1. |
- Bjerstedt, Sven
(author)
-
Art Tatum
- 1987
-
In: Jazz Session. ; :1, s. 4-6
-
Journal article (pop. science, debate, etc.)
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2. |
- Bjerstedt, Sven
(author)
-
Bud Powell
- 1988
-
In: Jazz Session. ; :2, s. 12-13
-
Journal article (pop. science, debate, etc.)
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3. |
- Bjerstedt, Sven
(author)
-
Lennie Tristano
- 1989
-
In: Jazz Session. ; :1, s. 10-11
-
Journal article (pop. science, debate, etc.)
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4. |
- Bjerstedt, Sven
(author)
-
Så såg man Axel Wallengren
- 1989
-
In: Fakirenstudier. - 1102-304X. ; 4, s. 17-19
-
Journal article (pop. science, debate, etc.)
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5. |
- Bjerstedt, Sven
(author)
-
Thelonious Monk
- 1985
-
In: Jazz Session. ; :5, s. 18-19
-
Journal article (pop. science, debate, etc.)
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6. |
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7. |
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8. |
- Kaikkonen, Marja
(author)
-
Tan Fengyuan - ett artistliv
- 1988. - 1
-
In: Drakens år. - : Svensk-kinesiska vänskapsförbundet. ; , s. 99-107
-
Book chapter (pop. science, debate, etc.)
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9. |
- Rossing, T D, et al.
(author)
-
Acoustic comparison of soprano solo and choir singing.
- 1987
-
In: Journal of the Acoustical Society of America. - : Acoustical Society of America (ASA). - 0001-4966 .- 1520-8524. ; 82:3, s. 830-836
-
Journal article (peer-reviewed)abstract
- Five soprano singers were recorded while singing similar texts in both choir and solo modes of performance. A comparison of long-term-average spectra of similar passages in both modes indicates that subjects used different tactics to achieve somewhat higher concentrations of energy in the 2- to 4-kHz range when singing in the solo mode. It is likely that this effect resulted, at least in part, from a slight change of the voice source from choir to solo singing. The subjects used slightly more vibrato when singing in the solo mode.
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