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- Lindley, Mark, 1937, et al.
(författare)
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Bach-Style Keyboard Tuning
- 2006
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Ingår i: Early Music. - 0306-1078. ; xxxiv:4
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The chain of reasoning in Bradley Lehman's article in Early music, xxxiii (2005), pp.323, 21131, is full of weak links. The notion that Bach followed a mathematical rule when tuning is contrary to relevant documentary evidence that he did not go in for theoretical treatments and that mathematizing would never have led to success in ensuring the execution of an unobjectionable temperament. An expert and musicianly tuner would indeed temper alike the 5ths CGDAE, but would not feel obliged (as Lehman imagines) to temper some 5ths exactly twice as much as others. The premise that a mathematically rigid tuning-scheme is hidden cryptically in a decorative scroll on the title-page of WTC I is daft, and Lehman's belief that there is only one musically feasible way to interpret this alleged evidence is disproved by the existence of several other such ways besides his (which was based on misreading a serif as a letter). Lehman misrepresents Sorge's account of a certain theoretical scheme from after Bach's death (which he regards as evidence applicable to Bach). No tuning-theorist close to Bach approved of tempering EG# as much as Lehman does. Lehman's idea that Bach's secret tuning is uniquely beautiful for music by Frescobaldi et al. is outlandish. His one-size-fits-all approach obscures some relevant facts about church-organ tuning in those days. If Bach advised some organ builders about tuning, Zacharias Hildebrandt would be the most likely one, but the meaning of the statement by Bach's son-in-law that Hildebrandt followed Neidhardt, while clearly ruling out Lehman's scheme, is unclear in some other ways since some of Neidhardt's ideas about tempered tuning changed over the years.
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| 2. |
- Ortgies, Ibo, 1960
(författare)
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Arp Schnitger, Organ Builder Organ Itinerary
- 2007
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Ingår i: Google Earth Community [http://bbs.keyhole.com/ubb/showthreaded.php?Cat=&Number=789972&page=&vc=1&PHPSESSID=#Post789972]. - : Google Earth Community.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- These place marks for (Google Earth) contain the places of organs, that Arp Schnitger (16481719) built new, enlarged (marked EW), rebuilt (UB), or repaired (Rep.; only more substantial repairs). The countries (according to modern borders) in/for which Schnitger organs have built or whereto they were sold, given as a gift ... include Germany, Netherlands, Denmark, Poland, UK (England), Russia, Spain, Portugal, Brazil Schnitger's output is here grouped by decades 16741679 16801689 16901699 17001709 17101719 In case of instruments which were destroyed (not seldom also the churches were destroyed) the original location was tried to be traced back as precisely as possible. Otherwise the place mark leads to the church in which they have been or are still today. Those of his instruments, which have later been placed in other churches in other towns, are marked as in the following case: The organ, nowadays in Grasberg (near Bremen), was originally built for the church of the Waisenhaus (orphanage) in Hamburg: You'll find the place mark in Hamburg (indicating whereto the organ was moved): Hamburg, Waisenhaus, 1684 (--> Grasberg) In Grasberg you'll find the clue for the origin of the organ. Grasberg (<-- Hamburg-Waisenhaus 1694) House organs (like in Stade or Hamburg, for example) were placed in the middle of the town (in Hamburg for example they are in the lake "Alster")
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| 5. |
- Ortgies, Ibo, 1960
(författare)
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Friederich Stellwagen
- 2006
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Ingår i: Finscher, L. (ed). Die Musik in Geschichte und Gegenwart : allgemeine Enzyklopädie der Musik. Personenteil 15, Schoo-Stran. - Kassel, Germany : Bärenreiter. - 3761811357 ; , s. 1411-1412
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 7. |
- Ortgies, Ibo, 1960
(författare)
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The Practice of Organ Tuning in North Germany in the 17th and 18th Centuries and its Relationship to Contemporary Musical Practice
- 2005
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Ingår i: Revisioning the Historical Organ. Symposium Temperament, Sound, and Symbolism within the organ conference The Organ as a Mirror of Religion & Culture, organized by The University of Nebraska-Lincoln, The Westfield Center, and Saint Cecilia Schola Cantorum (Saint Cecilia Cathedral, Omaha). 2005-04-09, Omaha (Nebraska), USA.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Ortgies, Ibo, 1960
(författare)
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Tuning and Temperaments in Buxtehude's Time
- 2005
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Ingår i: AGO (American Guild of Organists) Pedagogy Conference on Dieterich Buxtehude, organized by The University of Notre Dame. 2005-09-11 2005-09-14, South Bend (Indiana), USA.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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