| 1. |
- Flodin, Camilla, 1977-
(författare)
-
Adorno on Nature
- 2013
-
Ingår i: Florida Philosophical Review. - 1535-3656. ; XIII:1, s. 60-63
-
Recension (övrigt vetenskapligt/konstnärligt)
|
|
| 2. |
- Flodin, Camilla
(författare)
-
Adorno Reframed
- 2014
-
Ingår i: Estetika. - 0014-1291 .- 2571-0915. ; 51:1, s. 146-148
-
Recension (övrigt vetenskapligt/konstnärligt)
|
|
| 3. |
|
|
| 4. |
|
|
| 5. |
- Flodin, Camilla, 1977-
(författare)
-
Koltrastens klagan
- 2010
-
Ingår i: Nutida Musik. - Stockholm. - 1652-6082. ; :4, s. 26-27
-
Tidskriftsartikel (populärvet., debatt m.m.)
|
|
| 6. |
- Flodin, Camilla, 1977-
(författare)
-
Naturens röst
- 2012
-
Ingår i: Translucence. - Malmö : Bokförlaget Arena. - 9789178434053
-
Bokkapitel (populärvet., debatt m.m.)
|
|
| 7. |
- Flodin, Camilla, 1977-
(författare)
-
Of Mice and Men : Adorno on Art and the Suffering of Animals
- 2011
-
Ingår i: Estetika. - Prag : Institute of Art History, Academy of Sciences of the Czech Republic. - 0014-1291 .- 2571-0915. ; :2, s. 139-156
-
Tidskriftsartikel (refereegranskat)abstract
- Theodor W. Adorno's criticism of human beings' domination of nature is a familiar topic to Adorno scholars. Its connection to the central relationship between art and nature in his aesthetics has, however, been less analysed. In the following paper, I claim that Adorno's discussion of art's truth content (Wahrheitsgehalt) is to be understood as art's ability to give voice to nature (both human and non-human) since it has been subjugated by the growth of civilization. I focus on repressed non-human nature and examine Adorno's interpretation of Eduard Mörike's poem 'Mausfallen-Sprüchlein' (Mousetrap rhyme). By giving voice to the repressed animal, Mörike's poem manages to point towards the possibility of a changed relationship between mice and men, between nature and humanity, which is necessary in order to achieve reconciliation amongst humans as well.
|
|
| 8. |
- Flodin, Camilla, 1977-
(författare)
-
The Voice of Nature
- 2012
-
Ingår i: Translucence. - Malmö : Bokförlaget Arena.
-
Bokkapitel (populärvet., debatt m.m.)
|
|
| 9. |
- Flodin, Camilla, 1977-
(författare)
-
The Wor(l)d of the Animal : Adorno on Art’s Expression of Suffering
- 2011
-
Ingår i: Journal of Aesthetics & Culture. - Järfälla : CoAction Publishing. - 2000-4214. ; :3, s. -12
-
Tidskriftsartikel (refereegranskat)abstract
- Although Adorno takes modern, autonomous art as the starting point for his aesthetics, this does not mean that his idea of art’s truth content is restricted to the artworks of modernity. In the article, I wish to show that Adorno’s discussion of art’s truth content is intimately connected with its capacity to express the suffering that nature has undergone and still undergoes in the name of enlightenment. I focus on art’s expression of the suffering of nonhuman nature, and particularly non-human animals. I examine the interpretation Adorno makes in Dialectic of Enlightenment of an episode from The Odyssey, to show that even an artwork before the modern conception of art can be said to have truth content. Few commentators have considered this, and those who have, have not recognized Adorno’s conviction that what is significant in authentic artworks is their ability to give voice not only to repressed human nature but also to repressed non-human nature. Giving voice to suffering nature and animals is something that unites The Odyssey with subsequent artworks, such as Mahler’s Third Symphony.
|
|
