| 1. |
- Fridell Anter, Karin, 1950-, et al.
(författare)
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Successive approximation in full scale rooms. : Colour and light research starting from design experience.
- 2011
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Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011.
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Konferensbidrag (refereegranskat)abstract
- OPTIMA is a pilot study attempting to simultaneously involve all visual aspects of the room, with an analysis starting from the totality instead of dividing it into different parameters. Its primary aim is to develop and test methods for this, combining a scientific approach and experience based practices of art and design
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| 2. |
- Fridell Anter, Karin, 1950-, et al.
(författare)
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SYN-TES : human colour and light synthesis. Towards a coherent field of knowledge
- 2010
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Ingår i: Colour and light in architecture. - Verona : Knemesi. - 9788896370049 ; , s. 235-240
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The research project SYN-TES aims at contributing to a theoretical development transforming the field of colour and light into a coherent field of research. This includes the identification of important problems and the development of theoretical and methodological tools for the trans-disiplinary understanding necessary to solving them. Special emphasis is put on the spatial interaction of colour and light in architecture. The work has the form of seminars/workshops where colour and light specialists from different academic disciplines (six Nordic universities) and companies (light sources, colorimetric standards, window glass) examine different aspects of the problem complex. Sub-projects deal with the epistemology and concepts of colour and light, with methods for analysing colour and light in existing architectural spaces and with the relationship between energy and light quality.
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| 3. |
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| 4. |
- Klarén, Ulf, 1944-, et al.
(författare)
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Den relativa vitheten : kort om projektet "Så vitt vi vet"
- 2010
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Ingår i: Fem konstnärliga utvecklingsprojekt. - Stockholm : Konstfack. - 9789185549108 ; , s. 59-73
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Projektet "Så vitt vi vet" utgör en del i ett fortgående arbete om färg och ljus i deras rumsliga samspel, där en tidigare del publicerats i rapporten "Den rymliga gråheten" (Konstfack 2008). Syftet har varit att ringa in det vitas betydelse för färguppfattningen och samtidigt bidra till att utöka och formulera en spatialt baserad färgkunskap. Vi knyter an till aktuell teori inom området och relaterar denna till egna teser och observationer. En utförllig rapportering finns i "Så vitt i vet - om färg, ljus och rum" (Konstfack, 2009). I färgsammanhang använder man alltför ofta fysikaliskt grundade begrepp för att beskriva och analysera visuella/perceptiva fenomen. Detta kan ge det felaktiga intrycket att fysikaliska mätvärden också är mått på vad vi ser. Relationen mellan det fysiskt mätbara och det vi ser är dock mycket komplicerat. Vårt seende bygger på en ständig anpassning - adaption - som strävar efter att bebehålla omvärldens färger så som vi känner igen dem. Det som vi uppfattar som vitt utgör ankaret i adaptionsprocessen och påverkar vilken ljushet och vilken kulörton vi uppfattar hos andra ytor.
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| 5. |
- Klarén, Ulf, 1944-, et al.
(författare)
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The spacious greyness : on colour, light and space
- 2011
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Ingår i: Colore : quaderni di cultura e progetto del colore. - Milano : IDC Colour Centre. - 1590-3079. ; :69, s. 24-32
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- In the project Greyness and spatial experience we have studied visual qualities in grey/greyish colours "on location" in the - spatial - world around. We have carried out a number of observation series not only aiming to investigate variation of greyness in different spatial situations but also to develop a methodology and equipment for such studies. In this paper perception of greyness is discussed in relation to our own observations and to scientific and scholarly references. We make some basic reflections on colour in spatial context and in relation to traditional colour theory. In spatial context colours with low chromaticness, near the grey-scale, play a more significant role than distictly chromatic colours; hence they are very important in design of built spaces, both exterior and interior. The logically balanced distribution of greyness in shadows and in surfaces against the light produces a spatial feeling of coherency, and greyish inherent colours generally form a subordinated background to colours with high chromaticness. Simultaneously greyness to a high degree conduces to differentiation of spatial experience; an over-all spatial experience of greyness normally offers subtle but distinct contrasts of hue. In the field of colour most scientific research deals with colour phenomena as such. In focusing on colour as spatial phenomenon, colour theory can be given theoretical connection to intuitive understanding of the world around and be part of a wider field of aesthetic research.
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| 6. |
- Matusiak, Barbara, et al.
(författare)
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PERCIFAL method in use : Visual evaluation of three spaces
- 2011
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Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; , s. 568-571
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Konferensbidrag (refereegranskat)
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