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Träfflista för sökning "WFRF:(Frydén Anders) srt2:(2000-2004)"

Sökning: WFRF:(Frydén Anders) > (2000-2004)

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1.
  • Augustinsson (Nilsdotter-Augustinsson), Åsa, 1962-, et al. (författare)
  • Interaction of staphylococcus epidermidis from infected hip prostheses with neutrophil granulocytes
  • 2001
  • Ingår i: Scandinavian Journal of Infectious Diseases. - : Informa UK Limited. - 0036-5548 .- 1651-1980. ; 33:6, s. 408-412
  • Tidskriftsartikel (refereegranskat)abstract
    • This study focuses on the interaction of Staphylococcus epidermis isolated from granulation tissue covering infected hip prostheses and neutrophil granulocytes. Bacterial strains isolated from normal flora were used as controls. The bacteria were well characterized with routine methods and further characterized with random amplified polymorphic DNA analyses and slime tests. Phagocytosis and chemiluminescence (CL) assays were used in the neutrophil interaction studies. The prostheses strains were ingested to a lesser extent than strains from normal flora (p ≤ 0.001). There was no significant difference between the prostheses strains and the normal flora strains in terms of total CL response. However, the extracellular CL response from the neutrophils was lower in comparison with the normal flora when interacting with the prostheses strains. The results of this study support the notion that S. epidermidis strains isolated from infected hip prostheses have an enhanced capacity to resist phagocytosis and that most of these strains elicit a reduced inflammatory response, measured as the production of extracellular oxidative metabolites from the neutrophils, compared to normal flora.
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  • Friberg, Anders, et al. (författare)
  • Music from motion : Sound level envelopes of tones expressing human locomotion
  • 2000
  • Ingår i: Journal of New Music Research. - : Informa UK Limited. - 0929-8215 .- 1744-5027. ; 29:3, s. 199-210
  • Tidskriftsartikel (refereegranskat)abstract
    • The common association of music with motion was investigated in a direct way. Could the original motion quality of different gaits be transferred to music and be perceived by a listener? Measurements of the ground reaction force by the foot during different gaits were transferred to sound by using the vertical force curve as sound level envelopes for tones played at different tempi. Three listening experiments assesses the motion quality of the resulting stimuli. In the first experiment, where the listeners were asked to freely describe the tones, 25% of answers were direct references to motion; such answers were more frequent at faster tempi. In the second experiment, where the listeners were asked to describe the motion quality, about half of the answers directly related to motion could be classified as belonging to one of the categories of dancing, jumping, running, walking, or stumbling. Most gait patterns were clearly classified as belonging to one of these categories, independent of presentation tempo. In the third experiment, the listeners were asked to rate the stimuli on 24 adjective scales. A factor analysis yielded four factors that could be interpreted as Swift vs. Solemn (factor 1), Graceful vs. Stamping (factor 2), Limping vs. Forceful (factor 3), and Springy (factor 4, no contrasting adjective). The results from the three experiments were consistent and indicated that each tone (corresponding to a particular gait) could clearly be categorised in terms of motion.
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