| 51. |
- Ganetz, Hillevi, 1956-
(författare)
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The Nobel celebrity-scientist : genius and personality
- 2016
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Ingår i: Celebrity Studies. - : Informa UK Limited. - 1939-2397 .- 1939-2400. ; 7:2, s. 234-248
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Tidskriftsartikel (refereegranskat)abstract
- Scientists are a poorly covered area of research in the field of celebrity studies. This article attempts to rectify this issue by discussing representations of science and scientists in a televised Nobel Banquet on Swedish public-service television, SVT. The televised Nobel Banquet is a genre hybrid that consists of two genres; namely, science communication and award show. Drawing on cultural, media, and gender studies, this article examines the mediated persona of the scientist in the televised Nobel Banquet via contextualised textual analysis. The main questions of this article are as follows: in what ways do the media, the genre, and the idea of geniality affect the representation of the scientist? The article suggests that the increasing celebrification' of scientists is characteristic of the past several decades, and that, among other factors, this has been due to the entry of aspects of entertainment into banquet broadcasts. Through such processes, the celebrity-scientist' has emerged within the high-status sphere of science. However, a very specific type of celebrity is represented in the Nobel context: the celebrity-scientist is commonly a white man of high education whose fame has been reached through hard work in competition with others of the same kind. This representation of a scientist and its associated quality of genius will here be examined from a gender perspective.
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| 52. |
- Ganetz, Hillevi
(författare)
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Ung och stolt : Om den adolescenta texten
- 1994
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Ingår i: Ungdomskultur i Sverige, Johan Fornäs, Ulf Boëthius, Michael Forsman, Hillevi Ganetz och Bo Reimer (red.). - Stockholm : Brutus Östlings Bokförlag Symposion AB. - 9171392009 ; , s. 339-358
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Jag ska fortsättningsvis i denna text koncentrera mig på intertextualiteten mellan Södergrans poem ”Vierge moderne” och Dahlgrens låt ”Ung och stolt”. Det handlar alltså inte om att reducera Eva Dahlgren till en nutida Södergrankopia, utan att beskriva hur hon utifrån en specifik historisk, konstnärlig och psykisk kontext svarar på Södergrans tilltal. Jag ska diskutera både formella och innehållsliga aspekter i de båda kvinnornas verk – först var för sig och sedan avslutningsvis i för-hållande till varandra.
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| 53. |
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| 54. |
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| 55. |
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| 56. |
- Hansson, Karin, 1967-, et al.
(författare)
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#konstnärligfrihet : reifikation som förtryckshandling och motstrategi
- 2022
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Ingår i: Tidskrift för Genusvetenskap. - : Föreningen Tidskrift för genusvetenskap. - 1654-5443 .- 2001-1377. ; 43:1, s. 49-71
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Tidskriftsartikel (refereegranskat)abstract
- In the autumn of 2017, more than 2,000 female and non-binary artists and designers in Sweden joined forces in the group #konstnärligfrihet [artistic freedom] to share experiences of sexism, sexual harassment, and sexual violence, and to write a joint petition. Using a media timeline and semi-structured interviews, this article aims to situate #metoo in a larger narrative and investigate how sexual harassment within the Swedish art industry is explained and understood by 13 activists and representatives of art institutions.Our results show that there is a strong connection between oppression and economic exploitation. The art industry is characterized by precarious economic and social relations, but also by the idea of the genius and elitist ambitions of standing outside the social order and embodying an unexploitable particularity. This combination is crucial to understanding sexual harassment in the industry. A central theme in the interviews was the feeling of grief and frustration of not being allowed to work freely as an artist but forced to constantly navigate invisible but tangible structures. These structures are maintained performatively through various acts of oppression that are part of a reification process, which systematically limits the livability of the exposed identities. During #metoo, this reification process was counteracted and turned against the oppressors themselves through an objectification of “men” as oppressors. Another finding relates to the interviewees’ understanding of sexual harassment as based upon power. Here, the positions of powerful and powerless were not univocal. As power intertwines with desire and vulnerability, oppressive acts can be multifaceted and ambivalent, and take place as part of a dynamic negotiation of positions in the informal economic system.
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| 57. |
- Hansson, Karin, et al.
(författare)
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Legitimising a Feminist Agenda : The #metoo petitions in Sweden 2017–2018
- 2020
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Ingår i: Nordic Journal of Media Studies. - : Walter de Gruyter GmbH. - 2003-184X. ; 2:1, s. 121-132
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Tidskriftsartikel (refereegranskat)abstract
- During 2017 and 2018, the #metoo hashtag united a global movement against sexual abuse and harassment. In Sweden, a large portion of the attention was given to the voices of working women, who organised and wrote petitions that were published in news media. Previous research has found that media reports of sexual abuse often focus on singular stories, rather than describing the underlying structural problems, and that the problem is often framed as an individual rather than structural problem. This article accounts for a qualitative content analysis of the first 28 published #metoo petitions in Sweden, with the goal of understanding how these framed the issue. In contrast to previous research, this study shows how the petitions established a coherent feminist explanatory framework that placed the problems on a structural level by focusing on work environments and framing demands in terms of general and perfectly reasonable human rights.
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| 58. |
- Hansson, Karin, et al.
(författare)
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Legitimising a Feminist Agenda
- 2020
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Ingår i: Nordic Journal of Media Studies. - 2003-184X. ; 2:1
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Tidskriftsartikel (refereegranskat)
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| 59. |
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| 60. |
- Hansson, Karin, et al.
(författare)
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#MeToo in the Manosphere : The Formation of a Counter Discourse on the Swedish Online Forum Flashback
- 2024
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Ingår i: NORA. - 0803-8740 .- 1502-394X.
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Tidskriftsartikel (refereegranskat)abstract
- In Sweden, a relative consensus of liberal and feminist values has long been dominant in public discourse. This could be observed in coverage of the #MeToo movement, which was largely presented in a positive light by legacy media, where critical voices were instead found on alternative and social media. This article contributes to a more nuanced understanding of the impact of #MeToo beyond the mainstream discourse by investigating how #MeToo was discussed on the online forum Flashback during the period spanning October—December 2017. Our findings show how the #MeToo debate in this forum reproduced an anti-feminist discourse from the manosphere but also challenged it, as attitudes towards sexual harassment were negotiated and reframed in dialogue with mainstream media. #MeToo thus also contributed to an increased awareness about sexual harassment in this context. However, while a feminist agenda was being strengthened in legacy media, the anti-feminist views on Flashback became more pronounced. Interestingly, while the dominant feminist discourse around Swedish #MeToo avoided the concept “feminism”, it was often used in this counter discourse on Flashback, where it signified a hated, albeit powerful and transformative, force in society.
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