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- Madison, Guy, 1961-
(författare)
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Variability in isochronous tapping: higher-order dependencies as a function of inter tap interval
- 2001
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Ingår i: Journal of Experimental Psychology. - : American Psychological Association (APA). - 0096-1523 .- 1939-1277. ; 27:2, s. 411-422
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Tidskriftsartikel (refereegranskat)abstract
- Isochronous serial interval production (ISIP) data, as from unpaced finger tapping, exhibit higher-order dependencies (drift). This fact has largely been ignored by the timing literature, one reason probably being that influential timing models assume random variability. Men and women, 22-36 years old, performed a synchronization-continuation task with inter-tap intervals (ITI) from 0.4 s to 2.2 s. ISIP variability was partitioned into components attributable to drift and first-order serial correlation, and the results indicate that (a) drift contributes substantially to the dispersion for longer ITIs, (b) drift and first-order correlation are different functions of the ITI, and (c) drift exhibits breaks close to 1 s and 1.4 s ITI. These breaks correspond to qualitative changes in performance for other temporal tasks, which suggests common timing processes across modalities and tasks.
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| 2. |
- Juslin, Patrik N, 1969-
(författare)
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Cue utilization in communication of emotion in music performance : Relating performance to perception
- 2000
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Ingår i: Journal of Experimental Psychology. - 0096-1523 .- 1939-1277. ; 26:6, s. 1797-1813
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Tidskriftsartikel (refereegranskat)abstract
- The goal of this study was to describe the utilization of acoustic cues in communication of emotions in music performance. Three professional guitarists were asked to perform 3 short melodies so as to communicate anger, sadness, happiness, and fear to listeners. The resulting performances were analyzed with respect to five acoustic cues and judged by 30 listeners on adjective scales. Multiple regression analysis was applied to the relationships between (a) the performer’s intention and the cues, and (b) the listeners’ judgments and the cues. The analyses of performers and listeners were related using Hursch, Hammond, and Hursch’s (1964) lens model equation. The results indicated that (a) performers were successful at communicating emotions to listeners, (b) performers’ cue utilization was well ”matched” to listeners’ cue utilization, and (c) cue utilization was more consistent across different melodies than across different performers. Due to the redundancy of the cues, two performers could communicate equally well despite differences in cue utilization.
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| 3. |
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| 4. |
- Madison, Guy
(författare)
-
Variability in isochronous tapping: Higher order dependencies as a function of intertap interval
- 2001
-
Ingår i: JOURNAL OF EXPERIMENTAL PSYCHOLOGY-HUMAN PERCEPTION AND PERFORMANCE. - : AMER PSYCHOLOGICAL ASSOC. - 0096-1523. ; 27:2, s. 411-422
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Tidskriftsartikel (refereegranskat)abstract
- lsochronous serial interval production (ISIP) data, as from unpaced finger tapping, exhibit higher order dependencies (drift). This fact has largely been ignored by the timing literature, one reason probably being that influential timing models assume ran
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