| 1. |
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The Unbound Brain
- 2018
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Ingår i: Culture Unbound. Journal of Current Cultural Research. - Linköping : Linköping University Electronic Press. - 2000-1525. ; 10:1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The brain has long been an object of curiosity and fascination. Partly as a result of technological advances, issues related to the brain have become ubiquitous points of discussion in our culture. Along with neurological disease and neuroscience, it is frequently featured in Hollywood block buster movies, self-help books, popular science documentaries and fictional TV-series.1 Once cast as grey and stable matter, the brain is now commonly represented as a glowing and colourful entity through the use of new imaging technologies. Further, it is often likened to a complex and adaptable machine that can be enhanced continuously through dedication and deliberate effort. In this special issue of Culture Unbound, scholars from a number of disciplines within the humanities and social sciences address the pervasiveness and influence of neuroscience and representations of the brain in everyday contexts. A common thread in the articles is the idea that knowledge and narratives about, and visualisations of, the brain change practices and processes in daily life. In addition, the articles, in different ways, explore the brain as something that is perceived and portrayed as constantly transforming; an unbound brain.
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| 2. |
- Altermark, Niklas, et al.
(författare)
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Neuro-Problems : Knowing Politics Through the Brain
- 2018
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Ingår i: Culture Unbound. Journal of Current Cultural Research. - Linköping : Linköping University Electronic Press. - 2000-1525 .- 2000-1525. ; 10:1, s. 31-48
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Tidskriftsartikel (refereegranskat)abstract
- In recent years, neuroscientific knowledge has been applied far beyond its context of emergence to explain human behaviour in general and to address a host of specific societal problems. In this article, we discuss the emerging research field of ‘neuropolitics’ that seeks to bring neuroscientific methods and findings to political science. Neuropolitics is investigated as a particular way of approaching political problems as located in the brain. We argue that neuropolitics research gives expression to a rationality of government that allows researchers to put forward policy prescriptions based on neuroscientific knowledge. Neuropolitics thus run the risk of leading to what we call a ‘pathologisation of politics’, that turns political problems into biological deviations.
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| 3. |
- Gerber, Alison
(författare)
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Black Hole Suns: Binarism and Gravity in Cultural Fields
- 2019
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Ingår i: Culture Unbound. - : Linkoping University Electronic Press. - 2000-1525.
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Tidskriftsartikel (refereegranskat)abstract
- Sociologicial analyses of artistic practice have long drawn on theoretical traditions grounded in binaries and dualisms. Such analytical strategies, exemplified here by field theoretical approaches, center art objects and their movements in and across markets, where binaristic visions of art worlds do offer significant leverage. But when the analyst moves away from markets for art objects and looks to artistic practices the binaristic lens provides, at best, a blurred image with meaningful blind spots. This article suggests an alternative vision of artistic practice —one based on gravity rather than polarity—that captures the ways individuals and their actions make sense in a specific universe of meaning without forcing them into fundamentally competitive and economistic relationships. It leverages findings enabled by a unique sampling strategy in a four year study of visual artists in the United States to illuminate some limitations of binary theoretical frameworks, and outlines a generative alternative to dualism that promotes new analytical and theoretical directions for sociological analyses of artists and artistic practice. This alternative model provides new leverage on four persistent issues in analyses of artistic work: cultural change in occupational fields; actors’ attempts to manage overlapping but incommensurate forms of recognition, reputation, attention, and success; the persistent hegemony of markets for objects in both vernacular and sociological understandings of artistic practice; and questions of visibility and legitimacy central to understanding boundary formation and boundary work in creative fields. The gravitational metaphor promotes a distict set of strategies for the study of artistic work as well as other nontraditional occupations.
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| 4. |
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| 5. |
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| 6. |
- Laskar, Pia, et al.
(författare)
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Decolonising the Rainbow Flag
- 2016
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Ingår i: Culture Unbound. Journal of Current Cultural Research. - : Linkoping University Electronic Press. - 2000-1525. ; 8:3, s. 192-217
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Tidskriftsartikel (refereegranskat)abstract
- The aim of the article is to explore the location and the meaning given to the rainbow flag in places outside the hegemonic centre. Through three case studies in the global North and South, held together by a multi-ethnographic approach, as well as a certain theoretical tension between the rainbow flag as a boundary object and/or a floating signifier, we seek to study where the flag belongs, to whom it belongs, with particular focus on how. The three case studies, which are situated in a city in the Global South (Buenos Aires), in a conflict war zone in the Middle East (the West Bank) and in a racialised neighbourhood in the Global North (Sweden), share despite their diversity a peripheral location to hegemonic forms of knowledge production regimes. Central to our analysis is how the rainbow flag is given a multitude of original and radical different meanings that may challenge the colonial/Eurocentric notions which up to a certain extent are embedded in the rainbow flag.
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| 7. |
- Löfgren, Orvar
(författare)
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Modes and moods of mobility : tourists and commuters
- 2015
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Ingår i: Culture Unbound. Journal of Current Cultural Research. - : Linkoping University Electronic Press. - 2000-1525. ; 7:2, s. 175-195
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Tidskriftsartikel (refereegranskat)abstract
- What can we learn from comparing different modes and moods of travel, among, for example, tourists and commuters? This paper contrasts these two very different kinds of mobility, and the ways in which they organise both motion and emotion. It is not only a question about how people interact with various systems of transport, but also how materialities and affects work together. An important topic is the question of how people acquire travelling skills. How do they learn to be a tourist or a commuter, to handle a train ride, navigate a transit space, or interact with strangers? A good reason to contrast commuters and tourists is also because they have often been studied within very different research paradigms. How can these different research traditions be put into a dialogue with each other, and help to develop methods for capturing the often elusive ways in which motion and emotion work together?
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| 8. |
- Lozic, Vanja, 1976-
(författare)
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(Re)shaping history in Bosnian and Herzegovinian museums
- 2015
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Ingår i: Culture Unbound. Journal of Current Cultural Research. - 2000-1525 .- 2000-1525. ; 7, s. 307-329
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Tidskriftsartikel (refereegranskat)abstract
- The current article explores how political changes in the past 130 years have shaped and reshaped three major museums in Bosnia and Herzegovina (BiH). The overall aim is to describe structural processes of national museum building in BiH and the ways the museological representation of history is connected to state and nation making and to political transitions and crises. The analysed museums are the National Museum of BiH, the History Museum of BiH, and the Museum of the Republic of Srpska. The source material analysed consists of the directories and the titles of exhibitions; secondary material, which describes previous exhibitions; and virtual museum tours.The article illustrates that during the Austrian-Hungarian Empire, which established the National Museum in 1888, the museum played an important part in the representation of Bosnian identity (bosnjastvo). After World War II, in the Socialist Federal Republic of Yugoslavia, all three analysed museums were summoned to interpret the past in accordance with the guidelines of the communist regime. Since the 1990s, a highly ethnicized process of identity building and of the musealization of heritage, and history permeates all three museums analysed here. When it comes to the central exhibition-themes following the 1990s war, one could conclude that whereas the National Museum and the History Museum highlight the recent creation of an independent BiH and ostracize BIH-Serbs, the Museum of the Republic of Srpska asserts the ostensible distinctiveness of the Republic of Srpska and excludes the narratives about BiH as a unified and independent nation-state. If an agreement about the future of BiH and its history is to be reached, a step towards multi-vocal historical narratives has to be made from both sides.
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| 9. |
- Lozic, Vanja, 1976-
(författare)
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(Re)shaping history in Bosnian and Herzegovinian museums
- 2015
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Ingår i: Culture Unbound. Journal of Current Cultural Research. - : Linkoping University Electronic Press. - 2000-1525 .- 2000-1525. ; 7, s. 307-329
-
Tidskriftsartikel (refereegranskat)abstract
- The current article explores how political changes in the past 130 years have shaped and reshaped three major museums in Bosnia and Herzegovina (BiH). The overall aim is to describe structural processes of national museum building in BiH and the ways the museological representation of history is connected to state and nation making and to political transitions and crises. The analysed museums are the National Museum of BiH, the History Museum of BiH, and the Museum of the Republic of Srpska. The source material analysed consists of the directories and the titles of exhibitions; secondary material, which describes previous exhibitions; and virtual museum tours.The article illustrates that during the Austrian-Hungarian Empire, which established the National Museum in 1888, the museum played an important part in the representation of Bosnian identity (bosnjastvo). After World War II, in the Socialist Federal Republic of Yugoslavia, all three analysed museums were summoned to interpret the past in accordance with the guidelines of the communist regime. Since the 1990s, a highly ethnicized process of identity building and of the musealization of heritage, and history permeates all three museums analysed here. When it comes to the central exhibition-themes following the 1990s war, one could conclude that whereas the National Museum and the History Museum highlight the recent creation of an independent BiH and ostracize BIH-Serbs, the Museum of the Republic of Srpska asserts the ostensible distinctiveness of the Republic of Srpska and excludes the narratives about BiH as a unified and independent nation-state. If an agreement about the future of BiH and its history is to be reached, a step towards multi-vocal historical narratives has to be made from both sides.
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| 10. |
- Pries, Johan, et al.
(författare)
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Remaking the people's park: Heritage renewal troubled by past political struggles?
- 2019
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Ingår i: Culture Unbound. - : Linkoping University Electronic Press. - 2000-1525. ; 11, s. 78-103
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Tidskriftsartikel (refereegranskat)abstract
- This article explores how a series of heritage-driven renewal plans in the Swedish city Malmö dealt with a landscape deeply shaped by radical politics: Malmö People’s Park (Folkets Park). Arguing against notions of heritage where the past is essentially considered a malleable resource for present commercial or political concerns, we scrutinise plans for the People’s Park from the 1980s onward to emphasise how even within renewal attempts built on seemingly uncontroversial nostalgic readings of the park’s past, tensions proved impossible to keep at bay. This had profound effects on the studied development process.Established by the city’s social-democratic labour movement in 1891, the People’s Park is both enmeshed with historical narratives, and full of material artefacts left by a century when the Social Democrats had a decisive presence in the city. As municipal planners and politicians targeted this piece of land, the tensions they had to navigate included not only what present ideas to bring to bear on the making of heritage, but also how to deal with past politics and the park as a material landscape. Our findings point to how the kinds of labour politics that had faded for decades became impossible to dismiss in urban renewal. Both political representations and de-politicising nostalgic representations of Malmö People’s Park’s past provoked (often unexpected) resistance undoing planning visions.
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