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- Ajanović, Midhat, 1959-
(författare)
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A vivid connection : Comics and animation as a context for understanding the work of Nedeljko Dragic i Kresimir Zimonic
- 2011
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Ingår i: Hrvatski filmski ljetopis/Croatian Film Cronicle. - Zagreb : Hrvatski filmski savez. - 1330-7665. ; :68, s. 25-50
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Some of the most prominent authors of the Zagreb School of Animation were (or still are) equally active in the field of animations as in the field of caricature and comics. The co-dependency of interrelation of these two fields in terms of aesthetics, mindset and semiotics is being examined on the example of Nedeljko Dragic andKresimir Zimonic. The history of comic strips and caricature is brought into relation with animated film and with the emergence of modernist animation in particular. Moreover, a special emphasis is placed on the influence of the incursion of specific aesthetic movements, known as comic book schools, on the Croatian comic scene.
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| 2. |
- Ajanović, Midhat, 1959-
(författare)
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Animacija i modernizam / Animation and modernism.
- 2013
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Ingår i: Hrvatski filmski ljetopis/Croatian Film Chronicle. - Zagreb : Hrvatski filmski savez. - 1330-7665. ; :75, s. 27-44
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Tidskriftsartikel (refereegranskat)abstract
- Many important periods of the history of animation arose directly from and are part of the radical modernist wave with the epicentre in the USA that bombarded the world of animation after World War II and the influence of which is still felt today. Explaining the origin of American modernist animation in propaganda and commercial film, as well as in eminent artistic aspirations for artistic freedom, Ajanovic describes the main characteristic and the importance of production of the UPA animation studio, i. e. John Hubley, Stephen Bosustow and other leading figures of animation, placing their work within the production frames of the epoch and stressing their importance. By doing so, he argues in favour of the term modernist animation – a term that is much more precise and useful when analysing the mentioned phenomena – instead of the term reduced or stylized animation.
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| 3. |
- Ajanović, Midhat, 1959-
(författare)
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Animator in focus : Caroline Leaf
- 2010
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Ingår i: Catalogue, 33rd Göteborg International Film Festival. - Göteborg : GIFF. ; :33, s. 14-15
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 7. |
- Ajanović, Midhat, 1959-
(författare)
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Black Trains through Dark Landscapes
- 2014
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Ingår i: Catalogue, 37th Göteborg International Film Festival. - Göteborg. - 1102-6448. ; :1, s. 19-24
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Ajanovic, Midhat, 1959-
(författare)
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De visuella tonsättarna II : Animationens mästare i urval
- 2012
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Bok (populärvet., debatt m.m.)abstract
- Filmvetare Midhat »Ajan« Ajanovic har valt ut ytterligare 30 av sina favoriter iDe visuella tonsättarna 2. Förutom klassiska animatörer som Bruno Bozzetto, Ray Harry -hau sen, Ub Iwerks, Chuck Jones, Jerzy Kucia, Ryan Larkin och Len Lye finnsnyare världsberömda namn som Igor Kovaljov, Chris Landreth, John Lasseter, Michel Oce -lot, Nick Park och Peter Lord (Aardman), Joanna Quinn, Pjotr Sapegin, Georges Schwiz -ge bel och Koji Yamamura också med. Även framstående svenskar som Johannes Nyholmoch Jonas Odell uppmärksammas förstås.Boken är andra delen av en planerad heltäckande animationshistoria samlad i fyra populärvetenskapliga böcker.
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