| 1. |
- Afdile, Mamdooh, et al.
(författare)
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Contextual knowledge provided by a movie biases implicit perception of the protagonist
- 2019
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Ingår i: Social Cognitive & Affective Neuroscience. - London : Oxford University Press. - 1749-5016 .- 1749-5024. ; 14:5, s. 519-527
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Tidskriftsartikel (refereegranskat)abstract
- We are constantly categorizing other people as belonging to our in-group (‘one of us’) or out-group (‘one of them’). Such grouping occurs fast and automatically and can be based on others’ visible characteristics such as skin color or clothing style. Here we studied neural underpinnings of implicit social grouping not often visible on the face, male sexual orientation. A total of 14 homosexuals and 15 heterosexual males were scanned in functional magnetic resonance imaging while watching a movie about a homosexual man, whose face was also presented subliminally before (subjects did not know about the character’s sexual orientation) and after the movie. We discovered significantly stronger activation to the man’s face after seeing the movie in homosexual but not heterosexual subjects in medial prefrontal cortex, frontal pole, anterior cingulate cortex, right temporal parietal junction and bilateral superior frontal gyrus. In previous research, these brain areas have been connected to social perception, self-referential thinking, empathy, theory of mind and in-group perception. In line with previous studies showing biased perception of in-/out-group faces to be context dependent, our novel approach further demonstrates how complex contextual knowledge gained under naturalistic viewing can bias implicit social perception.
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| 2. |
- Ancker, Stina, et al.
(författare)
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När blir sångaren konstnär?
- 2019
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Annan publikation (refereegranskat)abstract
- Vad är det du undersöker och varför? Vi vill undersöka gränslandet mellan det repeterade och det spontana uttrycket i operasångarens konst. Hur kan musikalisk improvisation ge energier och kreativa impulser till sångare och vad kräver det av utövaren? Finns det något av väsentlig kvalitet för det musikdramatiska uttrycket som sångaren kan bidra med om textens och musikens bundna form upplöses genom fri improvisation av sångaren? Det vi söker är nycklar till sångarens kreativitet, för att ta dem med till vår undervisning. Vad kommer vi att få ta del av under din presentation? Vi kommer att berätta om vårt arbete och visa en liten del ur vår nyskrivna laborations-opera.
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| 3. |
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Apartment Portraits : Sørengkaia 68
- 2018
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Konstnärligt arbete (film/video)abstract
- With Apartment Portraits contemporary music ensemble Lemur and artist Ellen J Røed investigate the rooms we live in through a series of sound and video works for living environments, musicians, microphones, cameras and videographer.Through a form of field work - based on video art and contemporary music, they explored three apartments in Oslo: This one is located in Sørenga, at Sørengkaia 61 and was built in 2016. The oldest of them is a1970s apartment at Hovseter, the other is more recent and is located on Teaterplassen in Grønland, and was built in the early 2000s.In the resulting portraits of apartments, subtle and slow panoramic camera strokes through the apartments portrays the relationship between performed sound and living environments. It tells the story both of the rooms, their owners, the performers’ actions as well the videographer. As a combination of image, sound, action and concept, Leilighetsportretter is part concert, part video art, part site specific intervention and part ethnographic field trip in Oslo apartments.Apartment Portraits is one of four elements in Samtaler om rom – Spatial conversations, where Lemur works in and around the at The National Museum – Architecture´s exhibitions on Norwegian housing architecture. As such the work is part of an interdisciplinary effort to explore new strategies for the presentation of architecture. It is developed within the research project Image as Site at Stockholm University of the Arts.
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| 4. |
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Apartment Portraits : Hovseterveien 98
- 2018
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Konstnärligt arbete (film/video)abstract
- With Apartment Portraits contemporary music ensemble Lemur and artist Ellen J Røed investigate the rooms we live in through a series of sound and video works for living environments, musicians, microphones, cameras and videographer.Through a form of field work - based on video art and contemporary music - they explored three apartments in Oslo: This one is the oldest of them, a 1970s apartment at Hovseter. The other two are more recent. One is located on Teaterplassen in Grønland, and was built in the early 2000s, while the last one is in Sørenga, built in 2016.In the resulting portraits of apartments, subtle and slow panoramic camera strokes through the apartments portrays the relationship between performed sound and living environments. It tells the story both of the rooms, their owners, the performers’ actions as well the videographer. As a combination of image, sound, action and concept, Leilighetsportretter is part concert, part video art, part site specific intervention and part ethnographic field trip in Oslo apartments.Apartment Portraits is one of four elements in Samtaler om rom – Spatial conversations, where Lemur works in and around the at The National Museum – Architecture´s exhibitions on Norwegian housing architecture. As such the work is part of an interdisciplinary effort to explore new strategies for the presentation of architecture. It is developed within the research project Image as Site at Stockholm University of the Arts.
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| 5. |
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Apartment Portraits : Mandallsgata 16
- 2018
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Konstnärligt arbete (film/video)abstract
- With Apartment Portraits contemporary music ensemble Lemur and artist Ellen J Røed investigate the rooms we live in through a series of sound and video works for living environments, musicians, microphones, cameras and videographer.Through a form of field work - based om video art and contemporary music, they explored three apartments in Oslo: This one is located on Teaterplassen in Grønland, in Mandallsgata 16 and was built in the early 2000s.In the resulting portraits of apartments, subtle and slow panoramic camera strokes through the apartments portrays the relationship between performed sound and living environments. It tells the story both of the rooms, their owners, the performers’ actions as well the videographer. As a combination of image, sound, action and concept, Leilighetsportretter is part concert, part video art, part site specific intervention and part ethnographic field trip in Oslo apartments.Apartment Portraits is one of four elements in Samtaler om rom – Spatial conversations, where Lemur works in and around the at The National Museum – Architecture´s exhibitions on Norwegian housing architecture. As such the work is part of an interdisciplinary effort to explore new strategies for the presentation of architecture.It is developed within the research project Image as Site at Stockholm University of the Arts.
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| 6. |
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| 7. |
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| 8. |
- Arlander, Annette, 1956-
(författare)
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Resting with Pines in Nida – attempts at performing with plants
- 2019
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Ingår i: Performance Philosophy. - Surrey : Performance Philosophy. - 2057-7176. ; 4:2, s. 452-475
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Tidskriftsartikel (refereegranskat)abstract
- Is it possible to respond to the challenge of a philosopher with artistic means, rather than on the one hand by attempting to philosophize, or on the other hand by resorting to illustration or application? Perhaps it is not. This text is nevertheless an attempt at responding to the challenge posed to artists by Michael Marder who, in volume 1 of this journal, challenged philosophers and artists ‘to include the spatiality, movement, and perspective of the vegetal in their work’ (Marder 2015, 192). The artistic research project ‘Performing with plants’ could be understood as a response to this challenge. In this text I will briefly outline the plan for the project, relate it to the current interest in plant thinking, plant theory and new materialist feminist theory and then focus on some works loosely related to the project, which seem to resonate with Marder’s challenge in some sense. The variations of Resting with Pines performed in September 2017 in Nida Art Colony on the Curonian spit in Lithuania will serve as attempts to include and even emulate the vegetal, and as an example of a characteristic common to many performance practices, namely the tendency to go on, to ‘keep growing’.
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| 9. |
- Arnell, Malin
(författare)
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Avhandling / Av_handling (Dissertation / Through_action)
- 2016
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. This invitation demands that we are attentive to our mutual co-constitutiveness, that we take responsibility for what gets excluded as well as what comes to matter.Avhandling / Av_handling (Dissertation / Through_action) introduces, purposes and explores a specific format, the live dissertation, an academic instance that demands performative responses during the public defense. It is a dissertation in choreography written through space-time-language-matter with and for human and more-than-human bodies, and other discursive-material becomings. By this Avhandling / Av_handling (Dissertation / Through_action) recognizes the force of what Karen Barad conceptualized as ethico-onto-epistemologocial engtanglements through intra-action. It engages a posthumanist and agential-realist reworking of the notion of performativity, in which all bodies (not only human bodies) come to matter through the world’s performativity—its iterative intra-activity. In this framework, knowledge is made as a direct material engagement, a cutting together-apart—a process by which cuts enact violence but also open up and rework agential conditions of possibility.During Avhandling / Av_handling (Dissertation / Through_ action) diffractive choreographic methods and techniques, which had been developed through diverse intra-active studies—actions, collaborations, and works that span throughout 2010-2016, were re-activated, applied, manifested, and experienced. These practices were made present through specific agential forces that enacted them—such as breath, text, touch, voice, vegetation, spatial proximity, motion, distance, asphalt, material walls and material voids (the reactor hole), pain, and disgust. These practices also enacted processes of queering causality, agency and relationality, and dislocating authority, while (my / the / our) human and more-than-human body / bodies pursued embodied affinities, and a state of becoming-with. Through these re-activated intra-active studies Avhandling / Av_handling (Dissertation / Through_action) examines and articulates choreography and performance as ever-present negotiations of vulnerability, intimacy, force, and power as enactments that are of-the-world.As part of the choreographic practice Sugar Rush Productions | Maria Åkesson together with Tsomak Oga, Sooz Romero, and Debora Vega were video documenting Avhandling / Av_handling (Dissertation / Through_action). This documentation together with other remains (as a non-representative residue) will be made available after the defense here: dissertationthroughaction.space
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| 10. |
- Behrndt, Synne
(författare)
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Dance Dramaturgy: Expanding the Discourse
- 2016
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Ingår i: Canadian Theatre Review. - 0315-0836 .- 1920-941X. ; , s. 76-78
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Recension (refereegranskat)abstract
- A review of the book Dance Dramaturgy: Modes of Agency, Awareness and Engagement, edited by Pil Hansen and Darcey Callison, published by Palgrave Macmillan.
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