| 1. |
- Ahlbäck, Sven, 1960-
(författare)
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Den nordiska vallåtens tonspråk
- 2019. - 1
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Ingår i: Fäbodlandskap och vallmusik. - Falun : Dalarnas Fornminnes och Hembygdsförbund. - 9789187719264 ; , s. 115-119
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Bokkapitel (populärvet., debatt m.m.)abstract
- Artikeln presenterar musikaliska egenskaper i traditionell fäbodmusikens i Sverige, med fokus på vallmusikens tonalitét, melodik och form. Artikeln sammanfattar ny forskning i fäbodmusikens tonspråk på ett enkelt sätt och nya rön baserade på unika korpusstudier med metoder hämtade från modern kognitiv musikforskning ställs i relation till tidiga musikvetenskapliga studier av ämnet.
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| 2. |
- Appelgren, Alva, et al.
(författare)
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Tuning in on motivation : Differences between non-musicians, amateurs, and professional musicians
- 2019
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Ingår i: Psychology of Music. - : SAGE Publications. - 0305-7356 .- 1741-3087. ; 47:6, s. 864-873
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Tidskriftsartikel (refereegranskat)abstract
- The drive to learn and engage in music varies among individuals. Global motivation to do something can be intrinsic, for example, the joy and satisfaction in an activity. But motivation behind our action can also be extrinsic, such as the desire for fame, status or increased financial resources. The type of motivation probably influences to what degree individuals engage in musical activities. In this study, we examined the associations between the level of musical engagement and self-rated global motivation, factoring in age and sex, in a sample of 5,435 individuals. Musical engagement ranged from no music activity to amateurs and professional musicians. We found that intrinsic motivation increases with level of music activity and that motivation differs depending on sex, with females scoring higher on intrinsic motivation than males. Such differences may be considered in adjusting the forms of support offered to young musicians in music education. The phenomenon of motivation is complex, and we have highlighted areas that require further investigation, but this study has elucidated some differences in motivation types found in men and women, and between non-musicians, amateurs and professional musicians.
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| 3. |
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Arcs
- 2017
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Konstnärligt arbete (refereegranskat)abstract
- Arcs (2017) 48’ – elektroakustiskt verk för fyra kanaler.Musikinstallation som är inköpt av Statens konstråd för placering på Svenska institutet i Paris och spelas där permanent från mitten av oktober 2018.Arcs (2017) elektroakustiskt verk för fyra kanaler 48'
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| 4. |
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| 5. |
- Auvinen, Tuomas
(författare)
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Differences and Similarities in the Role and Creative Agency of Producers in Pop, Rock and Classical
- 2019
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Ingår i: Proceedings of the 12th Art of Record Production Conference. - Stockholm : Royal College of Music (KMH) & Art of Record Production. - 9789198386998 ; , s. 1-18
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Bokkapitel (refereegranskat)abstract
- Differences and similarities in the creative agency of the producerin the production process of urban pop music produced in a home studio,rock music produced in a conventional studio facility and classical concerthall music produced in a concert hall setting is explore in this paper. Startingfrom the premise of record production being a collaborative effort, I approachagency as the capacity to make and effect decisions within a structure or evento alter it to some extent, and creativity as contributing to the domain of existingworks through exercising aesthetic decision-making. Based on theseunderstandings of agency and creativity, I will examine how different culturesin different production settings and different studios conceived as culturalspaces affect the construction of the producer’s agency within creativecommunities in the production process. Furthermore, I will discuss how differencesin understandings of the ontology of the music contribute to the levelof creativity, i.e. the contribution to the domain of existing works, that aproducer agent can possess. I base my presentation on extensive ethnographicfieldwork of three case studies on production processes, which took place inthe course of 2015-2017.
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| 6. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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3' 44¨
- 2019
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Konstnärligt arbete (refereegranskat)abstract
- ” Music is everywhere, you just have to have the ears to hear it” John CageIn 1952, composer John Cage shook the classical music scene when he composed4 ' 33' '. The work, in three movements contained only pauses…Daniel Berg has, with inspiration from Cage, composed the piece 3 '44' for speech choir that contains the word silence in all European languages and all got their unique rhythm.The low-key work ends with the choir blinding and without conductor creates a long diminuendo with exhale and exhale.Duration: 3’ 44’’
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| 7. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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5 Funny Pieces : for the young choir
- 2017
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- The famous percussion group, Rhythm Art Duo (Daniel Berg and Fredrik Duvling) encourage young people to start playing classical percussion and they have written a lot of education material. In 5 funny pieces Rhythm Art Duo uses a lot of humor for the young choir. Bosh and Tosh for speech choir, Song for christmas carol with tuned bottles, Body Rhythm for body percussion, A piece of Paper for a choir who makes sounds with papers and Let it Bee! for a speech choir with kazoos…
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| 8. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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Chicken Race
- 2019
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- In the movie Rebel Without a Cause from 1955, James Dean competing against Corey Allen in a life-threatening car race: They drive against a dive, and the last one to jump out is a coward, chicken.The chicken race, or chickie run as it is called in the movie, quickly became a trope and was used by several moviemakers. Chicken race is also a term used to handle a conflict. The term is used for duels between two opposing poles, for example in politics, where the one who loses loses, but both lose more if no one folds.In the composition Chicken Race by Daniel Berg, two violins are competing about who is the fastest. Let us hope that the Last Duel, in the end of the piece, does not get a deadly end…
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| 9. |
- Berg, Daniel, 1971
(författare)
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Concertino for Marimba and Strings
- 2017
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Ingår i: Gehrmans Musikförlag, Stockholm. - Stockholm : Gehrmans.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- The Swedish composer Lars-Erik Larsson wrote in the late 40’s 12 Concertini – twelve smaller solo concerts for various instruments accompanied by string orchestra, all composed to be performed by amateur orchestras while the solo parts made higher demands on the instrumentalists’ skill. With inspiration from Lars-Erik Larsson, Daniel Berg has written a piece in two movements for a virtuoso solo marimba in combination with a soft string timbre – in classical style, but with clear elements of jazz harmonics. Daniel has, along with experienced string teachers, written parts that can be played by amateur orchestras along with a skilled marimba soloist. In his Concertino for Marimba and Strings, Daniel wants to highlight the marimba as a melodic percussion instrument, and at the same time inspire young musicians to discover classical percussion.
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| 10. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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Easy Duets vol. 4
- 2016
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- Easy Duets Volume 4 contains five easy duets for any combination of mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3-octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba. The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Rockin’, Cosmos and Song in my heart are very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet). Easy Duets Vol. 1, 2 and 3 are previously published by Edition Svitzer. The books have been very well received among young students and teachers around the world. With Vol. 4, I now choose to finish the series Easy Duets. Many thanks for all the inspiration from students and teachers. Hope to see you again at the mallet stage round the world!
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