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- Beckman, Frida, 1976-
(författare)
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Between desire and pleasure : a Deleuzian theory of sexuality
- 2013
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Explores the political, cultural and conceptual significance of sexual pleasure through Deleuze's philosophy. How is sexual pleasure inscribed into conceptions of the body, gender, health and the human? What is its role in the construction of these notions? And, most importantly, how can it contribute to an expansion of what they mean?Intervening into fields including posthumanist, disability, animal and feminist studies, and current critiques of capitalism and consumerism, Frida Beckman addresses these questions to recover a theory of sexuality from Deleuze's work.Show more Show less
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| 2. |
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| 3. |
- Beckman, Frida, 1976-
(författare)
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Deleuze and Sex
- 2011
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Bok (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Beckman, Frida, 1976-, et al.
(författare)
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Editorial Introduction
- 2010
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Ingår i: Angelaki. - 0969-725X .- 1469-2899. ; 15:1
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Beckman, Frida, 1976-
(författare)
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Good Girl Art : Facing Images of Women in David Mack’s Kabuki
- 2011
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Ingår i: Journal of Graphic Novels and Comics. - : Routledge. - 2150-4857 .- 2150-4865. ; 2:1, s. 39-54
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Tidskriftsartikel (refereegranskat)abstract
- This article suggests that the eroticized representation of female characters in graphic fiction in general, and female superheroes in particular, can be discussed in productive ways if we trace the double meanings of visual and verbal representation in David Mack's graphic novel series Kabuki. Kabuki can be seen to address the ‘Good Girl Art’ tradition into which it inserts itself and to use this tradition to open for a reconfiguration of pre-determination of female roles. By looking at the way in which visual and verbal signs can be negotiated from within, our reading of Mack's work enables us to expand the theoretical tools with which we approach and understand the mysteries of contemporary graphic fiction. By making it possible to read ‘Good Girl Art’ in terms of univocity, Kabuki offers enabling modes of agency in the midst of the gendered inscriptions of graphic fiction.
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| 10. |
- Beckman, Frida, 1976-
(författare)
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Reevaluating Memory and Identity through Daniel Knauf's Carnivále
- 2012
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Ingår i: Time in television narrative. - Missisippi : University Press of Mississippi. - 9781617032936 ; , s. 178-
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- This collection analyzes twenty-first-century American television programs that rely upon temporal and narrative experimentation. These shows play with time, slowing it down to unfold the narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time play in contemporary programming, but the implications of its sometimes disorienting presence.Drawing upon the fields of cultural studies, television scholarship, and literary studies, as well as overarching theories concerning postmodernity and narratology, Time in Television Narrative offers some critical suggestions. The increasing number of of television programs concerned with time may stem from any and all of the following: recent scientific approaches to quantum physics and temporality; new conceptions of history and posthistory; or trends in late-capitalistic production and consumption, in the new culture of instantaneity, or in the recent trauma culture amplified after the September 11 attacks. In short, these televisual time experiments may very well be an aesthetic response to the climate from which they derive. These essays analyze both ends of this continuum and also attend to another crucial variable: the television viewer watching this new temporal play
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