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- Miočević, Ljubica, 1977-
(författare)
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Tre romantiska spaderdamer
- 2011
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Ingår i: IASS 2010 Proceedings. - 9789174738391
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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- Sisask, Florence
(författare)
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Le canon littéraire en question : quelques réflexions comparatives
- 2010
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Ingår i: Actes du XVIIe congrès des romanistes scandinaves / Actas del XVII congreso de romanistas escandinavos. - Tampere : Tampere University Press. - 9789514483394 ; , s. 1185-1198
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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- Romeborn, Andreas, 1981
(författare)
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Stilfiguren "syllepsis" i en fransk poesikorpus
- 2014
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Ingår i: Bidrag presenterat vid Forum för textforskning 9, 12-13 juni 2014, Göteborgs universitet. 13/6 2014..
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- I min avhandling (Romeborn 2013) genomförde jag en stilistisk och retorisk studie av stilfiguren ”syllepsis” (syllepse på franska) och av hur denna används hos den franska poeten Francis Ponge (1899-1988) (på 70-talet gavs ett antal av Ponges dikter ut i svensk tolkning av Jesper Svenbro). Syllepsis är en vedertagen term inom franskspråkig stilistik och retorik (se t.ex. Aquien & Molinié 1999 el. Ricalens-Pourchot 2011) och mer generellt inom såväl fransk lingvistik (se t.ex. Bonhomme 2005) som litteraturvetenskap (se t.ex. Jarrety 2001). En s.k. syllepsis är en typ av ambiguitet. Det rör sig om en syllepsis då ett ord förekommer endast en gång (dvs. det är en ordförekomst) men ordet ändå används i två betydelser på samma gång. Om figuren används i humoristiskt syfte, blir det ett slags ordlek eller ordvits. Inom ramen för avhandlingen utarbetade jag en metod för att identifiera den här stilfiguren i texter. I mitt bidrag skulle jag vilja presentera denna metod samt även, i mån av tid, några av de resultat jag kom fram till. Min studie kan ses som ett exempel på språkvetenskaplig analys av litterära texter och på det viset passar presentationen väl in i workshopen om litterär stilistik.
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- Ågerup, Karl, 1972-
(författare)
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Yasmina Khadra et le lecteur occidental
- 2011
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Ingår i: Pensar a Literatura no Séc. XXI. - Braga : ALETHEIA – Associação Científica e Cultural. - 9789726972006 ; , s. 365-376
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Konferensbidrag (refereegranskat)abstract
- Taking the example of the Algerian novelist Yasmina Khadra, the present study examines the intercultural discourse created by North African fiction addressing a Western reader.Considering a novel originally published in France in 2006, namely Les sirènes de Bagdad, the study suggests that already the choice of language and genre is an expression of the author’s approaching of the Western reader. Also, the Western reader is written into the story by didactic features and referential play. Examining Yasmina Khadra’s image and the rhetoric of his narrative, the study finds that the author produces intermediate acts of speech aiming to make certain aspects of Arabic culture intelligible to the Western reader. Judging from the reception in Europe and in the USA, the prose in question is generally perceived as a relevant and enlightening commentary to the situation in the Middle-East. However, some German critics seem reluctant towards the authority of the writer and to parts of the referential grounding. The study suggests that the differences of opinion in this respect depend on varying degrees of readiness to accept the designated role of the reader inherent to the enunciative situation.
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- Alfredsson, Johan, 1974
(författare)
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The Politics of Form – Lars-Mikael Raattamaa and Anna Hallberg
- 2011
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Ingår i: "Across Media – Contemporary Literature and Media Culture", 2011-05-06, Trondheim, Denmark.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- What happens when a writer crosses the boundaries of literature? This is a question which it is quite pointless to ask, unless you state your theoretical point of departure. When that has been done, however, it is one of the most important issues which a literary scholar can raise. Through certain parts of the theories of Jean-Jacques Lecercle (mainly his concept of the “remainder” in language), Marjorie Perloff (mainly her discussions of how free verse is convention-based, and of what comes out of that insight: what she labels “after free verse”), and Jacques Rancière (mainly his concepts “polis” and “the political”), I aim to discuss what happens when Swedish contemporary poets Anna Hallberg and Lars-Mikael Raattamaa during recent years have sought to actively cross the boundaries of literature. These theoretical perspectives enable me to dwell on the political implications of this kind of boundary-crossing. This political dimension consists of a critique not only of the conventions of literature, but also of the modernist view of e.g. free verse. The crossing of literature’s boundaries not only moves them. More importantly, in these cases, it identifies them; it even highlights them, rendering them open for scrutiny.
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- Sadri, Houman, 1971
(författare)
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The Super-Heroine's Journey: Comics, Gender and the Monomyth
- 2014
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Ingår i: 3rd Global Conference of the Graphic Novel, 3-5 September 2014, Mansfield College, Oxford University.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The comic book superhero is currently enjoying a period of cultural ubiquity, thanks in no small measure to the continued popularity of Monomythical narratives – which is to say texts informed by, or harking back to, the Hero’s Journey, as defined by the mythologist Joseph Campbell. This Monomyth is essentially a structural pattern common to a wide range of mythological and scriptural tales from around the world, in which an ordinary yet heroic figure leaves the comfort of home, immerses himself in the unfamiliar and extraordinary events of an outside world of which he has no real experience, fights and wins a decisive victory and, once he has done so, returns home with some essential boon or blessing. Superheroes can, to some extent, be seen as the ultimate modern exemplars of this pattern; this, though, is problematized by the relative lack of viable female heroes of this type. Using Campbell’s theories in tandem with the work of other archetypal theorists and the relatively new discipline of biocultural criticism, it is my intention to investigate whether this relative paucity – characterised by characters who are often depicted as little more than objects of titillation or fetish, not to mention tending to begin as gender reversed knock-offs of established male heroes – comes as a result of the inherently patriarchal nature of the Monomythical structure itself. Further to this, I intend to argue that while the evolution of our culture and the relative decline of patriarchal strictures have theoretically ensured that the heroic archetype has evolved to the point where traditional gender roles are no longer stable, the archetypes engendered within the Monomyth have become so ideologically paradigmatic as to hamper the imperative toward challenging these codes within the idiom of the graphic novel.
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