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- Zetterman, Eva, 1957
(författare)
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A Mexican Icon Transgressing the Border – the Queen of Selfies in Visual Art
- 2018
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Ingår i: Open Covenants – Pasts and Futures of Global America. The 10th Biennial Conference ofthe Swedish Association for American Studies (SAAS). Panel: The Territoriality of Global America: The U.S.–Mexico Border in Contemporary Cultural Production. Chair: Eva Zetterman. Panel proposal: Birgit Spengler, University of Wuppertal, Markus Heide, Uppsala University, Eva Zetterman, University of Gothenburg. Stockholm University, Sweden. September 28–30, 2018.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Zetterman, Eva, 1957
(författare)
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Chosen methodological issue – subject positions
- 2018
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Ingår i: Methodology workshop: Feminist methodologies and the issue of interpretation. Workshop proposal and chairs: Sabine Grenz, University of Vienna, and Mia Liinason, Unversity of Gothenburg. University of Vienna, Austria. April 24, 2018.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Zetterman, Eva, 1957
(författare)
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Claims by Anglo American feminists and Chicanas/os for alternative space: The LA art scene in the political 1970s
- 2016
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Ingår i: American Studies in Scandinavia. - : Copenhagen Business School. - 0044-8060. ; 48:1, s. 61-83
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Tidskriftsartikel (refereegranskat)abstract
- Abstract: Originating in the context of the Civil Rights Movements and political activities addressing issues of race, gender and sexuality, the Women’s Liberation movement and the Chicano Movement became departures for two significant counter art movements in Los Angeles in the 1970s. This article explores some of the various reasons why Anglo American feminist artists and Chicana artists were not able to fully collaborate in the 1970s, provides some possible explanations for their separation, and argues that the Eurocentric imperative in visual fine art was challenged already in the 1970s by Chicana/o artists in Los Angeles. In so doing, the art activism by Anglo American feminists and Chicanas/os is comparatively investigated with Los Angeles as the spatial framework and the 1970s as the time frame. Four main components are discussed: their respective political aims, alternative art spaces, pedagogical frameworks and aesthetic strategies. The study found that the art activisms by Anglo American feminists and Chicanas/os differed. These findings suggest that a task ahead is to open up a dialogue with Chicana/o activist art, making space for more diverse representations of activities and political issues, both on the mainstream art scene and in the history of art.
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- Zetterman, Eva, 1957
(författare)
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Karin Parrows konstnärskap – med känsla för färg
- 2018
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Ingår i: En ny frihet - sjutton konstnärer: Hundra år i Göteborg. Red. Lena Boëthius, Björn Fredlund och Gudrun Nyberg. - Stockholm : Carlssons. - 978 91 7331 924 9 ; , s. 15-31
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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