| 1. |
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Röster om hajj
- 2017
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Berg, Magnus, 1955, et al.
(författare)
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Musealt islam
- 2018
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Bok (övrigt vetenskapligt/konstnärligt)
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| 3. |
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| 4. |
- Grinell, Klas, 1969
(författare)
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Behovet av museikritik
- 2018
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Ingår i: Utställningsestetiskt forum. - 2000-6934. ; 2018:2018-06-03
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Grinell, Klas, 1969
(författare)
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Carpets and ceramics: Misrepresenting Muslim cultural heritage in Europe
- 2016
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Ingår i: Eurozine. ; , s. 1-10
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- A supposed dichotomy between Islam and Europe means that, despite the historical presence of Muslims in Europe, representations of European cultural heritage largely exclude Islam. Multiculturalist avowals notwithstanding, European museums reproduce the orientalist premises of the nineteenth century, argues curator Klas Grinell.
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| 6. |
- Grinell, Klas, 1969
(författare)
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Comments on civility
- 2019
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Ingår i: Social Justice. - 1391-0612. ; 41:197
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 7. |
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| 8. |
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| 9. |
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| 10. |
- Grinell, Klas, 1969
(författare)
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Framing Islam at the World of Islam Festival, London, 1976
- 2018
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Ingår i: Journal of Muslims in Europe. - : Brill. - 2211-792X .- 2211-7954. ; 7:1, s. 73-93
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Tidskriftsartikel (refereegranskat)abstract
- This article focuses on a neglected historical example where contemporary museological framings of Islam in Europe were established—the World of Islam Festival in London, 1976. The material consulted consists of the publications and materials from the Festival Trust, media coverage and academic discussions of the Festival. These are analyzed from a frame theory perspective. The Festival is situated in a very specific historical period after the advent of Gulf oil money, but before the resurgence of Islam and the Iranian revolution. It was framed by the traditionalist perspective of Frithjof Schuon and Seyyed Hossein Nasr and in large part funded by the United Arab Emirates. It is argued that what might at first appear to be a festival celebrating the presence of Muslims in modern Britain acted to stabilize a dichotomy between Islam and modernity that is still dominant in museological framings of Islam in Europe.
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