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Sökning: L773:0029 3652 OR L773:1502 7678 > (2010-2014)

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  • Karlsson, Håkan, 1962 (författare)
  • A New Ethical Path for Archaeology? : Comment
  • 2013
  • Ingår i: Norwegian Archaeological Review. - : Informa UK Limited. - 0029-3652 .- 1502-7678. ; 46:2, s. 227-230
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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9.
  • Ljunge, Magnus (författare)
  • Beyond 'the Phenomenological Walk' : Perspectives on the Experience of Images
  • 2013
  • Ingår i: Norwegian Archaeological Review. - : Informa UK Limited. - 0029-3652 .- 1502-7678. ; 46:2, s. 139-158
  • Tidskriftsartikel (refereegranskat)abstract
    • Scandinavian rock art has been of major interest for archaeological studies of a phenomenological character. By reflecting on the experience of rock art it has been argued that images choreograph movement and that this embodied interaction reflects both social order and world views. This perspective has been applied in studies of both open-air rock art and images in the confined spaces of caves. When critically evaluating these efforts, it seems clear that these phenomenological studies reduce rock art to a mere representation of the experience of place. Phenomenology also fails to challenge the assumption that the meaning of images is created primarily by the intentions of its creator. It is therefore suggested that, in order to discuss the experience of images as meaningful, we need to develop the phenomenological theory of embodiment into a material phenomenology. This material turn enables us to problematize the relationship between intentionality and the meaning of images, which could lead to a perspective where rock art affects both the experience of place and of landscape and the creation of new images. Consequently, an archaeology of images should treat rock art as an expression which creates and maintains practices and relations with places and landscapes.
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10.
  • Melheim, Anne Lene, 1970, et al. (författare)
  • Tales of Hoards and Swordfighters in Early Bronze Age Scandinavia: The Brand New and the Broken
  • 2014
  • Ingår i: Norwegian Archaeological Review. - : Informa UK Limited. - 0029-3652 .- 1502-7678. ; 47:1, s. 18-41
  • Tidskriftsartikel (refereegranskat)abstract
    • This article focuses on the complexity of Early Bronze Age weapon depositions. While some of the deposited weapons have been disabled by intentional breakage, others seem to be more or less unused. A plausible explanation for the variability is that the surrender of lethal weapons to land or water was a means of coping with their power or agency - their individuality. We suggest that weapons, in their capacity as extensions of warriors' bodies, may have substituted for humans in ritual depositions. The metalworkers also come into play, due to their capacities in the processes of making weapons and shaping weapon technologies. Although we consider the three depositions that we discuss to relate to rituals on the occasion of warfare, we are not aiming for a uniform explanation. In the same way as the patterned human behaviour of a ritual is a means of subsuming individual events into a greater order, so a focus on general patterns may subsume the complexity of the past by ignoring the many different events leading to, e.g., the deposition of metalwork. Far from seeing these perspectives as contradictory, we try to use three well-documented individual cases to shed light on the variability within the pattern.
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