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- Juslin, Patrik N, et al.
(författare)
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Idiographic modelling of aesthetic judgments of music
- 2015
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Ingår i: Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music ESCOM, Manchester, 17-22 August, Manchester, UK.. - Manchester, UK : The European Society for the Cognitive Sciences of Music (ESCOM). ; , s. 492-493
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Konferensbidrag (refereegranskat)
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| 3. |
- Juslin, Patrik N, 1969-, et al.
(författare)
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Neural correlates of music and emotion
- 2019
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Ingår i: The Oxford handbook of music and the brain. - Oxford : Oxford University Press. - 9780198804123 ; , s. 285-332
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Bokkapitel (refereegranskat)abstract
- The chapter presents a theoretical and empirical review of studies of the neural correlates of emotional responses to music. First, we outline basic definitions and distinctions of the field of music and affect. Second, we describe an extensive theoretical framework that may serve to organize the domain. Third, we review 78 empirical studies (e.g., PET/fMRI, EEG, lesion studies) conducted between 1982 and 2016. We distinguish different empirical approaches to music and emotion in brain research and draw some general conclusions based on the results so far. Our review reveals that some brain areas have been more or less consistently reported across studies, with partly distinct patterns for perception and induction of emotions, but that we still do not know what role each brain region plays in the emotion process. This is largely due to a lack of studies that attempt to manipulate underlying psychological mechanisms in a systematic manner. We conclude the chapter by discussing the implications of the results and by making methodological recommendations for future research.
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| 4. |
- Juslin, Patrik N, 1969-, et al.
(författare)
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No accounting for taste? Idiographic models of aesthetic judgment in music
- 2016
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Ingår i: Psychology of Aesthetics, Creativity, and the Arts. - Washington : American Psychological Association (APA). - 1931-3896 .- 1931-390X. ; 10:2, s. 157-170
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Tidskriftsartikel (refereegranskat)abstract
- Music is commonly regarded as one of the fine arts, but aesthetic responses to music are still poorly understood. In this study, we investigated aesthetic judgments of music by using the tools of judgment analysis. The aim was to shed some light on the psychological process through which listeners use a set of subjective and differentially weighted criteria to assign aesthetic value to pieces of music. We used a stratified random sampling procedure to select 72 pieces of music from 12 genres. The pieces were divided across 2 groups of participants (N = 44), who rated each piece with regard to 7 aesthetic criteria (e.g., beauty, originality, expressivity) and overall aesthetic value. Both individual ("idiographic") and averaged ("nomothetic") multiple regression analyses were conducted on the listeners' judgments. The results revealed that (a) linear models provided a good fit to the listeners' aesthetic judgments (mean variance accounted for 76%), suggesting that the process is systematic and mainly additive; (b) some criteria (e.g., originality, skill) made a larger contribution to prediction than others overall; (c) there were wide individual differences between listeners concerning which criteria they used; (d) a nomothetic regression model did not adequately reflect the distinct judgment policies of individual listeners; (e) the trait openness to experience was not correlated with judgments of aesthetic value; and (f) listeners who scored high on the Beck Depression Inventory generally provided higher ratings of aesthetic value (r = .40) than listeners who scored low.
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