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- Andersson, Helen, 1959-
(författare)
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Kvinnor och filosofi : Ett mönter av dissonanser
- 1993
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Ingår i: Kvinnovetenskaplig tidskrift. - Umeå : Föreningen Kvinnovetenskaplig tidskrift. - 0348-8365. ; :2, s. 67-70
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Broady, Donald, 1946-
(författare)
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Enligt konstens alla regler
- 1994
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Ingår i: Kvinnovetenskaplig tidskrift. - 0348-8365. ; XV:1, s. 27-39
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Tidskriftsartikel (refereegranskat)
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| 5. |
- Dahlberg, Leif, 1962-
(författare)
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Kvinnoperspektiv : Intervju med Linda Nochlin
- 1992
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Ingår i: Kvinnovetenskaplig tidskrift. - Lund : Forum för kvinnliga forskare och kvinnoforskning i Lund. - 0348-8365. ; :1, s. 54-57
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Tidskriftsartikel (refereegranskat)abstract
- This article contains an interview with professor Linda Nochlin, Department of History of Art, Yale University. The interview was made in New Haven, Connecticut, on September 24, 1991. Professor Nochlin responds to questions on her published works, and in particular on her essay "Why have there been no Great Women Artists?” (1971). She discusses the position of feminism within the academic institution, her own position within the same institution, and her understanding of the documentary status of her essays. She reflects on critique she has received for her 1971 essay, on sources for the same essay, and on her present and future projects. Professor Nochlin also addresses the questions of how different discourses interact and how painting becomes an integral part of the social construction of reality.
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| 9. |
- Ålund, Aleksandra, 1945-
(författare)
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Ungdom, multietnisk kultur och nya gemenskaper
- 1990
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Ingår i: Kvinnovetenskaplig tidskrift. - 0348-8365. ; :3, s. 18-30
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Tidskriftsartikel (refereegranskat)abstract
- Det moderna medvetandets kris målas ofta i mörka färger, både iforskningen och i massmedia. Men Aleksandra Ålund menar att man hos ungdomar också kan se konstruktiva svar på krisen i form av identitetsarbete och kultur byggande som uttrycker transkulturell sammansmältning. Detta möjliggör nya kulturella uttryck och politiska alternativ.
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| 10. |
- Öhrner, Annika, et al.
(författare)
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Konst, kön och kunskap - om den konstnärliga praktiken
- 1992
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Ingår i: Kvinnovetenskaplig Tidskrift. - 0348-8365. ; :2, s. 42-53 ill.
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Tidskriftsartikel (refereegranskat)abstract
- This article is based on interviews with five Swedish artists, Ann Edholm, Maya Eizin, Marianne Lindberg de Geer, Eva Löfdahl and Sophie Tottie. Since these artists show a consciousness of gender and of the production of meaning in the visual arts, we found it interesting to connect their experience with the production of knowledge, which is one of the concerns of feminist art historians. The interviewed were not feminists in any determined sense. They represent divrese career stages as well as diverse artistic expressions. In the interviews various topics were touched upon - such as what it means to be inscribed within the "feminine"; their relationship to the concept and identity of the artists, whether visual representations may carry an essential femininity, and being a woman artists in today's art world. None of them was willing to identify anything essentially feminine in art. Instead, aspects of gender differentiation were discussed regard to positionings and strategies in the context of education, recieveing grants, sharing studios, participating in all-women shows, stating opinions in conferences and debates, and so on. A common view was that art critics and other interpreters often have a narrow outlook and lack an independent attitude in relation to the dominant ways of description and valuation of art. We take this as an urgent appeal request from artists to the feminist art historian who do research within contemporary art today.
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