| 1. |
- Rodhe, Einar, 1982-, et al.
(författare)
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La Ville 100% Réutilisée
- 2020
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Ingår i: Plan Libre. - Paris. - 1638-4776. ; 175, s. 15-15
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 2. |
- Skeppe, Veronica, 1984-, et al.
(författare)
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A Live Interior : Environments, Assemblies, Materialities
- 2021
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Ingår i: Athens Journal of Architecture. - Athens : Athens Institute for Education and Research ATINER. - 2407-9472. ; 7:4, s. 463-482
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Tidskriftsartikel (refereegranskat)abstract
- This paper examines the interior as a condition that is continuously in production through the arrangement of objects and furniture. This is done along two lines of inquiry. First by examining a few different historical and contemporary conceptions of the domestic interior through the lens of architectural representation. Second by using the technique of laser scanning to document a number of inhabited interiors in two apartment buildings. Through a series of representations, or cloud drawings, produced from the scans, the paper presents three ways of reading the interior: as environments, as assemblies, and as materialities. Departing from Robin Evans’ writing on drawing techniques for representing the interior and their correlation to ways of inhabitation, the paper poses questions around how the understanding of the interior may shift when using emerging techniques for architectural representation. Through readings of Walter Benjamin as well as Sylvia Lavin, the paper discusses such shifts in relation to changes in the conception of the interior and the objects that it contains.
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| 3. |
- Zboinska, Malgorzata, 1981, et al.
(författare)
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On the aesthetic significance of imprecision in computational design : Exploring expressive features of imprecision in four digital fabrication approaches
- 2020
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Ingår i: International Journal of Architectural Computing. - Thousand Oaks, CA 91320 : Sage Publications. - 1478-0771 .- 2048-3988.
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Tidskriftsartikel (refereegranskat)abstract
- Precision of materialized designs is the conventional goal of digital fabrication in architecture. Recently, however, an alternative concept has emerged which refashions the imprecisions of digital processes into creative opportunities. While the computational design community has embraced this idea, its novelty results in a yet incomplete understanding. Prompted by the challenge of the still missing knowledge, this study explored imprecision in four digital fabrication approaches to establish how it influences the aesthetic attributes of materialized designs. Imprecision occurrences for four different digitally aided materialization processes were characterized. The aesthetic features emerging from these imprecisions were also identified and the possibilities of tampering with them for design exploration purposes were discussed. By considering the aesthetic potentials of deliberate imprecision, the study has sought to challenge the canon of high fidelity in contemporary computational design and to argue for imprecision in computation that shapes a new generation of designs featuring the new aesthetic of computational imperfection.
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