| 1. |
- Kular, Onkar
(författare)
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Luleå Biennial 2022, Craft & Art - Exhibitions
- 2022
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Ingår i: Luleå Konsthallen, Norrbottens Museum, Galleri Syster, Pontusbadet In Luleå, Havremagasinet Länskonsthall.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Luleå Biennial 2022, Craft & Art, hosted by Konstfrämjandet (The Peoples Movement for Art Promotion) Norrbotten, took place place throughout the region from October 15, 2022 – January 15, 2023. The artistic directors for the 2022 biennale, Onkar Kular and Christina Zetterlund expanded its contemporary art remit to include crafts of many types, from everyday handicraft to Sami duodji and aimed to sustainably represent the richness of creative activity of Norrbotten and beyond. During the biennial there were Exhibitions at Luleå Konsthallen, Norrbotten Museum, Galleri Syster, Pontusbadet and Havremagasinet Länskonsthall Boden. Shaped through listening and learning with Norrbotten’s history and creativity, the exhibitions weave together local perspectives with global questions emerging from ice and its relationship to the politics of the cold, craft as a socially sustainable activity and the circular histories of resource extraction. Through installations and activities, invited practitioners and organisations to the biennial include Berit Kristine Andersen Guvsam*, Aunesgården, Berit Berin, Liu Chuang, George Dimitri, Silje Figenschou Thoresen*, Tekeste Solomon Gebremariam, Gunvor Guttorm*, Karin Keisu & Josse Thuresson*, Korpilombolo Kulturförening, Laila Susanna Kuhmunen, MADAM Snickeri & Restaurering*, Tomas Magnusson*, Olof Marsja, Elena Mazzi*, Erika Nordvall Falck, Helmer Osslund, Katarina Pirak Sikku, Julia Rensberg*, Johannes Samuelsson, Susan Schuppli, Himali Singh Soin, Katarina Spik Skum*, Søstrene Suse, Rosa Taikon, Post Workers Theatre*, Georg Tiller, Mikhail Tolmachev*, Rosa Tolnov Clausen*, Ida Isak Westerberg, Doris Wiklund and Lena Ylipää. * Artists commissioned to produce new works and installations for the biennial.
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| 2. |
- Kular, Onkar
(författare)
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Luleå Biennial 2022, Craft & Art - Festival
- 2022
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Ingår i: Sameslöjdsstiftelsen Sámi Doudji, Jukkasjärvi Church, The Sami Center for Contemporary Art, Kiruna City Library, Sörbyn-Sundsnäs hembygdsförenin, Galleri Syster, Norrbottens Museum.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Luleå Biennial 2022, Craft & Art, hosted by Konstfrämjandet (The Peoples Movement for Art Promotion) Norrbotten, took place place throughout the region from October 15, 2022 – January 15, 2023. The artistic directors for the 2022 biennale, Onkar Kular and Christina Zetterlund expanded its contemporary art remit to include crafts of many types, from everyday handicraft to Sami duodji and aimed to sustainably represent the richness of creative activity of Norrbotten and beyond. The biennial opened with a curated festival weekend (15th-16th October) stitching a relational map of geographic connections through workshops, displays, seminars and performances across regional venues and organisations. The festival welcomed guests to join together in activities and introduce themselves to the biennial. Festival collaborators include Sameslöjdsstiftelsen Sámi Doudji in Jokkmokk, Berits Straw Craft Museum at Sörbyn-Sundsnäs hembygdsförening, Jukkasjärvi Church, The Sami Center for Contemporary Art, Karasjok, Norway and Kiruna City Library where works from Kiruna Municipality Art Collection were exhibited.
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| 3. |
- Kular, Onkar
(författare)
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Luleå Biennial 2022, Craft & Art - Learning Room
- 2022
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Ingår i: Galleri Syster, IASPIS - Stockholm, Rajalla - På Gränsen, European Festival of the Night - Korpilombolo, Havremagasinet Länskonsthall.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Luleå Biennial 2022, Craft & Art, hosted by Konstfrämjandet (The Peoples Movement for Art Promotion) Norrbotten, took place place throughout the region from October 15, 2022 – January 15, 2023. The artistic directors for the 2022 biennale, Onkar Kular and Christina Zetterlund expanded its contemporary art remit to include crafts of many types, from everyday handicraft to Sami duodji and aimed to sustainably represent the richness of creative activity of Norrbotten and beyond. Recognising the expansive geography of Norrbotten, the Learning Room (extensive three month) programme of workshops, making circles, seminars, performances and talks allowed guests to access the biennial digitally through the biennial website. As well as scheduled film screenings, events through the Learning Room included making circles with Anna-Stina Svakko at Galleri Syster and Tekeste Solomon Gebremariam at the European Festival of the Night, Weaving circles led by textile artist Ida Isak Westerberg and Norrbotten’s Crafts Advisor, a workshop for youth organised in collaboration with KUBN in Haparanda, The Knowledge House for Craft hosted with Garland Magazine and Weaving Kiosk by Rosa Tolnov Clausen in collaboration with Haparanda municipality’s cultural department, Aine Art Museum and Resurscentrum för konst Norrbotten. The Learning Room had a physical stage at Galleri Syster and Havremagasinet Länskonsthall Boden for in-person events and the live broadcasting of a selection of activities from the biennial programme. Throughout the biennial the Learning Room screened loaned and commissioned films by filmmaker Karl-Oskar Gustafsson, the first Gulahallan ja birgen produced by Luleå Biennial in collaboration with Berit Kristine Andersen Guvsám, Gunvor Guttorm and Laila Susanna Kuhmunen and Good luck with your car produced by Luleå Biennial in collaboration with Region Norrbotten's Craft and Design Consultant. Loaned films included, Duoji máttut—Vætnoen maadtoe—Duoje máddoinformation and A conversation about leather tanning produced by Sameslöjdstiftelsen Sámi Duodji.
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| 4. |
- Kular, Onkar, et al.
(författare)
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The Right to design: Caleb Femi and Onkar Kular in conversation 25th August 2022
- 2022
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Ingår i: Göteborgs Litteraturhus.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- A presentation of the London based poet and director Caleb Femi. He was invited to Göteborgs Litteraturhus to take part in a reading circle, public reading and conversation around his widely acclaimed publication Poor with designer, curator and professor Onkar Kular. The event focused on how the combined practices of reading, documenting and writing can provide new ways, new forms and new visibilities for understanding how our designed urban environments profoundly shape individual and collective experiences at many scales. The event was presented by The Right to design platform together with Göteborgs Litteraturhus and IASPIS. To coincide with the event a summer reading circle was organised through an open call and invitations to a number of poetry groups in Gothenburg.
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| 5. |
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