| 1. |
- Jullander, Sverker, 1951-, et al.
(författare)
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Room for interpretation : methodological aspects of a music research project
- 2018
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Ingår i: Svensk tidskrift för musikforskning. - Uppsala : Svenska samfundet för musikforskning. - 0081-9816 .- 2002-021X. ; 100, s. 89-115
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Tidskriftsartikel (refereegranskat)abstract
- The artistic research project ‘Room for interpretation’ addresses questions concerning the influence of room acoustics on the performance of Western art music from the performers’ perspective. The empirical core of the project is a number of experimental performance sessions carried out in Studio Acusticum, Piteå, a concert hall with mechanically variable acoustics. The authors discuss issues relating to the project’s design and methodology; the focus of the article is thus the research process rather than the results. A presentation of the project, its preconditions, goals, design and methodology is followed by an overview of previous research, mostly in acoustic science, on the same or closely related topics. In the third part of the article, characteristics of the present project are compared to those of the previous studies. In the following part, ’Room for interpretation’ is related to the ongoing discussion on the purposes and means of artistic research. The authors argue that the project, while showing certain similarities to previous studies, differs considerably with respect to aims and important aspects of design, and that its characteristic features agree well with those usually regarded as typical of artistic research. The article concludes with a summary of the most important results concerning: differences between performers’ reactions in the live situation and when listening to their own recordings; differences between chamber ensembles, conducted ensembles and soloists as to the influence of the acoustics on the performance; and the prevalence of sound over other musical parameters in performers’ comments on their recorded performances.
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| 2. |
- Röijezon, Ulrik, et al.
(författare)
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Sitting postures’ effects on movement behavior and musical performance among high string musicians – a pilot study
- 2018
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The posture has a major influence on the body; e.g., a slumped posture can lead to increased tissue loading but also altered movement behavior. Musicians, including violinists/violists, have a high prevalence of upper body musculoskeletal disorders. Biomechanical risk factors include repetitive movements, altered muscle activation and awkward postures. Changes in posture may have implications for both injury risk and the musical performance. Ideally, a healthy posture leads to the desired qualities of the performance, but this is still to be investigated. This multidisciplinary study takes an initial step to unravel the impact on both movement behavior and musical quality related to playing posture among high string musicians.
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| 3. |
- Sundkvist, Petter, 1964-
(dirigent, creator_code:cre_t)
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Konsert Kalvfestivalen med Norrbotten NEO och Pierluigi Billone : Pierluigi Billone - Dike Wall (2012)
- 2018
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Konstnärligt arbete (refereegranskat)abstract
- Ur programboken: Dike Wall, för slagverk och ensemble. I det antika Grekland var Dike (Δίκη) den moraliska rättvisans gudinna. Pierluigi Billones musik beskrivs ofta somarkaisk. Som minnande om en urkraft, en ockult stämma ur tidens djup. Och det gåratt följa dess klang genom studier av kultiska ritualer, genom schamanen, den tibetanskemunken – genom antikens tragedier, men också i vår närhet; genom frijazzen, denGenom studiet av ritualen som form och tynande eller försvunna musikaliska praktiker ärdet möjligt att betrakta och förstå utvecklingen av den västerländska konceptionen av ljud på ett alternativt vis. Än idag går det i vissa (animistiska) utmarker att ta del av kulturer där konsten inte är en specifik profession, utan en integrerad del av tillvaron och som sådan en formande del, en del som hjälper till att förklara men också förnya verkligheten. Sensibiliteten, hanteringen av klang och överhuvudtaget hur kropp, ljud, rörelse, rum – helt enkelt människans tillvaro – gestaltar ett sammansatt förhållningssätt, som skulle kunna varit vårt, men som nu är stängt för oss inom ramen för vår traditions tänkande.Att försöka förstå och tränga in i avlägsna och relativt orörda kulturer, är ändå ett möjligtsätt att återupprätta en dialog med det förflutna, men också att bli varse djupare sediment i konsten – och därmed människans väsen. Det är att närma sig en möjlig plats, där dörren till Pierluigi Billones poetik står på glänt.
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| 4. |
- Sundkvist, Petter, 1964-
(dirigent, creator_code:cre_t)
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Marinens Musikkår - Julkonsert
- 2018
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Konstnärligt arbeteabstract
- Konsert måndag 17 december 2018 kl 19 på Konserthusteatern i KarlskronaMarinens musikkårDirigent Petter SundkvistSångsolist Lisette PaglerProgram:Guido Rennert: We Wish You a Merry ChristmasJohannes Brahms: (instr. M. Hindsley) Akademisk Festuvertyr, op.80Brian Balmages: Winter DancesRalph Blane/Hugh Martin (Arr. H. Mathisen:) Have Yourself a Merrly Little ChristmasEmmy Köhler (Arr. F. Gustafsson): Nu tändas tusen juleljusOlav Helge: Juligt potpurriP A U SLarry MacTaggert: A Holiday RhapsodyMel Tormé/Robert Wells (Arr. P-O Ukkonen) The Christmas SongBjörn Ulveus/Benny Andersson (Arr. C. Kandelin): VinterhamnAnders Högstedt: Sex svenska julmelodierAdolphe Adam (Arr. H. Hjortek): O Helga nattRobert Burns/William Shield (Arr. F. Gustafsson): Auld Lang SyneFelix Bernard/Richard B. Smith (Arr. L-E. Gudim): Winter WonderlandPer-Olof Ukkonen: TVs Julafton
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| 5. |
- Sundkvist, Petter, 1964-
(dirigent, creator_code:cre_t)
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New Sweden - Silent Plan
- 2018
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Konstnärligt arbete (refereegranskat)abstract
- Since 2009, Norrbotten NEO has annually produced concerts entitled New Sweden, which feature premieres of new works by Swedish composers that the ensemble has commissioned. A selection of those works have been recorded and this is the third installment in the New Sweden set of CDs. The first CD – Diptychon – was released in 2013 and the second - Empreintes digitales – was released in 2015.Originally, New Sweden was a settlement along the Delaware River in North America, from 1638-55. Acknowledging the mindset of the first settlers, the New Sweden CDs strive to honor pioneers who break new musical grounds.One of the first settlers in the New Sweden colony was the Lutheran priest Johannes Campanius. On his tombstone in Fröshult, Uppland you can read the oldest inscription in the Native American Lenape language: Umar Sachiman Chinsika hacking haro ankarop machis chuki (Here lies a great sachem who died in old age).This CD may be considered as a Campanius influenced intercultural inscription that travels through time and space, as well as a snapshot of today’s vibrant Swedish contemporary music scene.Petter SundkvistArtistic Director, Norrbotten NEO, 2007-2012
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| 6. |
- Sundkvist, Petter, 1964-
(dirigent, creator_code:cre_t)
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Nordlyd III : Norrbotten NEO at KLANG – Copenhagen Avantgarde Music Festival, 5th of June 2018 at Koncertkirken Copenhagen.
- 2018
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Konstnärligt arbete (refereegranskat)abstract
- Norrbotten NEO and Conductor Petter Sundkvist performs the third part of the NORDLYD project - The sound of the Nordic languages, with focus on our mother tongue. The project consists of three newly ordered pieces with the language as a focus. The three composers who have written music, which will include their own voices are Ylva Lund Bergner, Bergrún Snæbjörgdóttir and Bente Leiknes Thorsen from Sweden, Iceland and Norway. In addition, there is also a piece from Denmark, Bent Sørensen's trio Schattenlinie from 2010, and Per Mårtensson's Nemea's Secret, inspired by the story of the lion outside the city of Nemea in Greek mythology. The sixth piece of the programme is a world premiere of the Finnish Lauri Supponen's Gaz aux étages.
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