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- Brunow, Dagmar, Dr. phil. 1966-
(författare)
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“Archival Vulnerabilities” : Invited talk
- 2021
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Ingår i: The Whole Life Academy, Workshop no 04 “Archival Burnout in the Age of Vulnerability: [Disobedient] Commons and their Dilemmas, Speculations, Emotions”. Haus der Kulturen der Welt, Berlin. 13. November 2021. - : Haus der Kulturen der Welt.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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- Brunow, Dagmar, Prof. Dr. 1966-
(författare)
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Archiváló beavatkozások
- 2023
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Ingår i: Apertura. - Szeged : Apertura. - 1787-7245 .- 1787-7245. ; :Ősz
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Tidskriftsartikel (refereegranskat)abstract
- Ungersk översättning av ett kapitel ur Brunows Remediating Transcultural Memory (Berlin/Boston: deGruyter 2015)
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- Brunow, Dagmar, Prof. Dr. 1966-
(författare)
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Arkivfynd
- 2023
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Annan publikation (populärvet., debatt m.m.)abstract
- Om arkivets hemligheter utifrån ett oidentifierat vykort till Elin Wägner som Brunow under ett besök på KvinnSam hittat i Barbro Alvings samling. Hon identifierar författaren som Ester Blenda Nordström och Fatima Bremmer, Nordströms biograf, hjälper henna av avkoda texten.
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- Brunow, Dagmar, Dr. phil. 1966-
(författare)
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Audiovisual Memory and Placemaking in the Music City : Salford Lads in the Digital Era
- 2020
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Ingår i: Book of Abstracts, Groove the City 2020. - Lüneburg : Leuphana University of Lüneburg. ; , s. 11-12
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Konferensbidrag (refereegranskat)abstract
- This paper looks at the remediation of memory as a method of place making and negotiating urban spaces through music. It shows how music memories can be mobilised through the interplay of locations and digital tools. City tours, audio walks, tourist amateur photography or selfies in front of iconic buildings contribute to mapping the city. In classical concepts around the locatedness of memory (e.g. Pierre Nora’s notion of the lieux de mémoire), memories are tied to specific places. Yet, what is the ‘site’ of memory in times of digitization? The third wave of memory studies (Erll, Rigney, Rothberg) has focused on the transnational dynamics of memory, of memory as a process, as never stable, as always in flux. Drawing on my recent research on the digitization of audiovisual heritage, on the remediation of transcultural memory and on the construction of post-punk memory in Manchester, I argue that remediation creates nodal points (mnemotopes) around which narratives of the past are constructed. These mnemotopes can be mobilised for city branding (Brunow 2019). The paper argues that digital cultures (e.eg. social media) can be a means of “bringing home” transnational memories, tying these back into the local urban scape while remaining constantly in flux. Two cases of living archives will serve as theoretical objects to exploring the tensions of de- and reterritorialization within urban memory cultures: 1) The Salford Lad’s Club and 2) The Manchester Music Tours, a guided tour to locations relevant to bands such as Joy Division, The Smiths or Oasis.
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