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| 3. |
- Gustafsson Reinius, Lotten, et al.
(author)
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Att tänka med bussar : Några hållplatser
- 2013
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In: Bussen är budskapet<em> </em>. - Stockholm : Kungliga biblioteket. - 9789188468284 ; , s. 9-27
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Book chapter (other academic/artistic)
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| 4. |
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History of Participatory Media : Politics and Publics, 1750–2000
- 2011
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Editorial collection (peer-reviewed)abstract
- This book argues for a historical perspective on issues relating to the notion of participatory media. Working from a broad concept of media – including essays on the 19th century press, early sound media, photography, exhibitions, television and the internet – the book offers a broad empirical approach to different modes of audience participation from the mid 19th century to the present. Using the insights from the historical case studies, the book also explores some of the key concepts in discussions on the politics of participation, arguing for a theoretical perspective sensitive to the asymmetries that characterize the distribution of agency in the relationship between media and users.Scholarly discussions on participatory media now occur in several fields. This book argues that all of these discussions are all too often obscured by a rhetoric of newness, assuming that participatory media is something unique in history, radical and revolutionary. By challenging the historiography implicit in this rhetoric, the book also engages in a discussion of issues of more general relevance to the multidisciplinary field of media history.
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| 6. |
- Jülich, Solveig
(author)
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Bildstriden på Karolinska
- 2010
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In: Forskning och framsteg. - 0015-7937. ; :6, s. 40-43
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Journal article (pop. science, debate, etc.)
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| 8. |
- Jülich, Solveig, 1966-
(author)
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Colouring the human landscapes : Lennart Nilsson and the spectacular world of scanning electron micrographs
- 2014
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In: Nuncius. - : Brill. - 0394-7394 .- 1825-3911. ; 29:2, s. 464-497
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Journal article (peer-reviewed)abstract
- This article explores the relationship between Swedish photographer Lennart Nilsson’s scanning electron micrographs and commercial culture from the late 1960s to the mid-1980s. By retracing how Nilsson’s micrographs of the internal structures of the human body were made, circulated, and received, its aim is to investigate three aspects of this relationship. First, it highlights how the complex and sometimes conflicting interplay between the photographer and various actors in science, industry and the media shaped the pictures and their trajectories. Second, it analyses the processes used to colour Nilsson’s original black-and-white micrographs in relation to tendencies in the media and the advertising industry during this period. Third, it examines what motivated Nilsson and his collaborators in their use of colour and also the critical debates concerning the spectacular and commercial qualities of his pictures. In the concluding section, the implications of this analysis for the history of the objectivity of scientific images is discussed.
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