| 26. |
- Jönsson, Mats, et al.
(författare)
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Självbilder : filmer från Västmanland
- 2006. - 1
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Boken är resultatet av ett samarbete mellan Svenska Filminstitutet och forskare inom det regionala nätverket Penta Plus. Den inleder en förlagsserie om forskning vid SFI:s arkiv i Grängesberg för icke-biografdistribuerad film. En kort redogörelse för projektets bakgrund, uformning och syfte följs av två delstudier. Uifrån begreppen kulturarv och identitet jämför den första bilder av Västmanland i filmen Salabygd (1953) med nutida länslanseringar. Den andra delstudien analyserar ett stort antal privatfilmer från 1960- 70- och 80-talen. I detta digra material studeras i synnerhet individers förhållande till kamera och motiv.
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| 27. |
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| 28. |
- Thelander, Joakim, 1964-
(författare)
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Disney och FBI
- 2001
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Ingår i: Populär Historia. - 1102-0822. ; :7, s. 48-51
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 29. |
- Thelander, Joakim, 1964-
(författare)
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Hundhjälte med nio liv
- 2001
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Ingår i: Populär Historia. - 1102-0822. ; :8, s. 71-
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 30. |
- Zetterfalk, Per, 1968-
(författare)
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Inter esse : Det skapande subjektet, Norén och Reality
- 2008
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- At the centre of this dissertation is the artistic formation and, as an extension, the scientific formation. The purpose of the work is to reflect on the way from ambition to creation, to capture what about this process is unique. I have chosen two objects for my research. First, the Swedish playwright Lars Norén's (1944-) direction of a new work for the theatre, his own play Kyla (Chill). Second, Swedish Television (SVT) as they produce their largest-ever stake in the field of entertainment, the Reality-TV series Riket (The Kingdom).Concerning the creative process, I partly focus on beginning and end, and partly on the transformation from chaos to order. In this way I am able to focus on the way something unexpected occurs. The question of what constitutes creativity is often raised, but I set out to frame it in my own way: not only with the help of two processes, but also within myself. What is the difference between being a subject, doing something oneself, and observing? In this work I assume both positions. I am a registering and documenting researcher as well as a filmmaker.The work is structured by a principle of three: a documentation of the creative processes, a documentary film on Norén, Kall (Norén's drama), and a dissertation which unites everything into a synthesis.First, my work acts as a purveyor of insights into and understanding of two major and very different creative processes. Second, it is about two extremely established contemporary phenomena: Norén and the SVT together constitute somewhat of a counterpoint, which make it possible to compare a creative process within the art of theatre to one within TV/entertainment. Third, my work creates a field of tension between the creative process and the analysis via my own production: Norén's drama is both a tool of interpretation in the study of Norén and an intensifying of the overall research result. Fourth, my dissertation aims to bring together aspects, categories and literature in a new way.
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| 31. |
- Åberg, Anders
(författare)
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Tabu : Filmaren Vilgot Sjöman
- 2001
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis is a thematic and historical analysis of of Sjöman’s œuvre and its significance for Swedish film culture, focussing on his most important films during the 1960s and 1970s. Sjöman started as a novelist in the late 1940s, and has since then accomplished an œuvre consisting of some 60 works, mostly novels, plays, essays, and films. Sjöman is best known as a film director. In 1962, Sjöman’s first film, Älskarinnan (The Mistress), opened to great acclaim. Sjöman was greeted as the instigator of a new wave of Swedish cinema, comparable to the French Nouvelle vague and post-war Italian cinema. Other Swedish author-directors followed Sjöman’s lead. Through the debate on censorship inspired by the official banning of Sjöman’s film 491, Sjöman became known as a serious, but utterly controversial film-maker, treating sexual matters in a provocative and explicit manner. His international fame rests mainly on the diptych film, Jag är nyfiken – gul (I Am Curious – Yellow), and Jag är nyfiken – blå (I Am Curious – blue), from 1967 and 1968 respectively. Sjöman here launched a kind of cinéma vérité-aesthetic, combined with a self-reflexive cinematic discourse verging on self-parody. At the end of the 1960s and in the 1970s, Sjöman struggled to find his proper place in the politicised cultural climate. The title of this thesis is derived from a film released in 1977, Tabu (Taboo). The film was scandalous, its allegory of leftist political activism deemed unacceptable. After Tabu, Sjöman never really recovered as a director. His films tended to be unattractive for the general audience, and, as opposed to his earlier work, they have had no real impact on the discourses of Swedish contemporary cinema and culture in general.
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| 32. |
- Burstedt, Gunilla
(författare)
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Doris
- 2009
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- The Doris Manifesto is a Film Project Debating Equality between Gender in the Film Industry and on the White Screen in Sweden. The project has produced eight short films publiced on a dvd. All films has been on the basis of a manifesto: * All scripts will be written by women * All films will have at least one female leading part * All primary functions concerning artistry and decision making will be occupied by women * All original music will be composed by women The Swedish Film Business is unequal. Only 20-30% of the feature films financed by the Film Institute is made by woman.
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| 33. |
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| 34. |
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| 35. |
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| 36. |
- Björnberg, Alf, 1953
(författare)
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Video
- 2001
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Ingår i: The New Grove Dictionary of Music and Musicians, 2nd edition. - London : Macmillan. - 0333608003
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 37. |
- Brunow, Dagmar
(författare)
-
[ Review of ] Borderline : Ein Film von Kenneth Macpherson
- 2009
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Ingår i: testcard #18. - Mainz : Ventil Verlag. - 9783931555177 ; , s. 294-295
-
Bokkapitel (populärvet., debatt m.m.)abstract
- Review of the DVD edition of Macpherson's experimental film "Borderline", a British avant-garde classic negotiating issues of race and sexuality.
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| 38. |
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| 39. |
- Dahlgren, Anna, et al.
(författare)
-
I bildarkivet - en introduktion
- 2009
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Ingår i: I bildarkivet. - Stockholm : Kungl. biblioteket. - 9789188468154 ; , s. 7-30
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 40. |
- Eriksson, Thommy, 1967
(författare)
-
The Virtual Film Crew
- 2004
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Ingår i: Presence.
-
Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 41. |
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| 42. |
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| 43. |
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| 44. |
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| 45. |
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| 46. |
- Plebuch, Tobias, 1965-
(författare)
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Richard Wagner im Film bis 1945
- 2008
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Ingår i: Wagner und Fantasy/Hollywood. - Würzburg : Verlag Königshausen & Neumann. - 9783826040207 ; , s. 123-140
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 47. |
- Rosenberg, Tiina
(författare)
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Out of the National Closet : Show Me Love
- 2002
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Konferensbidrag (refereegranskat)abstract
- This conference paper deals with the question of heteronormativity, or more precisely, how heteronormativity pertains to the reception of the Swedish film by Lukas Moodysson, Show Me Love (Fucking Åmål).
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| 48. |
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| 49. |
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| 50. |
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