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- Johansson, Annika, 1967-
(författare)
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Nederländskans komen och svenskans komma : En kontrastiv undersökning
- 2006
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The aim of this dissertation is to give a detailed analysis of the Dutch verb komen ‘come’ and the Swedish verb komma ‘come’ based on a systematic comparison. Focus has been placed on grammatical polysemy and the study is written within the framework of cognitive linguistics. Both verbs can be defined as corresponding to a complex category consisting of a prototypical meaning and other meanings which can be central or peripheral in relation to the prototype.Two monolingual corpora consisting of newspaper texts were used as sources of data: INL 27 Miljoen Woorden Krantencorpus 1995 and Press 95, 96, 97 Concordances in Göteborg University’s Bank of Swedish. A sample of 1,490 tokens of komen and 1,518 tokens of komma was taken from the two corpora. When analyzing the two verbs and their context the following ten variables were taken into consideration: 1) physical movement, 2) animate or inanimate subject, 3) adverbial, 4) future reference 5) bounded or unbounded aktionsart, 6) ingressive meaning, 7) accidentality, 8) infinitive marker, 9) predictive and/or intentional meaning, and 10) causativity.The results indicate that komen and komma have the same prototypical meaning. However, the semantic extensions from the prototype differ between the two verbs. If we consider the two verbs in a network, the meanings of komen and komma occupy different positions relative to the prototype. On the one hand, when Dutch komen is a copulative verb and/or occurs in lexicalized verb phrases, the resultative meaning is more central, while the aspectual meaning is peripheral. On the other hand, the temporal meaning of Swedish komma, as a future auxiliary verb, holds a more central position than the resultative meaning which is more peripheral. Nevertheless, Dutch komen, which is not considered a future auxiliary verb, but is rather an aspectual auxiliary verb shows similarities in the present tense (komen te + V2) with the Swedish kommer att construction (a true future auxiliary verb). That is, Dutch komen can have clear future reference, but in a limited context. Whereas Dutch komen is categorized as a copulative verb, the Swedish komma is not considered a copulative verb. Nevertheless, it is clear from the corpus that Swedish komma has a copula-like function, but in a limited context. Finally, it has become clear that komen and komma have undergone somewhat different grammaticalization processes even though both verbs contain similar meanings.
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| 2. |
- Van Meerbergen, Sara, 1981-
(författare)
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Nederländska bilderböcker blir svenska : En multimodal översättningsanalys
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis considers the translation of Dutch and Flemish picture books into Swedish from 1995 to 2006. The main aim of the thesis is to study what meaning the notion translation takes on where picture books are concerned and how the translation practice for picture books is influenced by international co-productions. The thesis includes a bibliographical study and a larger case study of the Dutch picture book artist Dick Bruna and his internationally renowned picture books about the rabbit Miffy in Swedish translation.Working within the theoretical frame of descriptive translation studies (DTS), I describe and analyse picture book translation as a phenomenon and a practice that occurs at a certain moment in time in a certain sociocultural context. Using the model of Toury (1995), I study translation norms governing the selection and translation of Dutch and Flemish picture books and of Bruna’s picture books about Miffy in particular. Toury’s model is largely designed for the analysis of written texts. As picture book texts combine both verbal and visual modes of expression, I use multimodal analysis combining the social semiotic visual grammar of Kress & van Leeuwen (2006) with systemic functional linguistics (SFL) as a tool to analyse the translation of picture book texts. By combining DTS and SFL, I study translation as a cultural and social semiotic practice.The analyses in the thesis indicate that picture book translation can be characterised as an international, target culture-oriented and multimodal translation practice. The multimodal translation analysis shows that, while translated picture books have the same images as their source text due to co-production, images can be combined with different social meanings, as for instance images of children and interaction with the reader, expressed in the written text. Images can also assume different meaning potentials and also referential interplay and plausible reading paths between words and images can change.
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- Wikén Bonde, Ingrid, 1943-
(författare)
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Fredrik Coyet som opperhoofd i Nagasaki
- 2001
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Ingår i: Fjärrannära. - Stockholm : Bokförlaget Arena. - 91 7843 162 X ; , s. 26-39
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 11. |
- Wikén Bonde, Ingrid, 1943-
(författare)
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Nederlands in Stockholm. Dutch in Stockholm.
- 2006
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Ingår i: vakTaal: Tijdschrift van de landelijke vereniging van Neerlandici.. - Bussum : Landelijke Vereniging van Neerlandici. - 0921-5867. ; 19:e årg.:2/3, s. 14-17
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 12. |
- Wikén Bonde, Ingrid, 1943-
(författare)
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Nederländska
- 2012
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Ingår i: Från Nyens skans till Nya Sverige. - Stockholm : Kungl. Vitterhets Historie och Antikvitets Akademien. - 9789174024098 ; , s. 163-181
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Bokkapitel (refereegranskat)
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| 15. |
- Wikén Bonde, Ingrid, 1943-
(författare)
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Sonja Berg Pleijel
- 2010
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Annan publikation (populärvet., debatt m.m.)
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| 17. |
- Wikén Bonde, Ingrid, 1943-
(författare)
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Van het ene polysysteem naar het andere. From one polysystem to the other. : De receptie van de Vijftigers in het Zweedse literaire veld. The reception of the the Dutch literary generation of the 1950's in the Swedish literary field.
- 2006
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Ingår i: Nederlandse literatuur in het buitenland. Methode: onbekend. Dutch Literature abroad: In Search of a Method.. - Groningen : Barkhuis. - 9077922210 ; , s. 125-150
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- This paper treats the reception in the Swedish literary field of the group of poets in Dutch literature known as ‘De Vijftigers’ and of some other authors of the same generation (the 1950’s). The model used was created by the French cultural sociologist Pierre Bourdieu. As the literary field is developing constantly, I am also indebted to views of the Israeli scholar Itamar Even-Zohar who created the term ‘polysystem’, meaning field wherein several paradigms coexist. According to his theory, the succes of reception in a foreign field should be due to the need and receptivity of the receiving polysystem. But this is not enough as an explanation. I would like to add the notion of hazard. There must be a suitable constellation of enthusiastic and gifted missionaries and helpers at the psychological moment. Those actors should have a certain status or prestige in the fields concerned, such as the literary field, the academic field, or the political field.
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| 18. |
- Wikén Bonde, Ingrid, 1943-
(författare)
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Was hat uns dieser Gast wohl zu erzählen? oder Die Jagd nach dem Nobelpreis. : zur Rezeption niederländischer Literatur in Schweden. Mit einer Bibliographie der Übersetzungen 1830-1995
- 1997
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This work provides a survey of Dutch literature translated into Swedish between 1830 and 1995 in order to investigate the mechanisms and selection criteria that determined the reception given this literature in the Swedish literary field.The introduction briefly sketches intercultural relations between Sweden and the Low Countries until 1830. The second chapter traces the growth of Dutch as a subject in Swedish universities, and Dutch literature in Swedish reference works, literary histories, cultural publications, radio and television. To the extent that rules of secrecy have permitted, the Nobel Prize candidacies of Dutch and Flemish writers have also been examined. The third chapter provides a commentary on the appended bibliography of translations from Dutch into Swedish during the period 1830-1995. Tables indicate distributory percentages of translated works as regards men and women, Dutch and Flemish authors, or adult literature, children's literature and comic strips. A consideration of number of translated titles per author and works with the greatest number of editions allows us to determine the types of literature most sought after. A division into quality categories, presented in tabular form, indicates the relative distribution of translations from 1830 to 1995 into entertaining works and quality literature, respectively. The fourth chapter investigates the reception of five Dutch post-war authors in Sweden, based on analyses of book reviews and reader interviews.It becomes clear that medieval trade links between Scandinavia and the Low Countries had a linguistic impact, one that subsequently inspired Scandinavian philologists interested in Nordic languages, English and German to investigate Frisian, Low German and Dutch, as well. As a result, by the turn of the century Swedish university students of German were being taught Middle Dutch and Modern Dutch, as well. At the same time, Dutch influence on 17th-century cultural life in Sweden had become of major interest to cultural historians. The Dutch literature translated during that century was primarily moralistic and didactic, but during the latter half of the 19th century, translations began to appear of a more entertaining nature - historical novels and stories about the common people of the Netherlands and Flanders. In Swedish book reviews, these texts were frequently compared to Dutch painting. By the end of the 19th and early 20th century, translations included novels dealing with contemporary matters, such as the womens question, the peace movement and social issues such as socialism and colonialism.A small group of academics and literary specialists were by then working for a literary Nobel Prize for the Dutch part of the world. Nevertheless, the translations produced during 1920-1950 were primarily a question of entertaining literature. During the 1930s more translations began to appear of literature for children and adolescents, a movement that intensified during the 50s, so that today such areas account for more than half of the literature translated from Dutch.From the 1930s until her retirement in 1961, the Dutch foreign lecturer Martha A. Muusses played a central role for Swedish awareness of serious Dutch - although not Flemish - literature. During the 60s, deliberate Dutch and Flemish economic commitments produced an increase in the amount of serious literature translated from Dutch to Swedish. By the 70s this shift was facilitated by the growing number of enthousiastic translators, backed up by informative articles written by Dutch and Flemish professors. They were driven not least by the desire to see the Nobel Prize in literature at last go to a work in Dutch. Moreover, new enthousiastic supporters from the heart of the Swedish literary world would join them in the 80s and 90s.Although the Swedish translations from Dutch still contain large elements of children's literature, anti-war tracts, works of social criticism, literature about the situation of women, and works dealing with the lives and customs of the people in the Netherlands and Flanders, a noticeable shift has taken place towards the type of literature appreciated by literary critics - nor is this latter type without its appreciative readers in the public at large.In sum, the reception of Dutch literature in Sweden from the 19th century to 1995 has primarily shifted from literature of a moral and religious nature, via a literature of entertainment, to a more serious literature, a shift in wich the commitment of translators and Dutch and Flemish cultural intermediaries, together with economic support, has played a crucial role.
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