| 1. |
- Ortgies, Ibo, 1960, et al.
(författare)
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Ruf und Ruhm. Fünf Schnitger-Orgeln in Groningen : Repute and Renown. Five Schnitger Organs in Groningen
- 2014
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Translated summary (in German) of the Dutch publication "Naam en faam. Vijf Schnitgerorgels in Groningen" by Cees van der Poel (with an introduction by Hans Fidom. Groningen: Stichting Oude Groninger Kerken, 2014. 60 pp. ISBN 978-90-73453-41-8). The publication and summary describe five organs built in the Dutch Province of Groningen by the North German organ builder Arp Schnitger (1648-1719): Uithuizen, Nieuw Scheemda, Eenum, Godlinze, and Groningen (the Der Aa-Kerk)
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| 2. |
- Poel, Cees van der, 1970, et al.
(författare)
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Repute and Renown. Five Schnitger Organs in Groningen
- 2014
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Translated summary (to English) of the Dutch publication "Naam en faam. Vijf Schnitgerorgels in Groningen" by Cees van der Poel (with an introduction by Hans Fidom. Groningen: Stichting Oude Groninger Kerken, 2014. 60 pp. ISBN 978-90-73453-41-8). ––– The publication and summary describe five organs built in the Dutch Province of Groningen by the North German organ builder Arp Schnitger (1648-1719): Uithuizen, Nieuw Scheemda, Eenum, Godlinze, and Groningen (the Der Aa-Kerk).
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| 3. |
- Ortgies, Ibo, 1960
(författare)
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Johann Sebastian Bach and Temperament
- 2014
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Ingår i: The New Baroque Organ at the Orgelpark [Orgelpark Research Reports, vol. 5/1]. - Amsterdam : Orgelpark. - 9789491588129
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- During Bach's lifetime, the history of temperament in Western music took new turns, but his relationship to this development is far from well understood. The article explores a number of relevant questions to help define what we actually can know about this matter: •Which sources about musical temperament are relevant in regard to Bach's practice and what can be learned from them? •How detailed, plausible or credible is the relevant information? •Do we know whether Bach had any influence on the choice of temperament in organ projects? If so, to what extent and what was his advice? •To what degree do extant contemporary reports, expert opinions and historical instruments allow us to reconstruct temperaments in the organ building of Bach's age? •What role did the temperament of instruments with fixed pitches (like keyboards) play in interaction with free-intonating instruments and singers? It appears that conclusive evidence for answering these question does not exist, which might be liberating: In the end, it remains a matter for the individual to decide which temperament seems to be musically apt for the performance of any of Bach’s compositions.
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| 4. |
- Ortgies, Ibo, 1960
(författare)
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Matthias Weckmann
- 2013
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Ingår i: Lexikon der Kirchenmusik, vol. 6,2, ed. by Michael Zywietz. - Laaber : Laaber.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Biographical article about Matthias Weckman (ca. 1616-1674) in an encyclopedia
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| 5. |
- Ortgies, Ibo, 1960
(författare)
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Rädecker & Lunau Square Pianos
- 2012
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Square pianos built by the firm of Rädecker & Lunau, Lübeck/Germany between ca. 1829/30 and 1852/53. Description of instrument, serial no. 2391. Construction details and comparison with the other known instruments of the firm (including predecessors and successor).
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