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- Hemmings, Jessica, 1976
(författare)
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Makers Who Move: solitary exercise and the creative mind
- 2024
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Ingår i: PARSE Journal. - 2002-0953. ; :18
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Tidskriftsartikel (refereegranskat)abstract
- In this essay, the spoken accounts of nine craft practitioners who engage in solitary running and cycling reveal how repetitive exercise relates to decisions made in their studios. Whereas collaboration remains the dominant approach of most research agendas, the reflections here focus on the varied ways solitary exercise offers a productive trigger for some practitioners’ creative thinking. The investigation seeks to enhance awareness of alternative approaches to cultivating creative thinking that may disrupt our fixed intellectual routines within and beyond craft practices.
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| 2. |
- Hemmings, Jessica, 1976
(författare)
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Thinking in Motion
- 2024
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Ingår i: PARSE journal. - 2002-0953. ; :18
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- PARSE Journal issue 18 explores the thinking that occurs when bodies are in motion. Six contributors from the fields of psychology, aesthetics, sports history, performance, craft and literature consider the ways our solitary bodies in motion think differently than our social and sedentary selves. The reflections gathered draw attention to the various ways movement can influence, and at times unlock, otherwise fixed patterns of thinking. While often invisible in the workplace, these activities provide crucial lessons for the long-term cultivation of creative thinking. Contributors’ examples include the familiar experience of walking—but also running, cycling, rock climbing and motorcycle riding—that influence decision-making elsewhere in life.
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| 3. |
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Thinking in Motion
- 2024
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Ingår i: PARSE Journal. - 2002-0953. ; :18
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- PARSE journal issue 18 (2024) explores the thinking that occurs when bodies are in motion. Contributors from aesthetics, sports history, psychology, literature, performance studies and craft consider the ways our solitary bodies in motion think differently to our social and sedentary selves. To borrow from the eloquence of Rebecca Solnit, “the motions of the mind cannot be traced, but those of the feet can.” (Wanderlust pp. 6) Departing from the interests of cognitive science to explain why thinking in motion takes place, contributors instead offers examples of what thinking in motion entails and how it may influence artistic practice.
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