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| 2. |
- Andersson, Robert, 1968-, et al.
(författare)
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The Wire og kriminalitetens afkroge
- 2012
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Ingår i: Passage. - Aarhus : Aarhus Universitetsforlag. - 0901-8883 .- 1904-7797. ; 27:68, s. 27-40
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Tidskriftsartikel (refereegranskat)abstract
- This article argues that the American TV-series The Wire poses complicated political and ideological questions rather than attempting to deliver clear-cut answers or solutions to the problems represented. The Wire is analysed both as an aesthetic phenomenon (narratological and thematic analysis) and as a representation of societal elements (which demands analysis based on sociological, historical and criminological perspectives). After a brief overview of the series, the authors aim to generalise the results of the analysis of a particular part of the five-season series, namely the “Hamsterdam-episode”.
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| 3. |
- Bruhn, Jørgen, et al.
(författare)
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David Simon’s Novel Cop Show
- 2013
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Ingår i: New Review of Film and Television Studies. - : Taylor & Francis. - 1740-0309 .- 1740-7923. ; 11:2, s. 133-153
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Tidskriftsartikel (refereegranskat)abstract
- Is the acclaimed HBO series The Wire comparable to (a certain kind of) literature? In this paper we investigate this claim by both situating the series within the tradition of American television and by way of intermedial comparisons. We suggest that comparing The Wire with literature may prove productive. Specifically, we suggest that selected aspects of M.M. Bakhtin's theory of the novel (heteroglossia and chronotopics) are helpful tools in an analysis of this cop show. Our aim is to demonstrate how and why David Simon and Ed Burns' work may be legitimately considered a ‘novel cop show’, which means that, through The Wire, television is able to achieve some of the functions that are often referred to as typical of novelistic discourse.
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| 4. |
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| 5. |
- Bruhn, Jørgen, 1968-
(författare)
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Förord
- 2010. - 1
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Ingår i: Ekelöf mellan konstartarna. - lund : Lund intermedia press. ; , s. 5-9-
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Bokkapitel (populärvet., debatt m.m.)
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| 6. |
- Bruhn, Jørgen, 1968-
(författare)
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Heteromediality
- 2010. - 1
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Ingår i: Media, Modalities, and Modes. - London : Palgrave Macmillan.
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 8. |
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| 9. |
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| 10. |
- Bruhn, Jørgen, 1968-, et al.
(författare)
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“Jan Troell’s Fleeting Still Moments”
- 2012
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Ingår i: Journal of Scandinavian Cinema. - : Intellect. - 2042-7891 .- 2042-7905. ; 2:1, s. 55-72
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Tidskriftsartikel (refereegranskat)abstract
- This article investigates the role of photography in the Swedish auteur Jan Troell's film Maria Larssons eviga ögonblick/Everlasting Moments (2008) in the light of different perspectives on medium specificity, photography and adaptation. We argue that Jan Troell, by way of cinema, discusses key characteristics and functions of photography. In so doing, the film, in addition to telling the tale of a historical female photographer, raises a number of questions concerning media theory, media ontology and history. We introduce the term 'fleeting still moments' in order to account for Troell's particular cinematic strategy, negotiating movement and stills. Accordingly, the central questions in our study are as follows: what are the differences and similarities between cinema and photography? And to what degree can the differences be framed within the traditional divide between cinema's movement and photography's stillness?
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