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Sökning: L773:1104 0556 > (2010-2019)

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31.
  • Berglund, Karl, FD, 1983- (författare)
  • Killer Plotting : Typologisk intriganalys utifrån fjärrläsningar av samtida svenska kriminalromaner
  • 2017
  • Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :3-4, s. 41-68
  • Tidskriftsartikel (refereegranskat)abstract
    • This article updates and extends Tzvetan Todorov’s classical typology of crime fiction from 1971 – where he separates plots driven by curiosity from plots driven by suspense – through a distant reading of 113 commercially successful novels of Swedish crime fiction from the early 2000s. Furthermore, it aims to initiate a methodical discussion in literary studies concerning the benefits of using semi-big materials (instead of either very big or very small ones), and in combining computer-aided and traditional methods. The method used – killer plotting – is a word frequency count of all the times the murderer in each novel is mentioned in the plot related to the point in the plotline where the killer is revealed to the reader (and the protagonists). These rather simple measures manage to capture the basic structures of crime novels: clues, encounters with the hidden murderer, revealing, dramatic finale. The results show that a vast majority of the novels in the selection can be classified into one of six different plot types of crime fiction depending on how the killer appears: 1) the all-novel present murderer; 2) the seemingly insignificant murderer; 3) the suspected murderer; 4) the out-of-the-blue murderer; 5) the second murderer twist; and 6) the non-hidden murderer. All six types lie in the range between the two poles presented by Todorov, which demonstrates that contemporary Swedish crime fiction is dominated by recurring narrative structures that in various ways combine suspense and curiosity.
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35.
  • Björck, Amelie (författare)
  • Metaforer och materialiseringar. Om apor hos Vladimir Nabokov och Sara Stridsberg
  • 2013
  • Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 5-20
  • Tidskriftsartikel (refereegranskat)abstract
    • By tradition the humanities have been anthropocentrically focused on the lives of human beings in arts and literature. The limited analysis of what other species do in literature – and of the different relations between humans and animals that are represented – has sustained the notion of a hierachical divide between humans and other species, thereby reducing the ethical potential of literature to resist that dualism. The growing field of human–animal studies proposes that we return to our artefacts and epistemologies, with new attention to human–animal relations. Inspired by this movement, forefronted by scholars such as Cary Wolfe and Sara McHugh, this article offers a comparative reading of Vladimir Nabokov’s Lolita (1955) and Sara Stridsberg’s Darling River (2010). In Lolita Nabokov makes frequent use of animal and especially monkey metaphors, and carries out an ongoing animalization of his characters. In Stridsberg’s novel, which is written as a kind of hypertext of Lolita, Nabokov’s animalizations are interestingly molded and materialized into one physical creature: the caged schimpanzee Ester. The central concern of the study is to understand the process and effects of this materialization. I argue that the consequential reorientation of the reader to a non-hierarchical species discourse is a major ethical feat of the novel.
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38.
  • Björk, Johannes, 1983- (författare)
  • Dispositivets historia
  • 2013
  • Ingår i: Tidskrift för litteraturvetenskap. - Uppsala : littvet.uu. - 1104-0556 .- 2001-094X. ; 43:3-4, s. 156-159
  • Tidskriftsartikel (refereegranskat)
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