By outlining a populous scenario of different actors and concurring events, this dissertation breaks away from the simplistic notion of Italian fashion being born overnight in 1951.Chapter one discusses the ways in which the idea of an Italian look emerged in the US press already before the end of World War II, and identifies the linguistic and visual features that characterized these earliest reports. Chapter two discusses the contributions to the promotion of Italian fashion merchandise in the United States by Max Ascoli, an antifascist Italian émigré who moved to New York in the late 1930s. His philanthropic involvement with the Italian handicraft industry is discussed in order to understand how the US market's faith in Italian goods had to be restored in relation to the perceived quality of exported goods. Chapter three focuses on Giovanni Battista Giorgini, presents a critical overview of his biography and identifies his earliest attempts at promoting Italian products to US and Canadian markets. Particular emphasis is given to Giorgini's role as an employee of the Allied Forces during the Allied occupation of Florence, and to the overlapping vicissitudes of his work with an American touring exhibition, Italy at Work, initiated by Ascoli. Chapter four discusses the activities of Giorgini’s competitors in Italy, that is agencies, associations and individuals that were operating in postwar times to export Italian fashion in the United States. Chapter five finally discusses the organization of Giorgini’s Italian High Fashion Shows in Florence between 1951 and 1953, the organization of his business venture and the ways in which the Shows solidified earlier representations of Italian fashion in the US press, becoming a benchmark for years to come.This study concludes that the historicisation of Giorgini, and his contribution to the promotion of Italy as an independent, non-derivative fashion market for export, was made possible thanks to a larger network of transatlantic actors that, immediately after World War II, strove for the same business goals. Eventually, this dissertation provides a historical perspective that defies the simplistic categorization of the past in straight compartments, in this case blurring the margins between Fascist and liberated, democratic Italy.
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| 3. |
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| 4. |
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Fashion and Modernism
- 2019
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Art and fashion have long gone hand in hand, but it was during the modernist period that fashion first gained equal value to – and took on the same aesthetic ideals as – painting, film, photography, dance, and literature. Combining high and low art forms, modernism turned fashion designers into artists and vice versa.Bringing together internationally renowned scholars across a range of disciplines, this vibrant volume explores the history and significance of the relationship between modernism and fashion and examines how the intimate connection between these fields remains evident today, with contemporary designers relating their work to art and artists problematizing fashion in their works.With chapters on a variety topics ranging from Russian constructionism and clothing to tango and fashion in the early 20th century, Fashion and Modernism is essential reading for students and scholars of fashion, dress history, and art history alike.
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| 5. |
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| 6. |
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| 7. |
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Ingmar Bergman at the Crossroads : Between Theory and Practice
- 2022
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Ingmar Bergman’s rich legacy as film director and writer of classics such as The Seventh Seal, Scenes From a Marriage and Fanny and Alexander, has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices and routines involved in what goes on behind the scenes. For instance, what about Bergman’s collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set. What about Bergman and metoo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus, are brought together withacademics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis, to discuss Bergman’s work from their unique perspectives. In addition, this book provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than five decades. In an open exchange between individual and institutional perspectives, this book aims at bridging the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman studies in new directions.
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| 8. |
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| 9. |
- Jansson, Maria, 1968-, et al.
(författare)
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“I am Mature and Established. There is No Success in That” : On Gendered Ageism in the Swedish Film Industry
- 2023
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Ingår i: Women, Ageing and the Screen Industries. - : Palgrave Macmillan. - 9783031183850 - 9783031183843 ; , s. 41-59
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Bokkapitel (refereegranskat)abstract
- How issues of gender equality intertwine with age in the film industry is seldom addressed in studies focussing on film and gender equality behind the camera. It is symptomatic that when a recent gender equality report from the Swedish Film Institute (SFI, Vilka kvinnor? Jämställdhetsrapport 2019/20, https://www.filminstitutet.se/globalassets/_dokument/rapporter/vilka_kvinnor_jamstalldhetsrapport-2019-2020.pdf, 2020) set out to discuss age, the focus is on women actors “falling off the cliff” at the age of 40—as put by Gena Davies. This chapter presents a study based on qualitative interviews with women of various ages working behind the camera in the Swedish film industry. We discuss how these women speak about age and analyse their experiences using the concept of gendered ageism. A particular emphasis is put on two of Sweden’s most famous women directors, with major successes in the 1980s and 1990s—Suzanne Osten and Christina Olofson. This chapter also provides a more general discussion about how women of various ages reproduce a distinction between young and promising and mature and professional in their narration of how gendered age plays into their working conditions.
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| 10. |
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| 11. |
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| 12. |
- Jansson, Maria, 1968-, et al.
(författare)
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Studying women in Swedish film production : Methodological considerations
- 2020
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Ingår i: Journal of Scandinavian Cinema. - : Intellect Ltd.. - 2042-7891 .- 2042-7905. ; 10:2, s. 207-214
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Tidskriftsartikel (refereegranskat)abstract
- This article presents methodological reflections on feminist production studies, with examples from an ongoing multidisciplinary project about women in Swedish film. Topics addressed include using interviews to understand production, the challenges connected to analysing women's experiences, and the ethical dilemmas related to interpreting them.
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| 13. |
- Jansson, Maria, 1968-, et al.
(författare)
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The final cut (TM) : Directors, producers and the gender regime of the Swedish film industry
- 2021
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Ingår i: Gender, Work and Organization. - : John Wiley & Sons. - 0968-6673 .- 1468-0432. ; 28:6, s. 2010-2025
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Tidskriftsartikel (refereegranskat)abstract
- Focusing on Sweden, this article departs from the proposition that film production and the film industry are governed by institutional arrangements that produce and reproduce gender and gender relations. The article is based on interviews with directors and producers and analyses how Swedish directors and producers describe their roles and relationship, relating this to how these roles are shaped by the law, film policy, and financial arrangements. The article argues that the Swedish film industry rests on a gendered division of labor, that the professions of director and producer are constructed in relation to masculinity, and that the gender equality measures undertaken are not sufficient to come to grips with the gender inequalities in the industry.
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| 14. |
- Jansson, Maria, 1968-, et al.
(författare)
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Women’s agency in the Swedish film industry : Annoying little buggers and passionate team players
- 2022
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Ingår i: Journal of Scandinavian Cinema. - : Intellect Ltd.. - 2042-7891 .- 2042-7905. ; 12:2, s. 201-216
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Tidskriftsartikel (refereegranskat)abstract
- The article is based on transcripts of interviews with twenty women directors in the Swedish film industry conducted in 2018 and 2019, focusing on narratives from women working under varying conditions and in several genres who have actively chosen various strategies to manage their work situation. We contextualize their actions and choices to unpack how their work and efforts fit into an industry still dominated by men and influenced by a culture of masculinity idealizing the male genius. In the first section, we discuss how the women experienced their first encounters with the industry and what strategies they developed at this stage. In the second section, we discuss women’s deliberations about how to make work on the set manageable and productive. In the final section, we investigate various strategies related to work opportunities and the possibilities for women to realize their visions and their passion for making films.
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| 15. |
- Koskinen, Maaret, et al.
(författare)
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Inledning
- 2017
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Ingår i: Harry bit för bit<em> </em>. - Stockholm : Carlsson Bokförlag. - 9789173318600 ; , s. 9-20
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 16. |
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| 17. |
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Modernism och mode
- 2014
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- I Modernism och mode diskuteras modets starka och mångfacetterade betydelse för modernismen och dess olika uttryck under perioden 1900-1960 i tio icke tidigare publicerade essäer författade av såväl svenska som internationella forskare. Boken, som är den första omfattande svenska publikationen i ämnet, visar hur mode inom modernismen ges en uttalad och proklamerad position som konst under en tid då den kommersiella modeproduktionen mer och mer kopplas till massproduktion och -konsumtion. Boken belyser bland annat Isaac Grünewalds och Sigrid Hjerténs modemedvetna själviscensättning, modedesignern Jean Patous kreationer mellan konst och business, Elsa Schiaparellis surrealistiska modedesign, modets roll inom den italienska futurismen och ryska konstruktivismen, Magos modernistiska filmkostym, filmen som modernistiskt allkonstverk och modets filosofiska betydelser i förhållande till modernism och modernitet.
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| 18. |
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Nordic Fashion Studies
- 2012
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Fashion means much more than dress. There are fashions in all aspects of life, from the time and manner of taking meals to the ways in which people sit. Clothes are animated by bodies moving in space, through gesture and deportment, and attitudes towards work and leisure that have changed dramatically across culture and time. The dressed body occupies space in coded ways that are learned through socialisation and that are also subject to fashion. They occupy spaces that take on different functions and meanings. This anthology explores the multi-dimensions of fashion, from the market to the imagination. Fashion, a series of experts argue, is relational and weighty, yet still figures in the media and popular imagination as nebulous and opaque. This anthology seeks to overturn that popular view, introducing readers to new ways of conceptualising their interest and participation in fashion past and present.
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| 19. |
- Paulicelli, Eugenia, et al.
(författare)
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Introduction
- 2017
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Ingår i: Film, fashion, and the 1960s. - Bloomington : Indiana University Press. - 9780253025593 ; , s. 1-14
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Bokkapitel (refereegranskat)
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| 20. |
- Pullen, Alison, et al.
(författare)
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Postscript: Queer Endings/Queer Beginnings
- 2016
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Ingår i: Gender, Work and Organization. - : Wiley. - 0968-6673 .- 1468-0432. ; 23:1, s. 84-87
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Tidskriftsartikel (refereegranskat)
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| 21. |
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| 22. |
- Thanem, Torkild, 1973-, et al.
(författare)
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Buggering Freud and Deleuze : Towards a queer theory of masochism
- 2010
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Ingår i: Journal of Aesthetics & Culture. - : Informa UK Limited. - 2000-4214. ; 2, s. 1-10
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Tidskriftsartikel (refereegranskat)abstract
- Both Freud’s and Deleuze’s understandings of masochism limit the transgressive and subversive forces of masochism by taking sexual difference for granted. Drawing on Newton’s fashion photography for Wolford and on feminist interrogations of Freud, Deleuze and masochism, this paper therefore seeks to develop an alternative, queer theory of masochism as sexual indifference. Viewing masochism as sexual indifference opens up movements of desire beyond the heterosexual matrix of male masochists and female mistresses. This is therefore an exercise in buggery. In the first half of the paper we bugger Freud’s understanding of masochism with Deleuze’s diverging understanding of masochism. In the second half we bugger Deleuze’s understanding of masochism with other parts of his own work, with feminist critique, and with Newton’s photography.
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| 23. |
- Thanem, Torkild, 1973-, et al.
(författare)
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Just doing gender? Transvestism and the power of underdoing gender in everyday life and work
- 2016
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Ingår i: Organization. - : SAGE Publications. - 1350-5084 .- 1461-7323. ; 23:2, s. 250-271
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Tidskriftsartikel (refereegranskat)abstract
- While previous research in organization studies has utilized transgender to show how gender is done, overdone and undone, this literature lacks empirical grounding, and the theoretical arguments dominating it tend to idealize the transgressive power of transgender while reducing transgender to hyperbolic drag and stereotypical passing. To further advance the understanding of transgender within and around organizations, this article presents a qualitative study from a Northern European country to investigate how male-to-female transvestites do and undo gender in everyday life and work. In contrast to extant research, we found that participants did transgender and undid gender by underdoing gender, that is, by combining feminine, masculine and ungendered practices and attributes in ways that made passing and drag insignificant. As transvestites simultaneously expressed masculine and feminine forms of embodiment, we argue that they may more obviously challenge, though not dismantle, dominant forms of gender and identity than suggested by previous accounts. We conclude by discussing broader implications for the understanding of gender, identity, power and resistance in organizations.
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| 24. |
- Thanem, Torkild, 1973-, et al.
(författare)
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Monstrous ethics
- 2015. - 1
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Ingår i: The Routledge Companion to Ethics, Politics and Organization. - Abingdon : Routledge. - 9780415821261 - 9780203566848 ; , s. 433-446
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 25. |
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| 26. |
- Thanem, Torkild, et al.
(författare)
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The humanities are not our patient
- 2021
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Ingår i: Management Learning. - : SAGE Publications. - 1350-5076 .- 1461-7307. ; 52:3, s. 364-373
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Tidskriftsartikel (refereegranskat)abstract
- When inviting contributions to a special issue of this journal titled ‘Management Learning and the Unsettled Humanities’ the guest editors did not simply encourage contributors to explore possibilities ‘for reciprocal integration’ between the two realms. Stressing that ‘the humanities . . . [are] facing a complex crisis on their own’, they stated that ‘the humanities . . . need to be enriched, nuanced, and critiqued through . . . the ideas and perspectives of organisational research’. While we may agree that all is not well in the humanities and share their scepticism towards ‘just prescribing the value of the humanities to ameliorate the ills of management education’, we are less confident that the humanities need management learning as much as we need them. As long as learning and scholarship in management and organisation studies continues to suffer from too much management, we doubt that ‘management education [may help] . . . unsettl[e] . . . the human within the . . . humanistic . . . disciplines’. Rather, students of management and organisation still have plenty to learn from the humanities, not least from its rich portrayal of human lives. It is on this basis we draw the conclusion that the humanities are not our patient.
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| 27. |
- Thanem, Torkild, 1973-, et al.
(författare)
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What can bodies do? Reading Spinoza for an affective ethics of organizational life
- 2015
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Ingår i: Organization. - : SAGE Publications. - 1350-5084 .- 1461-7323. ; 22:2, s. 235-250
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Tidskriftsartikel (refereegranskat)abstract
- Recent attempts to develop an embodied understanding of ethics in organizations have tended to mobilize a Levinasian and “im/possible” ethics of recognition, which separates ethics and embodiment from politics and organization. We argue that this separation is unrealistic, unsustainable, and an unhelpful starting point for an embodied ethics of organizations. Instead of rescuing and modifying the ethics of recognition, we propose an embodied ethics of organizational life through Spinoza’s affective ethics. Neither a moral rule system nor an infinite duty to recognize the other, Spinoza offers a theory of the good, powerful and joyful life by asking what bodies can do. Rather than an unrestrained, irresponsible and individualistic quest for power and freedom, this suggests that we enhance our capacities to affect and be affected by relating to a variety of different bodies. We first scrutinize recent attempts to develop an ethics of recognition and embodiment in organization studies. We then explore key concepts and central arguments of Spinozian ethics. Finally, we discuss what a Spinozian ethics means for the theory and practice of embodied ethics in organizational life.
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| 28. |
- Wallenberg, Louise
(författare)
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A decade of challenges and possibilities : Establishing fashion studies at Stockholm University
- 2018
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Ingår i: International Journal of Fashion Studies. - : Intellect. - 2051-7106. ; 5:1, s. 169-180
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Tidskriftsartikel (refereegranskat)abstract
- This article offers a recount of the establishment and the development of the Centre for Fashion Studies at Stockholm University, Sweden, inaugurated in 2006. The centre, which was initially located in conjunction with the Department of Art History and later at the Department of Media Studies, has often been referred to as the very 'first' fashion studies institution ever to be positioned within the university (and not within a design school context). The article reflects on the possibilities, challenges and difficulties that creating and developing a space for a 'new' field have entailed - both within the local context (in this case, a rather traditional university context) and within a larger scholarly context (which, to a large extent, is dominated by Anglo-American institutions). Where does one look for inspiration? With whom does one create alliances to be able to offer a solid fashion studies ground (when there is none)? Also, how does one create curricula that both include and deviate from the 'canon' of previous fashion studies so that the Anglo-American dominance becomes less prominent?
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| 29. |
- Wallenberg, Louise, 1970-
(författare)
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Art, Life and the Fashion Museum : for a more solidarian exhibition practice
- 2020
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Ingår i: Fashion and Textiles. - : Springer Science and Business Media LLC. - 2198-0802. ; 7:1
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Tidskriftsartikel (refereegranskat)abstract
- This article departs from the century-long understanding that fashion connects ‘life and art’, an understanding once advocated by Hans Siemsen in his avantgarde journal Zeit-Echo, to discuss how the museum constitutes an important space, or arena, where this connection is taking place. The museum as we know it is a space dedicated to displaying objects of art—and to some degree, of everyday life objects—and as such it constitutes a space for the linkage between the aesthetic and the profane, between art and life. However, as will be argued, as a space that has increasingly become dedicated to fashion—as a cultural, social and not least economic phenomenon—the museum does not embrace its full potential in displaying and problematizing fashion’s close and real relation to actual life, and especially, the very lives that produce it. The museum and its curatorial practices, it will be argued, ought to strive less to offer its audiences spectacular displays of extravagant designer fashion—and instead dare to deal with the urgent quest for and necessity of a reformed fashion industry in which textile and garment workers can actually lead safe and liveable lives.
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| 30. |
- Wallenberg, Louise
(författare)
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Att se med nya ögon
- 2000
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Ingår i: Tusen flickor. ; , s. 135-156
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Bokkapitel (populärvet., debatt m.m.)
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| 31. |
- Wallenberg, Louise, 1970-
(författare)
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Att bevara det förgängliga
- 2011
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Ingår i: Ett sekel av dräkt & mode. - Stockholm : Hallwylska museet. - 9789163377587
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 32. |
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| 33. |
- Wallenberg, Louise, 1970-, et al.
(författare)
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Beyond Fashion’s Alluring Surface : Connecting the Fashion Image and the Lived Realities of Female Workers in the Fashion Industry
- 2018
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Ingår i: Symbols and Organizational Practice. - : Routledge. - 9781138233706 - 9781315308951 ; , s. 72-84
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Bokkapitel (refereegranskat)abstract
- Many western countries are increasingly dependent on the wealth generated by fashion companies while emerging economies such as Bangladesh and Vietnam are dependent on the jobs produced through the manufacturing of garments for fashion companies. And while women in western countries remain the main targets of fashion, its artefacts and images cannot be produced without the labour of underpaid women – whether sweatshop garment workers or under-aged models, many of whom are exploited and exchangeable. This chapter connects the separate worlds of fashion image and the reality of textile and modelling labour by exploring how fashion imagery is imbricated in the organization of its production process.
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| 34. |
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| 35. |
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| 36. |
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| 37. |
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| 38. |
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| 39. |
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| 40. |
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| 41. |
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| 42. |
- Wallenberg, Louise, 1970-
(författare)
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Facing the Queer Migrant in Swedish Noir
- 2020
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Ingår i: Queering the Migrant in Contemporary European Cinema. - London : Routledge. - 9780367209384
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Bokkapitel (refereegranskat)abstract
- The high numbers of war, political and LGBTIQ+ refugees and asylum seekers coming to Sweden has stirred heated debates, most of which take place in various kinds of national media. The debate has also been adapted by the international press, much of which have tried aggressively and provocatively to prove how immigration and assimilation in Sweden has failed and is out of control. Immigration has also become a national political matter clearly dividing the political parties and their voters, with the ‘leftist’ parties (still) keeping a more inclusive and humane approach and the Swedish Democrats party keeping an openly xenophobic (and homophobic) position. While Sweden has been one of the most generous nations in Europe (next to Germany) in terms of welcoming refugees, the neighbouring Nordic countries have maintained a far more restricted immigration policy and have often used the Swedish ‘failure’ as an indication of how justified their own restriction is. (The 2017 terror attack in the centre of Stockholm, carried out by a single man who a few months prior had been expelled from Sweden, has only fuelled this righteousness.) The precarious situation is now being increasingly referred to in various fiction and non-fiction films and television series through the inclusion of refugee or immigrant characters. These images serve to visualise how Sweden is transforming itself from an ethnically homogenous to ethnically heterogenous society, while also giving immigration a human face.This chapter will focus on the representation of the queer refugee or immigrant in recent Swedish film and television productions, analysing her/his role within the overall narrative (and its representation of contemporary Sweden) and discussing the possible meanings such representation may hold in diversifying the current debate on immigration. Works focused on include Bron/The Bridge, season 4 (Swedish National Television together with Danmarks Radio, 2018), Innan vi dör/Before We Die (Swedish National Television, 2017), and Midnattssol/Midnight Sun (Swedish National Television, 2016).
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| 43. |
- Wallenberg, Louise, 1970-
(författare)
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Fashion and Feminism
- 2023
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Ingår i: Routledge History of Fashion and Dress, 1800 to the present. - London : Routledge. - 9780367272227 - 9780429295607
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Bokkapitel (refereegranskat)abstract
- Feminism and fashion are intimately connected in a myriad of ways: through their ethics and aesthetics (or their lack thereof); their urge to affect the status quo; their preformativity; and their “obsession” with gender. They also share a mutual history, with women's demands for economic, social, and political equality emerging alongside fashion becoming “democratized.” This chapter offers first a historical account of the relationship between the two, starting with a discussion of the critique of fashion which was articulated by the suffragette movement and how, at the same time, fashion came to play an important role for creating acceptance of that same movement. The chapter then discusses fashion's role for women's emancipation in the twentieth century, all while including a discussion of how fashion was critiqued by second and third wave feminists as embodied imprisonment and how fashion came to be “defended” by feminst fashion scholars at the end of that century. Finally, the chapter tries to offer an analysis of what fashion and feminism can “do for each other” at a point in time when the fashion industry is under severe pressure, and also, at a time when identity and feminist politics are being attacked from anti-democratic and extreme right-wing corners.
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| 44. |
- Wallenberg, Louise, 1970-
(författare)
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Film, Fashion, and Sexual Identity
- 2010. - 1
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Ingår i: The Fashion History Reader. - London : Routledge. - 9780415493246
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 45. |
- Wallenberg, Louise, 1970-
(författare)
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Foreword
- 2009. - 1
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Ingår i: Fashion in Fiction. - New York : Berg publishers. - 978 1 84788 357 5
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 46. |
- Wallenberg, Louise
(författare)
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Greta Garbo
- 2006
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Ingår i: Journeys of Desire. - : BFI London. - 1 84457 124 6 ; , s. 259-261
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Bokkapitel (refereegranskat)
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| 47. |
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| 48. |
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| 49. |
- Wallenberg, Louise, 1970-, et al.
(författare)
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Introduktion
- 2009. - 1
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Ingår i: MODE: en introduktion. - Stockholm : Raster förlag. - 9789187215902 ; , s. 7-18
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 50. |
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