The new geographies of popular music (in a pandemic) : Guilty geographies and compressed intimacies

• In this paper, I analyse developments in the relationship between popular musicians and their audiences that have intensified during the COVID-19 pandemic of 2020–21. The first, guilty geographies, concerns musicians and music venues becoming increasingly reliant on charitable audience support, appealing to fans’ ethical consciences through the crowdfunding (or fan-funding) model. The second, compressed intimacies, relates to the conditions of musical production and reception, and the new geographies of musical listening, that emerge from this guilt-based relationship. Focusing on examples from Sweden, I argue that while some artists and venues have engaged creatively with guilty geographies and compressed intimacies, these trends should be resisted.

Ämnesord

HUMANIORA  -- Konst -- Musikvetenskap (hsv//swe)

HUMANITIES  -- Arts -- Musicology (hsv//eng)

Nyckelord

popular music

guilty geographies

fan-funding

intimacy

sonic compression

streaming platforms

Mona Masrour

Alice Boman

Jens Lekman

Sweden

Publikations- och innehållstyp

art (ämneskategori)

ref (ämneskategori)