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Sökning: L773:0039 3274 OR L773:1651 2308 > (2010-2014)

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  • Andersson, Bo (författare)
  • Female Writing in Manuscript and Print : Two German Examples from the Cultural and Political Context of Late Seventeenth-Century Sweden - Maria Aurora von Konigsmarck (1662-1728) and Eva Margaretha Frolich (?-1692)
  • 2014
  • Ingår i: Studia Neophilologica. - : Informa UK Limited. - 0039-3274 .- 1651-2308. ; 86:S1, s. 9-28
  • Tidskriftsartikel (refereegranskat)abstract
    • Aurora von Konigsmarck and Eva Margaretha Frolich, two noblewomen of German descent in late seventeenth-century Sweden, were both influenced by currents in contemporary theology and piety. Aurora von Konigsmarck, her sister, and two of their female cousins formed a circle around the Swedish queen Ulrica Eleonora (the elder). Together they wrote strongly emotional religious poetry in German, which is preserved in an exquisite volume in the Uppsala University Library.Eva Margaretha Frolich expected the Swedish king Charles XI to play a central role in the imminent apocalyptic drama and become the ruler of the world. After she had been exiled from Sweden, she propagated for these views in a number of tracts published in Amsterdam.The present article explores some important paratextual features in Nordischer weyrauch', the manuscript collection of religious poetry written in Aurora von Konigsmarck's hand, and in the works by Eva Margaretha Frolich. The discussion shows the importance of paratextual analysis for the interpretation of texts from the literary and intellectual culture of early modern Europe.
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  • Appelbaum, Robert, 1952- (författare)
  • Notes Toward an Aesthetics of Violence
  • 2013
  • Ingår i: Studia Neophilologica. - : Informa UK Limited. - 0039-3274 .- 1651-2308. ; 85:2, s. 119-132
  • Tidskriftsartikel (refereegranskat)abstract
    • Author's Preface. In trying to think about violence, aesthetics and the relation between the two, I found that I had to start over from the beginning. I had to allow my own preconceptions about violence and aesthetics - borrowed from any of a number of places, respectable (like Freud, Elias and Huizinga) and unrespectable (like my personal experiences of violence, and of Hollywood movies) - to be put into brackets, stored away for use at some other time. I had to submit my thinking to a kind of violence. And as for aesthetics, since I was sure that I was interested, precisely, in the subjective quality of experiencing violence in an artistic or ritualistic form, I had to put aside presumptions of a thesis, a vision of what violence was objectively, or a knowledge of what the artwork was in its objective, material condition. Hence these notes, where Freud, Elias, Huizinga, my personal experience and Hollywood movies all return, but in the condition of hypotheses and observations, from which, someday in the future, I might compose a real aesthetics of violence.
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