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- Haettner Aurelius, Eva, et al.
(författare)
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Transcendensens metaforer. En jeanpaulsk tradition i svensk dikt
- 2018
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Ingår i: Schriftfest | Festschrift für Annegret Heitmann. - 9783831646890 ; 33, s. 370-389
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Bokkapitel (refereegranskat)abstract
- En specifik typ av metaforer i svensk dikt, där ord för triviala ting krockar med ord för höga, abstrakta ting härleds till den tyske diktaren Jean Paul (1763 - 1825), och visas i Tegnérs, C F Dahlgrens, E A Karlfeldts, Birger Sjöbergs och Tomas Tranströmer dikter. Metafortypen är förbunden med en teologisk idé om metaforens möjlighet att överskrida gränsen mellan det jordiska och det himmelska.
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- Schröder, Stephan, 1979-
(författare)
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Towards Unconventional Applications of Wire Bonding
- 2018
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis presents novel heterogeneous integration approaches of wire materials to fabricated and package MEMS devices by exploring unconventional applications of wire bonding technology. Wire bonding, traditionally endemic in the realm of device packaging to establish electrical die-to-package interconnections, is an attractive back-end technology, offering promising features, such as high throughput, flexibility and placement accuracy. Exploiting the advantages of state-of-the-art wire bonding technology and substitute the conventional micro welding approach with an innovative attachment concept, a generic integration platform for a multitude of wire materials is provided. This facilitates a cost-efficient and selective integration, which involves the attachment and shaping of a variety of intrinsically non-bondable wire materials. Furthermore, the selective integration of wire materials provides a simple method to generate complex suspended geometries, which circumvents the need for subsequent processing. The first part of this thesis reports of the integration of non-bondable shape memory alloy wires on wafer-level, which has led to an innovative method to fabricate micro actuators. Moreover, the integration of high performance resistive heating wires on chip-level is utilized to fabricate filament based infrared emitters, targeting non-dispersive infrared gas sensing of alcohol for automotive applications. In the second part, a series of unconventional applications of wire integration using the traditional thermo-sonic wire bonding approach is presented. A novel and low-cost nitric oxide gas sensor is realized by producing vertical bond wires featuring high aspect ratio. Next, the high placement accuracy of wire bonding tools is leveraged to integrate conductive metals cores for fabricating high aspect ratio through silicon vias. Finally, an advanced packaging approach for stress-sensitive MEMS gyroscopes is evaluated, which exclusively utilizes bond wires for realizing the die attachment.
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| 4. |
- Zillén, Erik, et al.
(författare)
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Redistributed Bodiliness : The Reception of French Fable Comedies in Eighteenth-Century Scandinavia
- 2016
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Ingår i: Kosmopolitismus und Körperlichkeit im europäischen Theater des 18. Jahrhunderts. - 9783831644285 ; , s. 49-66
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Bokkapitel (refereegranskat)abstract
- The chapter traces the eighteenth-century reception in Scandinavia of Edme Boursault’s fable comedy Esope (1690). After some initial difficulties, Boursault’s play, innovatively combining the popular genres of fable and comedy, scored a success at the Comédie Française and was also staged abroad. The fable comedy in 1722 reached the playhouse in Copenhagen in a Danish translation, entitled Aesopus and based on the English adaptation. Aesopus was, however, performed only once. Moreover, the fables were subsequently broken loose from the comedy and published separately. The paper discusses the abortive Danish reaction to the fable comedy in terms of a redistribution of the double function of utile dulci. Since the fables in Boursault’s theatrical invention were assigned primarily the function of moral usefulness, they had – in order to regain their full pleasure value and their full corporeality – to be liberated from the dramatic whole. Thus interpreted, the Danish reception reflects the basic instability of the French genre fusion.
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